Fud Livingston

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Joseph Anthony "Fud" Livingston (born April 10, 1906 in Charleston (South Carolina) , † March 25, 1957 in New York City ) was an American jazz musician ( clarinet , tenor saxophone ), arranger and composer .

Live and act

Livingston learned the piano, clarinet and saxophone. As a hot jazz musician, he arranged for band leaders such as Roger Wolfe Kahn and Jean Goldkette (1925) from the mid-1920s and played with Husk O'Hares Wolverines . In 1926 he became a member of Ben Pollack's Californians , on whose recording of “Red Hot” Livingstone can be heard as a soloist on the clarinet, heavily influenced by the New Orleans jazz of Jimmie Noone or Leon Rappolo . For Pollack he provided the arrangements for “He's the Last Word” and “Dee I Do” ( Victor Records ), for Bix Beiderbecke “Singin 'the Blues” and “Clarinet Marmelade”. After leaving the Pollack band, he was henceforth active as a freelance musician; he worked as a musician or arranger a. a. with Louis Armstrong , Jimmy McPartlands Wolverines , Charleston Chasers , California Ramblers , Nat Shilkret , Sam Lanin , Jan Garber , Boyd Senter and Joe Venuti . For several years he was a member of the Red Nichols / Miff Mole band and Nichols' band Five Pennies , in which he developed his style on the clarinet. His other well-known compositions include "Feelin 'No Pain", "Humpty Dumpty", "Imagination", "Harlem Twist" and "Sax Appeal", which contains a longer quote from Bix Beiderbecke's "In a Mist".

Beiderbecke organized a session for Victor Records in which an all-star formation, to which Glenn Miller , Tommy Dorsey and Benny Goodman also played Livingston's arrangements. In 1929 he played with Fred Elizalde in London . In the early 1930s he worked for Paul Whiteman for several years until he was replaced by Arthur Rollini . He later worked in Hollywood for Bing Crosby's radio show, played with Jimmy Dorsey, and in the late 1930s he still wrote arrangements for Bob Zurke , then hardly worked as a musician. His subsequent career was severely affected by alcoholism ; in the 1950s he occasionally appeared in smaller ensembles in New York and died forgotten in March 1957.

He is best remembered as the composer of the jazz standard " I'm Thru with Love ", which he wrote with Gus Kahn and Matty Malneck .

Discographic notes

  • Louis Armstrong & his Orchestra 1936-37 ( Classics )
  • Benny Goodman: 1928-1931 (Classics)
  • Miff Mole: Slippin 'Around (Frog, 1927-30)
  • Red Nichols: 1927-1928 , 1928-1929 , 1929 (Classics)

Lexical entries

Web links