Jakob Samuel Beck
Jakob Samuel Beck (born March 21, 1715 in Erfurt ; † 1778 ibid) was a German painter.
life and work
He grew up as the son of a wealthy family in Erfurt. His father Georg Konrad Beck was a "councilor" and "police commissarius". He married in 1734. His house and studio were in the Erfurt Johannesstraße 36. He painted portraits and the like. a. by Karl Alexander von Württemberg , Leopold I von Anhalt-Dessau , Wilhelm Ferdinand Bachoff , Gustav Adolf von Gotter and Christian Reichart . In 1752 he was appointed " court and cabinet painter " by Duke Karl August von Sachsen-Weimar-Eisenach .
For the Augustinian monastery in Erfurt , he and eight other artists produced oil paintings for the “ Dance of Death ” cycle, which consists of 56 large-format pictures . Beck also painted several works on the high altar of Erfurt Cathedral : the lower altar panel, which presumably replaced an older painting, shows the Adoration of the Magi , the representation is based on the painting of the same name by Peter Paul Rubens . The image of the Holy Trinity in the essay also originally came from Beck, but it no longer exists. He also wrote the “Adoration of the Shepherds” on the south wall of the choir.
Beck was in Jelgava about a year before his death .
Beck's dance of death cycle fell victim to a large fire in the Augustinian monastery on March 7, 1872. Today there are over 14 paintings in the Erfurt Angermuseum .
List of images (selection)
image | title | year | Size / material | Exhibition / collection / owner / notes |
---|---|---|---|---|
Vegetable still life with guinea pigs | 1736 | 70.0 × 98.0 cm, oil on canvas | ||
Forest landscape with a pheasant and a weasel | 1754 | 56 × 79 cm, oil on canvas | ||
Christian Reichart | 1760 | 89.5 × 73.5 cm, oil on canvas | Angermuseum Erfurt, inv. No. G 3299. In 1867, the sculptor Georg Friedrich Carl Kölling used it as a template for a memorial. | |
Fruit still life with a faience bowl | 1768 | 63.0 × 79.0 cm, oil on canvas | Angermuseum Erfurt | |
Fruit still life | 1775 | New museum in Weimar | ||
Goose in the countryside | 53.7 × 69.3 cm, oil on canvas | |||
Ducks | 60.0 × 82.0 cm, oil on canvas | |||
Chicken yard | 1756 | 106 × 133 cm, oil on canvas | Privately owned | |
Still life with melons on a plate | ||||
Prey | Oil on canvas | City Art Museum in Riga in the Bredolo Collection | ||
Gustav Adolf Count von Gotter | Oil on canvas | Molsdorf Castle in Erfurt |
literature
- Steffen Raßloff : Joy of life and transience. The painter Jacob Samuel Beck is considered to be the most important representative of the late baroque in Erfurt. In: Thüringer Allgemeine , August 17, 2013.
- Saur: General Artists Dictionary, VIII. Leipzig 1994, p. 138f.
- Johann Heinrich Meusel: Teutsches Künstlerlexikon or directory of the now-living expensive artists. Lemgo 1778, p. 8.
- Mechthild Lucke: Jacob Samuel Beck. in Contributions to the History of Art in Erfurt, Erfurt 1999.
- Martin Franke: Jacob Samuel Beck. 1715-1778. Erfurt 1999, p. 15.
- Claus Grimm: Still life. The Dutch and German champions. Stuttgart and Zurich 1988;
- Alan Chong, Wouter Th. Kloek: Still-life paintings from the Netherlands, 1550-1720. Exhibition catalog Amsterdam, Rijksmuseum, June 16–19. September 1999 and Ohio, Cleveland Museum of Art, October 31, 1999-9. January 2000, Zwolle 1999, ISBN 978-9040093173 .
- Thomas von Taschitzki, Kai Uwe Schierz (ed.): Jacob Samuel Beck (1715–1778). For the 300th birthday of the Erfurt painter. Dresden, Sandstein 2016, ISBN 978-3-95498-195-3 .
Sources and web links
personal data | |
---|---|
SURNAME | Beck, Jakob Samuel |
BRIEF DESCRIPTION | German painter |
DATE OF BIRTH | March 21, 1715 |
PLACE OF BIRTH | Erfurt |
DATE OF DEATH | 1778 |
Place of death | Erfurt |