Antonio de la Gandara
Antonio de la Gandara (born December 16, 1861 in Paris , † June 30, 1917 there ) was a French painter and draftsman . With his portraits and his pictures of Paris' bridges, parks and streets, he is considered one of the greatest painters of the Belle Époque . Gandara became one of the favorite painters of the Parisian elite at an early age , as can be seen in the illustration of his paintings on the cover of the fashionable Le Figaro magazine.
Life
Gandara was born the son of an Englishwoman and a Mexican. In 1878 he began his studies at the École nationale supérieure des beaux-arts de Paris . There he learned from Jean-Léon Gérôme and Cabanel until 1881 .
Just one year after completing his studies, Gandara exhibited his portrait of Melle Dufresne in the Salon of the Société des Artistes Français . At the world exhibition in Paris in 1889 he won a bronze medal. He had his first own exhibition in New York in 1898 in the gallery of Paul Durand-Ruel . In the 1890s, further exhibitions followed in the salons of the Société nationale des beaux-arts and in the Salon de la Société Nationale . At the world exhibition in 1900 he received the silver medal for his painting by Sarah Bernhardt . He was now a member of the Legion of Honor and became a member of the jury of Champ de Mars .
During the First World War, Gandara went to Mallorca . Although Gandara is now considered a key figure of his time, his notoriety fell rapidly after his death in 1917. He is buried in the Père Lachaise cemetery in Paris.
During his lifetime, Gandara's studio was on rue Monsieur-le-Prince . He had three daughters and was married twice, first to Anne Catherine Wilms and then to Charlotte Saint-André. However, after he had portrayed Madame Gautreau (1859–1915) in 1898 , there were rumors of an affair with her.
style
Gandara mostly worked with oil and pastel colors , but also with charcoal and pencil . He often painted his models against a neutral background. The portraits show his interest in fashion and decoration , e.g. B. Woman in Pink . Gandara was a huge fan of James Abbott McNeill Whistler and was influenced by Velasquez , Gainsborough and Chardin . Today he is often placed in line with Boldini , Helleu , Tissot and Jacques-Émile Blanche . In addition to portraits, Gandara also illustrated a small number of book publications, including Les Danaïdes by Camille Mauclair and Les Chauves-Souris by Robert de Montesquiou .
Works
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literature
- Xavier Mathieu: Antonio de La Gandara, un témoin de la Belle Epoque . Illustria - Librairie des Musées, Deauville 2011, ISBN 978-2-35404-021-5 .
Web links
- Biography and works of Gandara
- Biography, illustrations of his works
- Biography of Gandara
- www.lagandara.fr
- Jean-David Jumeau-Lafond: Review of the book Antonio de La Gandara, un témoin de la Belle Epoque by Xavier Mathieu on http://www.latribunedelart.com .
personal data | |
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SURNAME | Gandara, Antonio de la |
BRIEF DESCRIPTION | French painter and draftsman |
DATE OF BIRTH | December 16, 1861 |
PLACE OF BIRTH | Paris |
DATE OF DEATH | June 30, 1917 |
Place of death | Paris |