Max Krause (actor)

from Wikipedia, the free encyclopedia

Max Krause (* 1993 ) is a German actor .

Life

Max Krause grew up in Düsseldorf and gained his first stage experience at the Düsseldorfer Schauspielhaus , where he took part in productions by Wera Mahne and Nurkan Erpulat . From 2014 to 2018 he completed his acting studies at the Otto Falckenberg School in Munich . During his training he already played in several productions of the Münchner Kammerspiele and appeared at the Munich Residenztheater .

In his theater work he worked with the directors Ulrich Rasche , Alexander Giesche , Wiebke Puls and Stefan Pucher . Krause took on the role of Romeo in the dance theater Juliet & Romeo (based on motifs from Shakespeare ) by the internationally successful choreographer Trajal Harrell (* 1978). In the 2018/19 season he took part in the world premiere of Trajal Harrell's dance piece Morning in Byzantium .

In 2019 he played Käthchen in Kleist's Das Käthchen von Heilbronn in a travesty role at Kampnagel in a final production by the Theaterakademie Hamburg (director: Marie Stolze) . In 2019 he made guest appearances at the Schauspielhaus Zürich and the Schauspielhaus Bochum .

In addition to the theater, Krause is also active in film and television productions. Krause had his first leading role in a movie in the coming-of-age drama Golden Twenties (2019), the film debut of the director Sophie Kluge , in which he played the theater actor and heartthrob Jonas, who serves as a projection surface for the dreams and wishes of the disoriented Ava ( Henriette Confurius ) is in her twenties .

In the Munich crime scene: Unclear situation (first broadcast: January 2020) of the inspectors Batic and Leitmayr embodied Krause Maik Scheuer, the older, "submerged" brother and possible accomplice of a 19-year-old Munich man who was killed after an exchange of fire with the police and who previously shot a ticket inspector would have. In the Berlin Tatort: ​​The perfect crime (first broadcast: March 2020) by the team of investigators Rubin and Karow embodied Krause, "as a convincingly complacent sack", the unsympathetic son of a lawyer Wolfram Liere, who cannot bear to be constantly treated as a failure by his own father.

Max Krause lives in Berlin .

Filmography (selection)

Web links

Individual evidence

  1. a b c d Max Krause at schauspielervideos.de. Retrieved March 16, 2020.
  2. a b Max Krause . Vita and profile at CASTFORWARD. Retrieved March 16, 2020.
  3. a b c Max Krause . Vita. Official website of the Münchner Kammerspiele . Retrieved March 16, 2020.
  4. JULIET & ROMEO . Production details and cast. Official website of the Münchner Kammerspiele . Retrieved March 16, 2020.
  5. ^ "Juliet & Romeo" at the Münchner Kammerspiele: Danced meditation on death . Performance review. Deutschlandfunk Kultur, October 25, 2017. Accessed March 16, 2020.
  6. MORNING IN BYZANTIUM . Production details and cast. Official website of the Münchner Kammerspiele . Retrieved March 16, 2020.
  7. FINAL THESIS OF THE HAMBURG THEATER ACADEMY. MARIE STOLZE: THE KÄTHCHEN FROM HEILBRONN . Production details and cast. Official website of Kampnagel . Retrieved March 16, 2020.
  8. KÄTHCHEN by Heinrich von Kleist . Excerpts from Vimeo . Retrieved March 16, 2020.
  9. ^ Juliet & Romeo . Production details, cast and reviews. Official website of the Schauspielhaus Zürich . Retrieved March 16, 2020.
  10. LOOK! . Performance review at Tanznetz.de from April 8, 2019. Retrieved on March 16, 2020.
  11. Golden Twenties - Behind the Scenes . Video with trailer and interviews at msn.com. Retrieved March 16, 2020.
  12. Review: Golden Twenties (2019) . Movie review. Retrieved March 16, 2020.
  13. Tatort Munich: "Unclear situation" (83) . Press material. Bavarian radio . Retrieved March 16, 2020.
  14. ^ "Unclear situation": The Munich "crime scene" in a quick check . TV review at ntv.de on January 26, 2020. Accessed on March 16, 2020.
  15. Those rich kids again . TV review. In: Süddeutsche Zeitung of March 15, 2020. Accessed on March 16, 2020.
  16. We determine what the truth is . TV review. In: ZEIT of March 15, 2020. Accessed on March 16, 2020.