Parish church Eugendorf
![](https://upload.wikimedia.org/wikipedia/commons/thumb/8/87/Mooser_1847_Werk_o%C3%B6._Orgelbauanstalt_1986_Eugendorf_%2812%29.jpg/220px-Mooser_1847_Werk_o%C3%B6._Orgelbauanstalt_1986_Eugendorf_%2812%29.jpg)
The Roman Catholic parish church Eugendorf is located in the center of the municipality Eugendorf in the Salzburg-Umgebung district in the state of Salzburg . The parish church consecrated to St. Martin of Tours belongs to the dean's office in Bergheim in the Archdiocese of Salzburg , the patronage is celebrated on November 11th . The church is a listed building .
The baroque building is surrounded by a cemetery and a wall. Particularly worth seeing are the crucifixion group from Meinrad Guggenbichler's workshop , the late Baroque pulpit from 1737 by Christoph Fenninger and the “Enthroned Mary with Child Jesus” on the main altar.
history
The church, mentioned in a document in 790, was rebuilt in 1736/1737 according to the plans of the court mason Tobias Kendler and consecrated in 1763 and elevated to a parish church in 1857. From 1852 to 1856 the church was renovated. Restorations were in 1926, 1957/1958 inside, 1974 outside, and 1983.
architecture
The parish church stands in the center of the village and is surrounded by a walled cemetery. The baroque entrance portal to the cemetery is crowned with balls. The core of the hall church is Gothic with a late Baroque extension with a Gothic and Baroque raised west tower. The five-storey tower, recognizable with cornices, has Gothic ashlar masonry with a chamfered, ogival but pressed, round-arched west portal with a baroque door fitting. The baroque octagonal tower from 1692 has an onion helmet. The lateral symmetrical additions to the tower contain laying out rooms for the cemetery. To the south there is a Gothic chapel extension with Baroque windows, to the north there is a Baroque extension. The nave with a slightly indented flat arch apse from 1736/1737 contains Gothic wall parts from the previous church in the western and southern nave walls. The facade has a surrounding cornice and high arched windows. On both sides the church has a round arch portal in rectangular walls with a suspected cornice. To the south of the nave is a two-storey sacristy extension with a baroque cornice. The core of the sacristy is from the previous church, with a skylight portal with the use of a Gothic lintel and Gothic door fittings. A carved crucifix in the style of the 17th century hangs on the church facade.
Inside the church, the tower hall is vaulted with a pressed hanging dome with ribbed pointed arches and shield caps. The four-bay hall building has a pressed lancet barrel vault on belts on Ionic pilasters with mighty entablature heads. In the flat apse, the entablature runs all the way around and the pilasters and a raised step create a choir. The south-facing sacristy portal in the nave of the previous building is profiled in the manner of an architrave and was provided with a late baroque stucco molding. The sacristy door is gothic. Above the sacristy door is a balcony of the oratory. In the west is a double gallery, the lower gallery from 1763, the upper one from 1847.
Furnishing
The uniform high baroque altars in cartilage style in black and gold frame with marbled columns were created by the carpenter Wolf Schmidt from 1682 to 1685. The high altar bears a seated figure of Maria with child in the center and the side figures of St. Martin and Rupert from 1856 and shows the excerpt from the quatrefoil picture, coat donation of St. Martin from 1856. The figures hll. Michael and the weathermen Johannes and Paulus were created by the sculptor Adam Hartmann (1683). The tabernacle with the Trinity tower is from 1740. The side altars are in front of the choir pilasters. The left side altar shows the altar sheet Holy Family around 1856, probably by the painter Josef Rattensperger, and to the side the late Gothic statuettes of the Holy Family . Sebastian and Georg around 1500 and the excerpt picture St. Katharina by the painter Adam Pirckmann (1685). The right side altar shows the altar sheet St. Anthony of Padua and in the excerpt from St. Barbara, both by Adam Pirckmann (1685). The altar panel was painted in the 1st half of the 18th century with St. Johannes Nepomuk kneeling and angels painted over in silence and the altar with a tabernacle with a statuette of St. Johannes Nepomuk equipped.
organ
In 1847 Ludwig Mooser created a new organ, of which the late Classicist case with a Roman dial has been preserved. In 1986, the Upper Austrian organ building institute St. Florian near Linz (today Orgelbau Kögler , St. Florian) installed a new instrument with 21 stops on two manuals and a pedal .
Disposition 1986
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- Coupling as steps and trains: MK II-I, PK IP, PK II-P.
- Swelling step
literature
- The art monuments of Austria. Dehio Salzburg 1986 . Eugendorf, parish church hl. Martin, with floor plan, funeral chapel, rectory, pp. 89–90.
- Joseph Dürlinger: 4. The parish Eugendorf for good. Martin B . In: Historical-statistical handbook of the Archdiocese of Salzburg in its current limits . First volume: Ruraldecanate des Flachlandes , printed by Duyle'schen Hofbuchdruckerei, Salzburg 1862, pp. 36–43.
Web links
Individual evidence
- ↑ Personnel of the world and religious clergy of the Archdiocese of Salzburg for 1957 ( Schematismus 1957), ed. from the Archbishop's Ordinariate Salzburg 1957, p. 171.
- ↑ Austria Lexicon : Eugendorf ( Online )
- ^ Parish Eugendorf: Parish Church St. Martin ; accessed on Feb. 18, 2019
- ↑ Instead of the old organ, a new one was made by L. Moser in 1847 for 710 florins ; Joseph Dürlinger: Historical-statistical handbook of the Archdiocese of Salzburg in its current limits . First volume: Ruraldecanate des Flachlandes , Salzburg 1862, p. 38.
Coordinates: 47 ° 52 ′ 1.7 " N , 13 ° 7 ′ 21.8" E