Cornelia Paczka-Wagner

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Cornelia Paczka-Wagner (1892)
portrait by Max Klinger
Self-Portrait (1920s)

Cornelia Paczka-Wagner (born August 9, 1864 in Göttingen , † after 1930) was a German painter and graphic artist .

Live and act

Cornelia Wagner was the daughter of the economist Adolph Wagner . She was trained in Berlin with Karl Stauffer-Bern , at the Royal Academy of Fine Arts in Munich with Johann Caspar Herterich and at a private academy in Paris.

In 1888 she moved to Rome to continue her artistic education there. In 1890 she married the Hungarian painter Franz Paczka (Ferenc Paczka, 1856–1925). She had been in close contact with Max Klinger since 1891 at the latest and was often a model for him. In 1894 she went to Madrid with her husband , and from 1895 they worked in Berlin. Paczka-Wagner was a member of the Association of Berlin Women Artists (VdBK) from 1896 to 1930 .

Exhibitions

Group exhibitions

Works

  • Music of the lucky ones , graphic, before 1899
  • Girls dance , graphic, before 1899
  • Femme au bouquet , oil on canvas, 89 × 74 cm, 1906
  • Femme brodant , oil on canvas, 58 × 45 cm, between 1900 and 1939
  • Will to work! , Self-portrait, pen and ink on paper, 29.8 × 43.9 cm, 1916, in the library and art collection of the Association of Berlin Women Artists 1867
  • June morning , oil on canvas, 92 × 76 cm
  • Children playing on a summer meadow , oil on panel, 38 × 48 cm, 1932
  • Mother with two children , oil on cardboard, 75 × 91 cm, 1933

literature

Web links

Commons : Cornelia Paczka-Wagner  - Collection of pictures, videos and audio files

Individual evidence

  1. a b Cornelia Paczka-Wagner on rkd.nl (Dutch)
  2. Berlin and the Berliners. P. 100 ( limited preview in Google Book search).
  3. a b c d Ursula Köhler-Lutterbeck, Monika Siedentopf: Lexicon of 1000 women. Dietz, Bonn 2000, ISBN 3-8012-0276-3 , p. 189 f.
  4. a b c d Anja Cherdron: "Prometheus was not her ancestor". Berlin sculptors of the Weimar Republic. Jonas, Marburg 2000, ISBN 978-3-89445-261-2 , p. 202.
  5. ^ Annette Dorgerloh : Married artist couples in the Berlin Secession. In: Women Art Science. Journal of Gender Studies and Visual Culture. No. 25. Jonas, Marburg 1998, ISSN  0935-6967 , pp. 48-56 (PDF; 834 kB).
  6. ^ Anne-Katrin Sors (ed.): The English manner. Mezzotint as a medium for graphic reproduction and innovation. Universitätsverlag, Göttingen 2014, ISBN 978-3-86395-162-7 , p. 290, footnote 448 ( limited preview in the Google book search).
  7. ^ Marsha Morton: Max Klinger and Wilhelmine Culture: On the Threshold of German Modernism. Ashgate, Farnham 2014, ISBN 978-1-4094-6758-8 , p. 367, section 1888-1893 ( limited preview in Google Book Search).
  8. From exhibitions and collections - Berlin . In: The art. Monthly magazine for fine and applied arts . F. Bruckmann, Munich 1904, p. 194 ( Textarchiv - Internet Archive - with quite negative criticism).
  9. Cornelia Paczka-Wagner on artfacts.net
  10. ^ A b Adolf Rosenberg : Berlin art life in winter. In: Berliner Architekturwelt . Issue 12, 1899, pp. 383–400, here p. 400 (PDF; 27.8 MB).
  11. Femme brodant on fr.artquid.com.
  12. Will to work! ( Memento from October 23, 2014 in the Internet Archive ) on vdbk1867.de.