Steve Coleman
Stephen "Steve" Coleman (born September 20, 1956 in Chicago , Illinois ) is an American jazz musician, alto saxophonist , band leader and composer .
Origin, influences, activities
Steve Coleman grew up on the South Side of Chicago in an African-American environment where music played an important, everyday role. At first he sang a little in church and in the then current small groups that mimicked the Jackson 5 , and began playing alto saxophone at the age of 14 . At the age of 17 or 18, his preoccupation with music became very serious. His efforts to learn to improvise led him to Charlie Parker's music, which his father listened to constantly and which became essential for his further development. He was also influenced by the music of Sonny Rollins , John Coltrane and others during this period . Among the musicians with whom he had personal contact, he was primarily influenced in the beginning: Von Freeman with regard to improvisation , Sam Rivers with regard to composition and Doug Hammond with regard to conceptual understanding. West African music was also very important to him early on.
Steve Coleman moved to New York in the late 1970s . He was soon hired by a number of well-known band leaders, including Thad Jones and Mel Lewis , Sam Rivers, Cecil Taylor , David Murray , Doug Hammond and Dave Holland . However, he spent a large part of his first time in New York earning a little money in a street music band he had put together with trumpeter Graham Haynes . This group became the first "Steve Coleman and Five Elements" band, in which he developed his improvisational style and in which the foundations for the M-Base concept propagated by Coleman were laid. The name Five Elements refers to a kung fu punch .
Steve Coleman has been intensively concerned with understanding the world of ancient cultures, especially that of ancient Egypt, since the 1980s . According to his own statement, he was inspired by studying the music of John Coltrane. In order to get to know the musical forms that still exist today and are closely related to ancient cultures, he made numerous trips to Ghana , Cuba , Senegal , Egypt , India , Indonesia and Brazil .
In 1985 Coleman recorded his first CD as a band leader on the German label JMT and has since made a number of very different recordings with a core line-up that changed several times and many other musicians (in the 1990s with the large company RCA / BMG, since 2001 with the small French company Label Bleu ). Coleman makes CDs that are no longer commercially available as free downloads on his website. He made the album Alternate Dimension Series I available only through non-commercial channels on the Internet.
As a band leader, he integrates the creativity of the individual fellow musicians into his concepts and, on the other hand, develops the music in accordance with the personal stylistics of his fellow players. In the 1990s he developed an improvising computer program with the help of programmers at the Paris Research Center for Computer Music IRCAM, which was then used as a "band member" at a performance by the Coleman group on June 11, 1999 in Paris. In 1994 he took part in the recording of Do You Want More? !!! ??! of the hip-hop band The Roots .
Coleman has repeatedly worked as a workshop leader and teacher (including from 2000 to 2002 as a visiting professor at the University of California, Berkeley ). In 2014 he received a MacArthur Fellowship .
reception
The intensity and complexity of Steve Coleman's music, its independence, the ongoing development and expansion require a wide range of different, even contradicting, evaluations by listeners, musicians and critics. Coleman's improvisational playing appears virtuoso and cool , which is promoted by a clear and slender tone formation on the saxophone and elegant, extremely flexible lines. The clarinetist Don Byron described him as "an exceptional figure in American music history". Pianist Vijay Iyer said in 2010: “In my eyes, Steve Coleman is as important as John Coltrane. He has made an equally large contribution to music history. He deserves to be included in the pantheon of pioneering artists. "
Discographic notes
title | admission | Release year | Label | Remarks |
---|---|---|---|---|
Motherland Pulse | 03/1985 | 1985 | JMT | Republished at Winter & Winter |
On the Edge of Tomorrow | 01-02 / 1986 | 1986 | JMT | Republished at Winter & Winter |
World expansion | 11/1986 | 1987 | JMT | Republished at Winter & Winter |
Sine Die | 12/1987 - 01/1988 | 1988 | Pangea | |
Rhythm People | 02/1990 | 1990 | RCA / Novus | |
Black Science | 12/1990 | 1991 | RCA / Novus | |
Phase Space (with Dave Holland) | 01/1991 | 1991 | DIW | |
Rhythm In Mind | 04/1991 | 1991 | RCA / Novus | |
Drop kick | 01/1992 | 1992 | RCA / Novus | |
The Tao of Mad Phat (Fringe Zones) | 05/1993 | 1993 | RCA / Novus | Live in the studio |
A Tale of 3 Cities (with Metrics) | k. A. | 1994 | RCA / Novus | |
Def Trance Beat (Modalities of Rhythm) | 06/1994 | 1995 | RCA / Novus | |
Myths, Modes & Means: Live at Hot Brass |
03/1995 | 1995 | BMG / RCA | also as part of the Box Set Live in Paris at the Hot Brass |
Way of the Cipher: Live at Hot Brass (with Metrics) |
03/1995 | 1995 | BMG / RCA | also as part of the Box Set Live in Paris at the Hot Brass |
Curves of Life: Live at Hot Brass |
03/1995 | 1995 | BMG / RCA | also as part of the Box Set Live in Paris at the Hot Brass |
The Sign and the Seal: Transmissions of the Metaphysics of a Culture |
02/1996 | 1996 | BMG / RCA | |
Genesis / The Opening Of The Way | 11/1996 - 06/1997 | 1997 | BMG / RCA | Double CD |
The Sonic Language of Myth: Believing, Learning, Knowing |
04/1998 | 1998 | BMG / RCA | |
The Ascension To Light | 04-06 / 1999 | 2001 | BMG / RCA | |
Resistance is futile | 07/2001 | 2002 | Label Bleu | Double CD |
Alternate Dimension Series I | 03/2002 | 2002 | As a free download at m-base.com |
|
On the Rising of the 64 Paths | 03-04 / 2002 | 2003 | Label Bleu | |
Lucidarium | 05/2003 | 2004 | Label Bleu | |
Weaving Symbolics | 04/2004 - 05/2005 | 2006 | Label Bleu | Double CD, each with DVD-Video on the back |
Invisible Paths: First Scattering | March 28, 2007, April 10, 2007 | 2007 | Tzadik Records | Solo album |
Harvesting Semblances and Affinities | 2006/2007 | 2013 | pi | |
The Mancy of Sound | 2007 | 2013 | pi | |
Functional arrhythmias | 2012 | 2013 | pi | |
Synovial Joints | 2014 | 2015 | pi | |
Morphogenesis | 2016 | 2017 | pi | |
Live at the Village Vanguard, Vol. 1 (The Embedded Sets) | 2017 | 2018 | pi |
Recording dates exclusive of mix, as this is not always specified.
Many (no longer available) albums are offered by Steve Coleman himself on his homepage in MP3 format for free download.
documentary
The documentary “Elements of One” by Eve-Marie Breglia, available on DVD, shows Coleman encountering various influences (including Cuban, African and Indian musicians). The individual scenes of the film, which was released in 2005, were recorded between 1996 and 2003. The DVD contains the 98-minute documentary and additional 60-minute scenes.
Web links
- Official website
- Translations of texts from the official website into German and a. (or substitute address )
swell
- ↑ Wolf Kampmann (ed.), With the assistance of Ekkehard Jost : Reclams Jazzlexikon . 2nd, expanded and updated edition. Reclam, Stuttgart 2009, ISBN 978-3-15-010731-7 , p. 111.
- ^ Christian Broecking: The Marsalis factor . Oreos-Verlag, 1995, p. 120 .
- ↑ http://jazztimes.com/articles/26044-steve-coleman-vital-information
personal data | |
---|---|
SURNAME | Coleman, Steve |
ALTERNATIVE NAMES | Coleman, Stephen (real name) |
BRIEF DESCRIPTION | American jazz musician |
DATE OF BIRTH | 20th September 1956 |
PLACE OF BIRTH | Chicago , Illinois |