Bert Shefter

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Bert A. Shefter (born May 15, 1902 in Poltava , Poltava Governorate , Russian Empire , † June 29, 1999 in Los Angeles ) was an American musician ( piano ), arranger and composer of Russian origin.

Live and act

Shefter came to America on a scholarship to study art at the Carnegie Institute of Technology ; later he studied at the Curtis Institute and the Damrosch Institute . With Morton Gould he formed the piano duo Gould and Shefter , with whom he arranged classical pieces such as Flight of the Bumble-Bee (1933) and Fantaisie-Imprompt (1934) for this line-up. He then became known nationwide through radio broadcasts and theater appearances. Inspired by Maurice Ravel's main theme, the Pavane pour une infante défunte , he wrote the title The Lamp Is Low with Peter DeRose (music) and Mitchell Parish (text) ; Shefter's other well-known titles were Tango in Tempo , Traffic in Times Square and Twilight Serenade . He founded his own band, with which he appeared on the radio and recorded records with jazz-oriented instrumental numbers for Victor and Decca Records , such as Are All My Favorite Bands Playing or Am I Dreaming? / Burglars' Revenge (1937), SOS / Locomotive ( 1937), A Toast to Paganini's Ghost / Wig Wag (1939), Fiddle-Faddle / Jazz Pizzicato and Jazz Legato (MGM, 1948). In his Rhythm Octet in 1937 a. a. Dave Wade , Toots Mondello , Paul Ricci , Artie Bernstein , Adrian Rollini and Herb Quigley . He was active both as a concert pianist and as an arranger of jazz pieces. After 1946 he was a guest orchestra conductor at New York's Carnegie Hall .

From 1950 Shefter worked mainly as a film composer and wrote (partly with Paul Sawtell ) the music for horror, adventure and science fiction films such as Kronos , Lederstrumpf: Der Wildtöter (1957), It! The Terror from Beyond Space (1958), Return of the Fly, Danger in Havana (1959), Sunken World (1960), Firebelts , Pirates of Tortuga (1961), The Ruler of Cornwall (1962) and The Last Man on Earth (1964). He was also the musical supervisor for a number of western and crime TV series, such as New Orleans, Bourbon Street (1959-60), Hawaiian Eye (1959-63), Maverick (1957-62) and Bronco (1958) -62). Several of his compositions were used in Russ Meyer's films Die Satansweiber von Tittfield and Motorpsycho… wie wilde Hengste (1965). In 1975 he retired from the music business.

Filmography (selection)

  • 1953: Hunted Innocently (No Escape)
  • 1953: The Tall Texan
  • 1957: Defense intervenes (Five Steps to Danger)
  • 1957: Kronos
  • 1957: Devil in the Neck (Monkey on My Back)
  • 1957: Leatherstocking: The Deerslaver
  • 1957: The die is cast (Gun Duel in Durango)
  • 1958: The Texan's Revenge (Cattle Empire)
  • 1958: Wind across the Everglades
  • 1958: King of the Bandits (Villa!)
  • 1958: The Sierra Baron (Sierra Baron)
  • 1959: The Return of the Fly
  • 1959: Murder Trio (Three came to kill)
  • 1959: The world of sensations (The Big Circus)
  • 1959: Raid on call girls (Vice Raid)
  • 1959: Danger in Havana (Pier 5, Havana)
  • 1960: Five Guns to Tombstone
  • 1960: In Sight (The Walking Target)
  • 1960: Patrasche, my little friend (A Dog of Flanders)
  • 1960: Between the fronts (Frontier Uprising)
  • 1960: The Lost World (The Lost World)
  • 1960: The Ruler of Cornwall (Jack the Giant Killer)
  • 1960: Tomorrow You Shall Die (Noose of a Gunman)
  • 1961: The Big Show
  • 1961: Fire belt company
  • 1961: Pirates of Tortuga (Pirates of Tortuga)
  • 1961: Gun Fight
  • 1961: Focal Point Burma (Operation Bottleneck)
  • 1962: Wild Harvest
  • 1963: Gunslingers of Wyoming (Cattle King)
  • 1964: The Scout of the Black Mountains (Gold, Glory and Custer)
  • 1964: The Last Man on Earth
  • 1966: The Satanswives of Tittfield (Faster Pussycat! Kill, Kill!)
  • 1970: Kills Emilio Z. (Emiliano Zapata)
  • 1971: The Gatling Gun - Das Maschinengewehr (The Gatling Gun)

Web links

Individual evidence

  1. cf. Don Rayno Paul Whiteman: Pioneer in American Music, 1930-1967 , p. 199
  2. ^ Brian Rust : Jazz and Ragtime Records (1897-1942): LZ, Index . 2002, p. 1533