Guy Debord
Guy-Ernest Debord (born December 28, 1931 in Paris , † November 30, 1994 in Bellevue-la-Montagne , Haute-Loire department ) was a French author , filmmaker , artist and revolutionary and an influential founding member of the Situationist International .
Political position
Guy Debord was a radical critic of capitalism and the capitalist ideology of consumerism , which he denounced as a staging of "false needs". In his main work Die Gesellschaft des Spektakels (1967) he developed a theory of the spectacle : "The spectacle is capital in such a degree of accumulation that it becomes an image."
Debord's book exerted an important influence on the New Left movement around Paris in May 1968 , especially in France . His anti-capitalist , situationist outlook is close to anarchism , but also adopts other argumentation models from the part of the workers' movement that was only critical of the Soviet Union . The central concern of Debord was the abolition of the "great separation" of individuals from one another through a revolutionary practice of self-administration . Debord always emphasized the artistic dimension of the revolution , the necessity of upheaval in everyday life.
Situationist International
Together with Asger Jorn , Debord founded the Lettrist International , which emerged from the split in the Lettrist movement in Paris in the 1950s and from which the Situationist International emerged in 1957 . In this actually grassroots group, Debord assumed a dominant position that was often criticized.
The SI - that is ten to forty, over the total time around 70 members - exerted a significant influence on the student movement of the time in the 1960s . When sympathizers of the SI were elected to the student council in Strasbourg in 1966, however, the SI resisted the claim that it had made to assume a leadership role vis-à-vis the students. Instead, she published what was then a highly scandalous brochure on the misery in the student milieu . In 1972 the SI dissolved itself, mainly at the instigation of Guy Debord, after numerous previous exclusions of the remaining members.
Artistic activity
Debord made several films in which he played with the possibilities of the experimental film , sometimes including the audience reactions and the darkened cinema hall in the screening: One of his films, Hurlements en faveur de Sade ("Howling for de Sade "), consisted of Silence and a minute-long black screen that occasionally changed to white, with quotations about youth or revolution as well as legal texts; the howling was represented by the loud protests of the indignant audience.
Debord developed the board game Le Jeu de la Guerre (war game) in 1977 ; an attempt to market it failed. Debord's widow, Alice Becker-Ho, owns the rights to the game. In 1987, Debord and Becker-Ho published a book about a game of the game, which was published in German by Merve Verlag in 2016 .
Life
Debord had a long-lasting relationship with Alice Becker-Ho , who was involved in the Situationist International from 1963. They married in 1972 and remained a couple until Debord's death. Together they developed a board game in 1977 and wrote a book of the same name, Le Jeu de la Guerre (War Game), which was published in 1987.
After his publisher Gerard Lebovici was murdered by an unknown assassin in Paris in 1984, Debord spent the next ten years in a secluded village in Auvergne, where he committed suicide in 1994 after a long illness.
exhibition
- January 6 to April 18, 2005 (participation): Archilab: New Experiments in Architecture, Art and the City, 1950–2005. Mori Art Museum , Tokyo 2005. (Catalog)
- 2013: Guy Debord. Un art de la guerre . Bibliothèque nationale de France , Paris 2013. (Catalog)
Quote
Debord wrote of the proletarian revolution: “It can begin easily wherever autonomous proletarian assemblies will abolish the separation of individuals, the commodity economy and the state by recognizing neither the authority nor the property of anyone outside themselves and by overriding their will make all laws and all specializations. However, the revolution will only triumph if it asserts itself worldwide without leaving even the smallest space to any existing form of alienated society. "
Filmography
- 1952: Hurlements en faveur de Sade (75 min)
- 1959: Sur le passage de quelques personnes à travers une assez courte unité de temps (18 min)
- 1961: Critique de la Séparation (19 min)
- 1973: La Société du Spectacle (80 min)
- 1978: In girum imus nocte et consumimur igni (105 min)
Works
- The society of the spectacle , from the French by Jean-Jacques Raspaud [u. a.], Commentaries on the Gesellschaft des Spektakels , from the French by Wolfgang Kukulies, edited by Klaus Bittermann . Edition Tiamat , Berlin 1996, ISBN 3-923118-97-X .
- Guy Debord presents Potlatch 1954–1957 , Edition Tiamat, Berlin 2002, ISBN 3-89320-043-6
- Panegyrikus , Edition Tiamat, Berlin 2001, ISBN 3-923118-44-9
- Report on the construction of situations and the conditions of the organization such as Aktion der Situationist Internationale and other writings , 1980, ISBN 3-921523-33-8
- In girum imus nocte et consumimur igni / We wander around in circles at night and are devoured by fire , 1985, ISBN 3-923118-75-9
- Against the film: Three experimental film manuscripts , with a foreword by Asger Jorn , Edition Nautilus , ISBN 3-921523-29-X
- Selected letters 1957–1994 , Edition Tiamat , Berlin 2011, ISBN 978-3-89320-152-5
- War game (with Alice Becker-Ho), Merve Verlag , Berlin 2016, ISBN 978-3-88396-349-5
literature
- Susanne Beer: Immanence and Utopia - On the cultural criticism of Theodor W. Adorno and Guy Debord . LIT-Verlag, Münster 2012, ISBN 978-3-643-11487-7
- Biene Baumeister, Zwi Negator: Situationist Revolutionary Theory . An appropriation . Butterfly Verlag, Stuttgart 2004, ISBN 3-89657-586-4
- Marvin Chlada : Another city for another life. Situationist urbanism . In: quadrature . Culture Book, Volume 4: City, Views . FKO-Verlag, Duisburg / Cologne 2002, pp. 155–160, ISBN 3-9806677-4-X
- Fabien Danesi: Le cinéma de Guy Debord ou la negativité à l'œuvre (1952–1994) . Paris Expérimental, 2010, ISBN 978-2-912539-42-7
- Simon Ford: The Situationist International. An instruction manual . Edition Nautilus, Hamburg 2007, ISBN 978-3-89401-545-9
- Andrew Hussey : The Game of War: The Life and Death of Guy Debord . J. Cape, London 2001
- Greil Marcus: Lipstick Traces . Hamburg 1992, ISBN 3-8077-0254-7 (esp. Pp. 371–462)
- Stephan Grigat , Johannes Grenzfurthner , Günther Friesinger (eds.): Spectacle - Art - Society. Guy Debord and the Situationist International . Verbrecher Verlag, Berlin 2006, ISBN 3-935843-61-5
- Anselm Jappe: Guy Debord . University of California Press, 1999, ISBN 0-520-21205-3
- Vincent Kaufmann: Guy Debord. The revolution in the service of poetry , Ed. Klaus Bittermann . Edition Tiamat, Berlin 2004, ISBN 978-3-89320-065-8
- Jörn Etzold: The melancholy revolution of Guy-Ernest Debord . diaphanes, Zurich / Berlin 2009, ISBN 978-3-03734-065-3
Web links
- Literature by and about Guy Debord in the catalog of the German National Library
- Guy Debord in the Internet Movie Database (English)
- Some texts by Guy Debord ( Memento of February 15, 2005 in the Internet Archive ) and others. a. The society of the spectacle
- Works, pictures, articles (English)
- Texts for an exhibition at the ZKM Karlsruhe of the visual work Debords
- Si revue. All texts from the Situationist International
- Films / Writings and Literature on Guy Debord
Individual evidence
- ↑ Ben McGrath: Dept. of Isms: War Games. In: The New Yorker . January 7, 2009, accessed December 10, 2010 .
- ^ Paul Buckermann: Situationist Army Equipment. Alice Becker-Ho and Guy Debord's book on the war game appears in its first German translation. Jungle World, March 10, 2016, accessed October 15, 2017 .
personal data | |
---|---|
SURNAME | Debord, guy |
ALTERNATIVE NAMES | Debord, Guy-Ernest (full name) |
BRIEF DESCRIPTION | French artist and philosopher |
DATE OF BIRTH | December 28, 1931 |
PLACE OF BIRTH | Paris |
DATE OF DEATH | November 30, 1994 |
Place of death | near Bellevue-la-Montagne, Haute-Loire department |