Edmond Jabès
Edmond Jabès (born April 16, 1912 in Cairo , † January 2, 1991 in Paris ) was a French writer and poet .
Life
Jabès was born in 1912 into wealthy, francophone and Jewish parents in Cairo. In the thirties he studied in Paris and then returned to his homeland. Although neither he nor his parents were practicing Jews, Jabès had to emigrate to France in 1956, when the living conditions for Jews in Egypt became worse and worse during the Suez Crisis . In 1967 he took French citizenship.
Jabès published several volumes of poetry in the 1940s and 1950s. During this time, his style was very much influenced by his friend and role model Max Jacob , with whom he exchanged lively letters between 1935 and 1940. While still in Egypt, he also wrote plays. However, there was no major success, in France it was hardly noticed at all.
The loss of his home meant a profound change in his work. He began to look for himself and his situation in the old Jewish scriptures and to find them again. Subsequently he studied the Talmud , the Kabbalah and Torah commentaries .
Jabès initially remained unknown in the Parisian literary scene, although his previously published volumes of poetry were collected under the title “Je bâtis ma demeure” (Paris 1959). It was not until his book “Le livre des questions” (1963), which he wrote mostly in the Métro on the way to and from work and which is the fruit of his preoccupation with religious scriptures, that he became known.
The “Book of Questions”, which grew into a heptalogy , was a novelty in the way of writing. It is not a coherent text, there is no storyline and no storyline. Jabès himself called this form of literature "récit éclaté", a story made up of fragments.
The basic structure is the story of a Jewish couple, Yukel and Sarah, who are deported during the Holocaust . However, the content is not reproduced as a narrative, but takes the form of fragments from Yukel's and Sarah's diaries, discussions between rabbis, dead and living, poem-like passages, etc., so that an increasingly complex collage of fragments is formed over time. Jabès added another dimension to this complexity by again creating books in his book.
While Jabès was close to members of the Surrealists (who scorned his former friend Jacob for the importance he attached to religion) during his time in Paris , he refused to join this or any other group. In his view, the dangers a writer accepts should be borne by him alone, otherwise an important aspect of writing - the risk - will be lost.
In 1987 the Italian composer Luigi Nono dedicated the composition “Découvrir la subversion” to Jabès. "Nono did not put the work into writing, so that no further performances are possible" ( Jürg Stenzl ). The publication “Migranten” documents the relationship between Nono, Jabès and the philosopher Massimo Cacciari .
Jabès received the Prix des Critiques in 1970 or 1972 for his work Elya from 1969 and was awarded the Grand prix national de la poésie in 1987 .
Writings in German
- The book of questions. Suhrkamp, Frankfurt 1989 ISBN 3-518-01848-5 (first edition 1963)
- The memory and the hand. Works on paper, pictures by Elisabeth Masé , ed. Felix Philipp Ingold. Kleinheinrich, Münster 1991 ISBN 3-926608-76-5
- The little unsuspicious book of subversion. Translated from Felix Philipp Ingold . Hanser, Munich 1985 ISBN 3-446-20956-5
- The predetermined way. Translated by Monika Rauschenbacher. Merve Verlag , Berlin 1993 ISBN 3-88396-126-4
- The writing of the desert. Translated from Felix Philipp Ingold. Merve, Berlin 1989 ISBN 3-88396-070-5
- A stranger with a small book under his arm. Hanser, Munich 1993 ISBN 3-446-23435-7
- It takes its course. Suhrkamp, Frankfurt 1981 ISBN 3-518-01766-7
- Longing for a beginning, horror at a single end. Translated from Felix Philipp Ingold. Legueil, Stuttgart 1992 ISBN 3-9802323-7-9
- From book to book. Selected Works. Translated from Felix Philipp Ingold. Hanser, Munich 1989 ISBN 3-446-14932-5
literature
- Jacques Derrida : Edmond Jabès and the question about the book. In: The writing and the difference. Frankfurt 1976, pp. 102-120.
- And Jabès. Homage . Legueil, Stuttgart 1994.
- Nils Röller (Ed.): Migrants. Edmond Jabès, Luigi Nono , Massimo Cacciari . Merve, Berlin 1995.
- Winfried Wehle : In the sign of silence. Through the linguistic desert by Edmond Jabès. In: Klaus Ley (Ed.): Text and Tradition. Commemorative Eberhard Leube. Frankfurt, pp. 435-457. PDF
- Clara Lévy: Ecritures de l'identité. Écrivains juifs après la shoah . PUF, Paris 1998, ISBN 2-13-049686-5 (also about Georges Perec , Albert Memmi , Romain Gary and Albert Cohen ) pp. 223-250. (French)
- Carola Erbertz: On the poetics of the book by Edmond Jabès , Narr Verlag, 2000, ISBN 3-8233-5213-X .
- Felix Philipp Ingold : To write means to be written (Edmond Jabès). In: ders .: On behalf of the author. Works for art and literature. Wilhelm Fink, Munich 2004, ISBN 3-7705-3984-2 , pp. 193-217
- Dossier (special issue): Jean Daive - Edmond Jabès . Between the lines. A magazine for poems and their poetics. December 2006 (# 26) Urs Engeler , Weil am Rhein ISBN 3-938767-19-7 , pp. 63–128 (including: "In the double dependence on what is said. Selected texts 1943 - 1988." Translated by F. Ph . Ingold)
- Monika Schmitz-Emans : Between white and black writing: Edmond Jabès' poetics of writing . Fink, Munich 1994.
Web links
- Literature by and about Edmond Jabès in the catalog of the German National Library
- Felix Philipp Ingold : Inner Echoes : In: Neue Zürcher Zeitung from April 14, 2012
- Felix Philipp Ingold translates Edmon Jabès
- Complete list of works, secondary lit. (French, English)
notes
- ↑ Wolfgang Matz: Approaches to Edmond Jabes, one of the most important poets of the French language. With a strange look . In: The time . No. 49/1994 ( online ).
- ^ Translator Nils Röller, Merve, Berlin 1995, ISBN 3-88396-126-4 .
personal data | |
---|---|
SURNAME | Jabès, Edmond |
ALTERNATIVE NAMES | Jabes, Edmond |
BRIEF DESCRIPTION | French writer and poet |
DATE OF BIRTH | April 16, 1912 |
PLACE OF BIRTH | Cairo |
DATE OF DEATH | 2nd January 1991 |
Place of death | Paris |