Offense (radio play series)

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The offense was a detective radio play series of the GDR radio , which was based on court files and, each provided with a public prosecutor's credo, was broadcast in 40 episodes.

History and structure

The radio crime series was created to correspond to the television plays The Public Prosecutor has the floor , which started in October 1965 with considerable public success on German television . Analogous to the TV series, which the prosecutor Peter Przybylski presented was in 1973 started by the radio play Division Series event accompanied initially by prosecutor Heinz Hämmerlein (episodes I to V) and later by prosecutor Dieter Plath (Follow VI-XXXX) journalistically.

These public prosecutors, who acted as deputy press spokesman for the public prosecutor of the GDR , presented the radio play makers with a selection of relevant court cases from a right-wing propaganda point of view and later gave the interested radio play authors access to the respective trial files.

While the audience in the television games initially had to accept the prosecutor's instructive appearances several times between the individual scenes, the radio plays built up in a crime story were content with a final speaking part in which the prosecutor audibly interpreted the offense and its causes in the original sound in addition to the lessons to be learned, the concrete sentence imposed on the perpetrators was also announced.

The sequence I of offense had its broadcast of July 21, 1973 Radio DDR I . Two productions in this series received the special award from the jury of critics at the GDR radio play award: in 1980, Jutta Wachowiak received it for her performance in Peter Goslicki's In Good and In Bad Days, and in 1985, the author Arno Rude for his manuscript for his work . The 40th and last episode in the series was first broadcast on youth radio DT64 on August 3, 1989 - a radio play with Ulrich Mühe in the lead role.

Productions

  • Hans Siebe : A plate of macaroni (I), directed by Fritz-Ernst Fechner - 1973
  • Hans Siebe: In the case of Rogge (II), director: Fritz-Ernst Fechner - 1973
  • Günter Spranger : Advertised for the wanted man: Sabine Gobbin (III), director: Albrecht Surkau - 1973
  • Hans-Jürgen Bloch: One hundred marks for a signature (IV), directed by Joachim Staritz - 1974
  • Inge Meyer : What will become of Angela? (V), directed by Fritz Göhler - 1974
  • Barbara Neuhaus: Kein Kavaliersdelikt (VI), directed by Barbara Plensat - 1975
  • Inge Meyer: Rödelstraße 14 (VII), director: Barbara Plensat - 1975
  • Ulrich Waldner: It's raining (VIII), directed by Klaus Zippel - 1976
  • Inge Meyer: Beermann has a heart for everyone (IX), director: Klaus Zippel - 1976
  • Inge Meyer: Der Spinner (X), directed by Barbara Plensat - 1977
  • Inge Meyer: Money for a marriage (XI), director: Werner Grunow - 1978
  • Horst Berensmeier: Ideal working conditions (XII), director: Achim Scholz - 1978
  • Susanne Günther: Kurzschluss (XIII), director: Achim Scholz - 1978
  • Peter Goslicki : In good as in bad days (XIV), director: Walter Niklaus - 1979
  • Inge Meyer: The lovely Roland (XV), director: Achim Scholz - 1979
  • Claus B. Schröder: A real life (XVI), director: Christoph Schroth - 1979
  • Hans Siebe: Feuer im Boothaus (XVII), directed by Barbara Plensat - 1972 - US: 1980
  • Hans Siebe: The cousin from Frankfurt (XVIII), director: Fritz-Ernst Fechner - 1980
  • Ingeborg Nössig: A child at any price (IXX), director: Hans Knötzsch - 1980
  • Siegfried Hanusch : Leben wie alle (XX), directed by Siegfried Hanusch - 1980
  • Martin Honemann: Die Frau, Der Mann, Das Fräulein (XXI), Director: Wolfgang Schonendorf - 1981
  • Anne Braun: It's most beautiful at home (XXII), director: Werner Grunow - 1981
  • Peter Goslicki: You Only Live Once (XXIII), directed by Christa Kowalski - 1981
  • Achim Scholz : Der Faschingsprinz (XXIV), director: Achim Scholz - 1981
  • Helmut Vogt u. Wolfgang Beck : Let's rather speak of horses (XXV), director: Walter Niklaus - 1981
  • Inge Meyer: The golden six (XXVI), director: Walter Niklaus - 1982
  • Willi Urbanek : Whoever has, has (XXVII), director: Klaus Zippel - 1982
  • Ernst-Frieder Kratochwil : A house for us alone (XXVIII), director: Walter Niklaus - 1983
  • Renate Hürtgen: In the family circle (XXIX), director: Fritz Göhler - 1984
  • Arno Rude: legwork (XXX), director: Werner Grunow - 1984
  • Ulrich Kiehl: Rollender Dienst (XXXI), directed by Horst Liepach - 1985
  • Arno Rude: Dream Dancer (XXXII), directed by Christa Kowalski - 1986
  • Gerhard Pötzsch : Glittering Walls (XXXIII), directed by Achim Scholz - 1986
  • Jutta Schwarz: Ring with a blue stone (XXXIV), directed by Horst Liepach - 1986
  • Katrin Lange : Die Brandstifterin (XXXV), directed by Werner Grunow - 1987
  • Gabriele Bigott : As if nothing had happened (XXXVI), director: Walter Niklaus - 1987
  • Eckhard Bahr: Lost Time (XXXVII); Director: Bert Bredemeyer - 1988
  • Friedbert Stöcker: Saturday, ten o'clock, Lunge (XXXVIII), director: Walter Niklaus - 1988
  • Jutta Schlott: Mamatschi (XXXIX), director: Fritz Göhler - 1988
  • Uwe Petzold: Fehlbon (XL), director: Horst Liepach - 1989

Individual evidence

  1. ^ Andreas Meyer: Detective radio plays 1924-1994 , Verlag für Berlin-Brandenburg GmbH, Potsdam 1998, p. 58
  2. ^ Dieter Plath: Facts. A series of the radio play department with the public prosecutor of the GDR . in: FF 32/1977, 33, p. 42f
  3. ^ The strange transformation of Jenny K. , radio plays, Henschelverlag Art and Society, Berlin 1976, p. 230
  4. ^ Sibylle Bolik: The radio play in the GDR - themes and tendencies , Peter Lang Verlag, Frankfurt am Main 1994, p. 299 f.
  5. ↑ Traumreise , radio plays, Henschel Verlag GmbH, Berlin 1991, p. 235, ISBN 3-362-00589-6