Doris Kreiß

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Doris Kreiß (born April 29, 1945 in Erfurt , † April 16, 2007 in Dresden ) was a German ceramist.

Life

That a few days before the end of the birthing World War II had been born, graduated from 1961 to 1964, a use recruiters teaching and studied until 1968 art education at the Pedagogical University Dresden . From 1967 to 1968 she worked for the ceramic painter Hans Meyer in Bischofswerda . Between 1969 and 1974 Kreiß completed a guest study at the HfBK Dresden with Gottfried Bammes and Gerhard Kettner as well as in the field of font design. She then worked from 1974 to 1979 as a research assistant at the TU Dresden , Section Vocational Education, Art History / Aesthetics. Doris Kreiß worked as a teacher at the college for kindergarten teachers in Dresden from 1979 to 1984. From 1984 to 1986 she was an individual student with the Dresden sculptor W. Kuhle. From 1985 to 1989, Kreiß designed ceramics and exhibitions as a solo artist. From 1990 she worked as a freelance ceramist. She exhibited her works in Dresden, Goslar , Hamburg , Koblenz and in the Baroque Rammenau Palace . From 1991 Doris Kreiß worked as a freelance graphic artist in the field of advertising graphics for trade and trade fairs and accepted teaching positions at the EHS Dresden , the BA Saxony and private educational institutions.

From 1972 to 1996 Kreiß lived in the listed villa at 1. Steinweg 5 in Dresden- Loschwitz . Her studio was located at Krügerstrasse 13 in the Loschwitz district of Schöne Aussicht . From 1996 she had her apartment and studio at Hutbergstrasse 3 in the Rochwitz district of Dresden . There she opened her gallery “Design and Art” on June 17, 2000. Since then, Kreiß has curated permanent exhibitions and revived Bauhaus traditions as a gallery owner. At the beginning of 2007 she lived at Dresdner Straße 72 in the Pillnitz district . In April 2007, she died shortly before her 62nd birthday after a serious illness. Her grave is in the Hosterwitzer cemetery .

plant

Kreiß wanted to bring order to her ceramics with architectural and clear forms. She assembled built parts onto the rotated shapes and thereby created contrasts. In terms of color, Doris Kreiß essentially limited himself to warm brown tones, which, with the open, rough and scratched surfaces as well as the wiped engobes and matt glazes, were intended to show the earthiness of the material. She worked with rolled-in hand-dyed clays. A special feature are the twisted small sculptures, which Doris Kreiß gave a basic shape on the potter's wheel, which she then deformed into the final shape.

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