Raimondo Pereda

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Raimondo Pereda (born September 29, 1840 in Lugano ; † October 10, 1915 there ) was a Swiss painter and sculptor .

Life

Pereda attended the drawing school in Lugano and was from 1857 to 1861 at the Accademia di Belle Arti di Brera in Milan . He then completed an internship with the Milanese sculptor Pietro Magni . Raimondo Pereda opened his own studio around 1874 and received numerous commissions for the local Cimitero Monumentale and other cemeteries in Lombardy .

Monument to Elias Landolt (1899) at the Hirschengraben in Zurich

In the competition for the Tell monument in Altdorf , he achieved third place. In 1893 he finally returned to Lugano and was a drawing teacher there. From 1891 to 1896 and from 1898 to 1900 he was a member of the Federal Art Commission .

His genre sculptures, which are strongly influenced by Verism , found great approval in bourgeois society , but hardly contributed to the development of art. Pereda's most common motifs were groups of women and children with pronounced, almost caricature-like facial expressions . His interest in symbolism is evidenced by many cemetery sculptures

literature

  • Gianna A. Mina: Raimondo Pereda. In: Historical Lexicon of Switzerland . December 18, 2008 , accessed March 15, 2020 .
  • Giulio Foletti: Arte nell'Ottocento. La pittura e la scultura del Cantone Ticino (1870-1920). Armando Dadò Seditore, Locarno 2001, pp. 371–379.
  • L'affermazione di un'identità, 1870-1914. Exhibition catalog, Lugano 2002.

Web links

Commons : Raimondo Pereda  - collection of images, videos and audio files

Individual evidence

  1. Pereda, Raimondo. In: Sikart , accessed January 15, 2016.