Artur Günther

from Wikipedia, the free encyclopedia

Artur Günther (born December 9, 1893 in Potsdam , † February 9, 1972 in Berlin ) was a German film architect with a long career in cinema from the imperial era to the DEFA production of the pre-wall era.

Life

Günther did an apprenticeship in the construction industry after graduating from school in 1908 and then received training at the Berlin building trade school . In 1912 he joined the film industry, initially in the fund and as a set painter for the production company Deutsche Bioscop . He first worked for the same company in 1916 as a film architect, initially under the guidance of his experienced colleague Robert A. Dietrich . From 1918 Günther worked as the sole film architect for mainly small film companies of secondary importance. Apart from his participation in the first two parts of the four-part Fridericus film ( "Sturm und Drang", "Vater und Sohn" ), his silent film work, which consists almost exclusively of melodramas and comedies, is of no historical significance.

Even with the beginning of the sound film age, Günther remained a busy production designer. In the year of the seizure of power in 1933, he also designed the buildings for Hans Steinhoff's propaganda film Hitlerjunge Quex as well as the sets for the hit comedy Viktor and Viktoria by the (half) Jewish director Reinhold Schünzel . Until the end of the war, Günther was at home in Berlin as well as in Vienna , Budapest and Prague studios, since autumn 1940 exclusively in the service of Terra Film .

In 1948 Artur Günther continued his film work at DEFA . With the construction of the Wall in 1961, Günther, who lives in the Tempelhof district of western Berlin, lost his job and retired into private life.

Filmography

  • 1917: Ahasver
  • 1917: The Lord of the World, 1st part
  • 1917: Escaped from Knute
  • 1917: When the dead speak
  • 1917: Princess Wolkowska's lace shawl
  • 1918: The Flying Dutchman
  • 1918: Icarus, the flying man
  • 1918: The Lord of the World, Part 2
  • 1919: I indict
  • 1919: Manon Lescaut
  • 1919: The cry of conscience
  • 1919: an insignificant woman
  • 1919: The yellow grimace
  • 1920: Auri sacra fames
  • 1920: the horror
  • 1920: morality
  • 1920: The red poster
  • 1020: The devil's lawyer
  • 1921: Fridericus Rex : Sturm und Drang
  • 1921: Fridericus Rex: father and son
  • 1921: The witch
  • 1921: Lotte Lore
  • 1922/23: Bohème
  • 1923/24: The Doomed
  • 1925: Harry Hill under the spell of the death rays
  • 1925: The city of millions
  • 1925: The man in the saddle
  • 1926: Fedora
  • 1926: The sunken fleet
  • 1926: When the young wine blooms
  • 1927: The orphan from Wedding
  • 1927: Aennchen von Tharau
  • 1927: The harbor bride
  • 1928: The German song
  • 1929: girl on the cross
  • 1929: Assault on three hearts
  • 1930: I once loved a girl in Vienna
  • 1931: perpetrators wanted
  • 1931: The horror of the garrison
  • 1931: Father goes on a journey
  • 1932: love of hussars
  • 1932: fight
  • 1932: The invisible front
  • 1933: Leap into the abyss
  • 1933: Hitler Youth Quex
  • 1933: Viktor and Viktoria
  • 1934: The swapped bride

literature

  • Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 3: F - H. Barry Fitzgerald - Ernst Hofbauer. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 , p. 444.

Web links