Albert Dammouse

from Wikipedia, the free encyclopedia

Albert Louis Dammouse (born October 22, 1848 in Paris , † 1926 in Sèvres ) was a French sculptor , ceramist and glass artist .

Life

Albert Dammouse was the son of the sculptor and manufactory decorator Pierre Aldolphe Damousse (born April 3, 1817 in Paris) and the Rose Victoire Papy. His brother was the painter Édouard Alexandre Dammouse (1850-1903).

Albert Dammouse first studied at the École nationale supérieure des arts décoratifs , then in 1868 at the École nationale supérieure des beaux-arts with François Jouffroy . From 1868 to 1870 he worked in the atelier of the ceramicist Marc-Louis Solon (also called Milès ) and in 1869 he took part in a Paris salon for the first time with a plaster bust. 1971 opened Dammousse in Sèvres workshop, he will be with porcelain work, which he himself burned and decorated with colored reliefs. In 1874 he exhibited again and sent models of his work to various porcelain factories in Limoges .

In the same year he created designs for Pouyat et Dubreuil , which won numerous prizes at the Paris World Exhibition in 1878 with his designs. In 1875 Dammouse worked with the painter Félix Bracquemond , with whom he created the Service aux Oiseaux . Charles Haviland , the owner of the Haviland & Co. porcelain factory in Limoges, hired Dammouse from 1882 to 1886. Here he worked under the sculptor and ceramist Ernest Chaplet . Dammouse also worked for Gérard Dufraisseix et Abbot and Théodore Haviland .

At an exhibition of the Union centrale des Arts décoratifs , Dammouse received a gold medal in 1874, as well as at the Paris World Exhibition in 1889 . In 1889 he became a member of the Société nationale des beaux-arts and exhibited at their salon. In 1891 he became secretary of the society and in 1893 a member of the jury.

In 1892 Dammouse built his own kiln in his workshop in Sèvres and developed the pâte-sur-pâte production method . He made numerous faiences here , in which he was able to express his talent as a colourist and decorator through a broader range of colors. Together with his brother Édouard Alexandre Dammouse, he designed pieces mainly in the style of Japonism . Other of his works are kept in the style of naturalism .

From 1897 Dammouse also began to work with glass. At the Salon of the Société Nationale des Beaux-Arts in 1898, he exhibited cups, bowls and goblets made of fine, opaque pâte de verre , which were decorated with plant or animal motifs. He was one of the few glass artists of his time who worked successfully with this medium.

On April 30, 1926, the Legion of Honor accepted Dammouse as Commandeur . In Sèvres, Rue Albert Dammouse was named after the artist.

Works (selection)

  • Cascade Vase , 1895
  • Jardinière , between 1882 and 1885
  • Pichet balustre
  • Scène mythologique
  • Buste de Richelieu
  • Sculpture d'une femme nue , 1900

literature

  • Victor Arwas : Art Nouveau. The French Aesthetic. Papadakis Publisher, London 2002, ISBN 1-90109-237-2 , pp. 520f.
  • Gordon Campbell: The Grove Encyclopedia of Decorative Arts. Oxford University Press, USA 2006, ISBN 0-19518-948-5 , Volume 1: p. 301, Volume 2: p. 39, 191, 195.
  • Victoria Charles: 1000 Masterpieces of Applied Art. Parkstone International, New York City 2014, ISBN 1-78310-462-7 , p. 390.
  • Susanne K. Frantz, Jean-Luc Olivié: Particle Theories. International Pâte de Verre and Other Cast Glass Granulations. Museum of American Glass at Wheaton Village, Millville 2005, ISBN 0-97421-073-0 , pp. 12, 28, 33.
  • Ray Grover, Lee Grover: Carved & Decorated European Art Glass. Tuttle Publishing, North Clarendon 2012, p. 75.
  • Helmut Ricke: Glass art. Reflecting the centuries. Masterpieces from the Glasmuseum Hentrich in Museum Kunstpalast, Düsseldorf. Glasmuseum Hentrich, Prestel, Munich 2002, ISBN 3-79132-793-3 , pp. 12, 177, 180.
  • Renate Ulmer: Art nouveau. Symbolism and Art Nouveau in France. Arnoldsche, Stuttgart 1999, pp. 120, 188, 355.

Web links

Commons : Albert Dammouse  - collection of images, videos and audio files

Individual evidence

  1. a b c d e f Victoria Charles: 1000 masterpieces of applied art. Parkstone International, New York City 2014, ISBN 1-78310-462-7 , p. 390.
  2. Pair of vases. In: Metropolitan Museum of Art
  3. Helmut Ricke: Glass art. Reflecting the centuries. Masterpieces from the Glasmuseum Hentrich in Museum Kunstpalast, Düsseldorf. Glasmuseum Hentrich, Prestel, Munich 2002, ISBN 3-79132-793-3 , pp. 12, 177, 180.
  4. Dammousse, Albert Louis (1848 - 1926), sculptor, potter. In: Emmanuel Bénézit : Dictionary of Artists . ISBN 978-0-19977-378-7 , 2006.
  5. a b Victor Arwas : Art Nouveau. The French Aesthetic. Papadakis Publishers, London 2002, ISBN 1-90109-237-2 , pp. 520f.
  6. a b Malcolm Haslam: Marks & Monograms. The Decorative Arts, 1880-1960. Collins & Brown, London 1995, ISBN 1-85585-024-9 , p. 97.
  7. Mel Byars (Ed.): The Design Encyclopedia . L. King Publishing, London 2004, ISBN 0-87070-012-X , p. 163.
  8. ^ Fine Arts. French Section. Catalog of Works in Painting, Drawings, Sculpture, Medals-engravings and Lithographs. Commission, Panama-Pacific International Exposition, 1915.
  9. ^ Jean Lahor: L'Art nouveau. Art of Century. Parkstone International, New York City 2012, ISBN 1-78042-762-X , p. 8.
  10. Beaux-arts. Revue d'information artistique. Lyon Public Library, 1909, p. 191.
  11. ^ L'Artiste , Volume 1. Aux bureaux de L'Artiste, 1893.
  12. Helga Hilschenz-Mlynek, Helmut Ricke: Glass. Historicism, Art Nouveau, Art Deco. The Hentrich Collection in the Düsseldorf Art Museum. Kunstmuseum Düsseldorf , Prestel-Verlag, Munich 1985, p. 68.
  13. Albert-Louis Dammouse . In: Musée d'Orsay
  14. ^ Ray Grover, Lee Grover: Carved & Decorated European Art Glass. Tuttle Publishing, North Clarendon 2012, p. 75.
  15. Dammousse, Albert Louis . In: Base Léonore
  16. Rue Albert Dammouse . In: Google Maps