John Mayer (composer)

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John Mayer (born October 28, 1930 in Calcutta , † March 9, 2004 in Great Britain ) was an Indo-British composer and violinist who is now internationally associated with some early works of ethno-jazz .

Live and act

Mayer, who grew up in India as the son of an impoverished government official, worked there as a street musician , after receiving instrumental lessons from Phillipe Sandre at the Calcutta School of Music and studying classical Indian and Western music at an early age , he moved to the suggestion of his teacher Melhi Metha 1952 to London ; there he first played in the London Philharmonic Orchestra and studied composition at the Royal Academy of Music with Mátyás Seiber . Yehudi Menuhin performed his violin sonata with the London Philharmonic Orchestra . “Mayer's music was a synthesis of Indian music and occidental compositional techniques, as evidenced by his orchestral work Raga Jaijavanti, composed in 1958. ” In the same year, his Dance Suite was performed by Charles Groves with the Royal Liverpool Philharmonic Orchestra . He had previously performed with Raga Music for Solo Clarinet . Until the mid-1960s he was a member of the Royal Philharmonic Orchestra . After composing for the producer Dennis Preston in 1964, Ahmet Ertegün suggested Mayer's own jazz albums . To perform his compositions, he combined an Indian-influenced quintet with the quintet by Joe Harriott . Between 1965 and 1967 several albums were created with this double quintet; other albums were recorded without Harriott. Then he was a member of the band Cosmic Eye , with whom he recorded the album Dream Sequence in 1972 . In 1967 his Shanta Quartet for Sitar and Strings was recorded; James Galway performed his flute concerto Mandala ki Raga Sandeet in 1990 , after having presented the album Galway Plays Mayer to RCA in 1982 . Even Rohan de Saram interpreted works by him.

Mayer, who taught at the Birmingham Conservatory, also orchestrated for Keith Emerson . In 1995 he reformed his indo-jazz fusion .

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Individual evidence

  1. a b Martin Pfleiderer Between Exotism and World Music. For the reception of Asian and African music in jazz of the 60s and 70s . Karben 1998, p. 149