Oliver Kluck

from Wikipedia, the free encyclopedia

Oliver Kluck (* 1980 in Bergen on Rügen ) is a German writer and playwright . His works are performed on German-speaking stages and have received multiple awards. Oliver Kluck lives as a freelance writer in Berlin.

Work biography

After completing his professional training, Oliver Kluck began studying engineering in Warnemünde ; after dropping out of his studies, he moved to Leipzig in 2006 , where he studied prose , drama and new media at the German Literature Institute at the University of Leipzig .

In the 2010/2011 season he delivered a series of texts for the German National Theater Weimar . In October 2010 the Oktoberlabor was performed in the boiler room of the Weimar electrical works. This was followed by the November laboratory and in 2011 the April laboratory and mail laboratory . At the Schauspielhaus Graz , three Kluck texts were performed in the 2011/2012 season under the motto “Learning from industry - about the possibilities for increasing efficiency”. The first premiere , entitled The Reconstruction of the Haider Monument , took place on October 15, 2011. After the play The Downfall of the House of Wuppertaal , the premiere of Mein Name ist Programm followed on April 13, 2012, directed by Christina Rast . His play on the possibilities of the punk movement was performed on November 18, 2011 at the Rostock Volkstheater .

His work Die Froschfotzenlederfabrik , directed by Anna Bergmann, premiered on December 21, 2011 in the Kasino am Schwarzenbergplatz of the Burgtheater in Vienna and was also set up as a radio play by SWR under the direction of Leonhard Koppelmann . According to Kluck, the play is about a factory that produces special clothing for neo-Nazis. In January 2012, the play Leben und Erben was premiered in the Malersaal of the Schauspielhaus in Hamburg .

Kluck's views on theater are made clear in a letter he wrote to Liane Melzer , the Senator for Culture of the Hanseatic City of Rostock . In the letter he denies the opinion expressed by the Senator for Culture in a foreword to the 2011/2012 season booklet that theater has an educational mandate . Kluck argues: “The theater is neither a school nor a supplementary school offer, but a place of subjectivity. The theater's repertoire is not a curriculum, but a pure feeling and feeling ... Accordingly, the theater is not a place of education, but a place of doubt ... "

Oliver Kluck's pieces have been translated into Spanish , Czech and Polish (as of 2012).

Awards

Works

2009
  • The Meese principle
  • Bananas for the party convention
2010
  • Waiting room future
  • Fire with me
2011
  • About the possibilities of the punk movement
  • The frog cunt leather factory
2012
  • Life and inheritance
  • My name says it all
2014
  • The old man's dog
  • My father's shitty life, my mother's shitty life and my own fucking youth based on the book by Andreas Altmann

Radio plays

Web links

Individual evidence

  1. Review: "Mein Name ist Programm" ( Memento from May 28, 2012 in the Internet Archive ), Kleine Zeitung Graz, online April 14, 2012
  2. ^ "Disposable mentality coupled with the desire for individuality" - playwright Oliver Kluck on the art of writing plays efficiently , podcast on Deutschlandradio Kultur on December 21, 2011
  3. Jördis Bachmann: "Like rats in the laboratory" , nachtkritik.de, October 16, 2010
  4. Colette M. Schmidt: "With the girl Jörg Haider in the theater laboratory on Dorpflatz." , Der Standard (online) on October 17, 2011 (print from October 18), last accessed on April 1, 2012.
  5. Colette M. Schmidt: "With an ugly tie into the uncertain future" - trilogy by Oliver Kluck , Der Standard (online) on April 16, 2012
  6. Hartmut Krug: "Body-intensively recorded foam bathtub" , podcast on Deutschlandfunk, December 22, 2011
  7. Bernhard Doppler: "Inner monologue full of obsessions" , podcast on Deutschlandradio Kultur, December 21, 2011
  8. Uwe Mattheis: "Porno, Nazis and TV Ballet" , taz.die tageszeitung, December 22, 2011
  9. SWR2-Hörspiel-Studio  ( page no longer available , search in web archivesInfo: The link was automatically marked as defective. Please check the link according to the instructions and then remove this notice. Broadcast from December 16, 2011, SWR2 (as audio offline)@1@ 2Template: Toter Link / programm.ard.de  
  10. Oliver Kluck: “I would like to listen to the dictators!” , In an interview with Barbara Petsch, Die Presse (online), December 16, 2011, print edition on December 17, 2011
  11. Monika Nellissen: “Quartered Thoughts in a Square” , DIE WELT online, January 9, 2012
  12. Oliver Kluck's complaint to Rostock's Senator for Culture Dr. Liane Melzer ( Memento of the original from August 28, 2014 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , Interview on November 9, 2011 on This is Rostock.de @1@ 2Template: Webachiv / IABot / www.das-ist-rostock.de
  13. Oliver Kluck to Dr. Melzer ( Memento of the original from April 12, 2012 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. , published on Friday, October 14, 2011 by Jürgen Opel on the blog Volkstheater Rostock @1@ 2Template: Webachiv / IABot / blog.volkstheater-rostock.de
  14. Oliver Kluck , in: rowohlt THEATER VERLAG 2011/12 , p. 7 (PDF; 2.5 MB)
  15. ^ The Berlin literary criticism : "Oliver Kluck is the 2010 Kleist Prize Winner. 'Warteraum Zukunft' receives an award" on January 14, 2010, last accessed on January 12, 2012
  16. Hartmut Krug: "Oliver Kluck's Prize Winner Piece and the Kleist Festival in Frankfurt / Oder" , Deutschlandfunk, October 7, 2010
  17. Kathrin Kip: And everywhere just hypocrisy , nachtkritik.de, May 8, 2014, accessed on June 29, 2014.
  18. Marius Nobach: The excitement artist. Oliver Kluck is an exception as a playwright who doesn't spare the theater , in: Süddeutsche Zeitung, June 27, 2014, No. 145, p. 12.
  19. Reinhard Kriechbaum: Fromm beaten through. , Nachtkritik.de, April 30, 2014, accessed June 29, 2014.