Fud Livingston
Joseph Anthony "Fud" Livingston (born April 10, 1906 in Charleston (South Carolina) , † March 25, 1957 in New York City ) was an American jazz musician ( clarinet , tenor saxophone ), arranger and composer .
Live and act
Livingston learned the piano, clarinet and saxophone. As a hot jazz musician, he arranged for band leaders such as Roger Wolfe Kahn and Jean Goldkette (1925) from the mid-1920s and played with Husk O'Hares Wolverines . In 1926 he became a member of Ben Pollack's Californians , on whose recording of “Red Hot” Livingstone can be heard as a soloist on the clarinet, heavily influenced by the New Orleans jazz of Jimmie Noone or Leon Rappolo . For Pollack he provided the arrangements for “He's the Last Word” and “Dee I Do” ( Victor Records ), for Bix Beiderbecke “Singin 'the Blues” and “Clarinet Marmelade”. After leaving the Pollack band, he was henceforth active as a freelance musician; he worked as a musician or arranger a. a. with Louis Armstrong , Jimmy McPartlands Wolverines , Charleston Chasers , California Ramblers , Nat Shilkret , Sam Lanin , Jan Garber , Boyd Senter and Joe Venuti . For several years he was a member of the Red Nichols / Miff Mole band and Nichols' band Five Pennies , in which he developed his style on the clarinet. His other well-known compositions include "Feelin 'No Pain", "Humpty Dumpty", "Imagination", "Harlem Twist" and "Sax Appeal", which contains a longer quote from Bix Beiderbecke's "In a Mist".
Beiderbecke organized a session for Victor Records in which an all-star formation, to which Glenn Miller , Tommy Dorsey and Benny Goodman also played Livingston's arrangements. In 1929 he played with Fred Elizalde in London . In the early 1930s he worked for Paul Whiteman for several years until he was replaced by Arthur Rollini . He later worked in Hollywood for Bing Crosby's radio show, played with Jimmy Dorsey, and in the late 1930s he still wrote arrangements for Bob Zurke , then hardly worked as a musician. His subsequent career was severely affected by alcoholism ; in the 1950s he occasionally appeared in smaller ensembles in New York and died forgotten in March 1957.
He is best remembered as the composer of the jazz standard " I'm Thru with Love ", which he wrote with Gus Kahn and Matty Malneck .
Discographic notes
- Louis Armstrong & his Orchestra 1936-37 ( Classics )
- Benny Goodman: 1928-1931 (Classics)
- Miff Mole: Slippin 'Around (Frog, 1927-30)
- Red Nichols: 1927-1928 , 1928-1929 , 1929 (Classics)
Lexical entries
- Carlo Bohländer , Karl Heinz Holler: Reclams Jazzführer (= Reclams Universal Library. No. 10185/10196). Reclam, Stuttgart 1970, ISBN 3-15-010185-9 .
- Leonard Feather , Ira Gitler : The Biographical Encyclopedia of Jazz. Oxford University Press, New York 1999, ISBN 0-19-532000-X .
Web links
- Scott Yanow : Portrait at Allmusic
- Feature on All About Jazz
- Documents about the Elizalde period and record cover facsimile
- Text and sheet music from "I'm Thru With Love" at wikifonia
personal data | |
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SURNAME | Livingston, Fud |
ALTERNATIVE NAMES | Livingston, Joseph Anthony |
BRIEF DESCRIPTION | American jazz musician, arranger and composer |
DATE OF BIRTH | April 10, 1906 |
PLACE OF BIRTH | Charleston, South Carolina |
DATE OF DEATH | March 25, 1957 |
Place of death | New York City |