Klaus M. Rarisch

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Klaus M. Rarisch will read on November 11, 2008 in front of the Herrigschen Gesellschaft, Berlin

Klaus M. Rarisch (born January 17, 1936 in Berlin ; † July 20, 2016 there ) was a German poet .

Life

Rarisch worked as a scientific archivist . For years he played a decisive role as the driving force behind literary series of events within the framework of the Berlin Mass Grave Society . Together with Dieter Volkmann , in view of the nuclear armament, based on an imminent end of culture, he founded his own literary trend, the ultimism , which had to face this situation (cf. Finism ).

He published poetry (especially sonnets ), but also essays and pamphlets on Arno Holz (whose estate he looked after), poetry theory, Group 47 and literary cliques . He also translated poems from Italian (including Giuseppe Gioacchino Belli ) and English .

Works (selection)

  • Emergency, discipline and order , 1963
  • The end of the mafia , 1977
  • The Saved West , 1982
  • Thunderstorm. Meteorological manual with special consideration of cultural-atmospheric-climatocultural aspects , together with m. Robert Wohlleben , 1987
  • The Geiger counters stop ticking , 1990
  • Balance sheet , 1995
  • Impact and puncture-proof. Dispute sonnets , together with Lothar Klünner , 1996
  • Outflow of the Muse , 1997
  • The next born , 2000
  • Women , 2002
  • But of faith , 2004
  • About the sausage. Sonnets on the location , together with Matthias Koeppel , 2006
  • Farther Nirvanes , 2007
  • Memento mori. 99 sonnets between death and life , 2008
  • Make the souls wide! Tenzone from 159 sonnets , together with m. Matthias Koeppel , ( private print ) 2010

translation

radio play

  • Arno Holz's tinsmith . Funk adaptation by Klaus M. Rarisch, directed by Heinz von Cramer. Bayerischer Rundfunk, October 1979. Awarded “Radio Play of the Month” October 1979 by the Academy of Performing Arts (Frankfurt).

Editing

  • Ultimistic almanac , Wolfgang Hake Verlag, Cologne 1965
  • Arno wood. Scherz-Phantasus , first publication from the estate, in: die horen , No. 88, 1972
  • Arno wood. Do you know the country A lyrical correspondence with Hans Schlegel , Verlag Eremiten-Presse, 1977

literature

  • Ingeborg L. Carlson, Das resettete Abendland , in: "Rocky Mountain Review of Language and Literature", vol. 37, no.4, 1983
  • Lars Clausen , "Only forwards step by step ...". Klaus M. Rarisch's "Ninety-nine Sonnets" , in: " Die Horen", No. 161, 1991
  • Ernst-Jürgen Dreyer , Nur ein poète maudit, a visionary. On the sonnets by Klaus M. Rarisch , in: "Literatte, Göttinger Zeitschrift für Literatur", 8th year, 15th edition, 1990
  • Günther Emig , Anticyclical: Sonnets , in: "Heilbronner Voice", No. 178, August 3, 1991
  • Herbert Fussy , A literary domino? , in: "Die Horen", No. 116, 1979
  • Herbert Laschet Toussaint , The Geiger counters stop ticking , in: "Ulcus molle Info", No. 7–9, 1990
  • Theo Meyer , Engagement and Artistry , in: “die horen”, No. 128, 1982
  • Heinz Ohff , Ein Knorzer und Poet , in: "Der Tagesspiegel", January 13, 1991
  • Arno Reinfrank , Harte Poesie zum Ultimo , in: "Deutsche Volkszeitung", March 24, 1967

Web links

Individual evidence

  1. Klaus M. Rarisch: What is ultimism?