Thomas Noll

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Thomas Noll (born May 27, 1962 in Kassel ) is a German art historian .

Life

From 1981 to 1991 Thomas Noll studied art history , classical archeology as well as medieval and modern history in Göttingen and Heidelberg . In 1991 the doctorate followed in Göttingen.

Between 1992 and 1993 he received a research grant from the State of Lower Saxony at the Central Institute for Art History in Munich . From 1993 to 1995 Noll was a research assistant at the chair for art history at the University of Augsburg ; at the same time he was a lecturer at the Georg-August-Universität Göttingen . Between 1995 and 1997 he received a postdoctoral fellowship as part of the Graduate School Church and Society in the Holy Roman Empire of the 15th and 16th Centuries in Göttingen. From 1998 to 2000 he received a research grant from the Gerda Henkel Foundation . In 2001 he completed his habilitation in Göttingen. Noll has been teaching in Göttingen since 2001 and at the Kassel Art College between 2004 and 2005 . Since 2002 he has been a member of the Göttingen Center for Medieval and Early Modern Research.

Research priorities

  • Late Middle Ages art
  • Art of the 19th and early 20th centuries in the context of intellectual and cultural history

Selected publications

  • "Max Beckmann and the 'Secret Doctrine' of Helena P. Blavatsky", In: Max Beckmann. - (Issues of the Max Beckmann Archive; 8), 2006, p. 44-74
  • "Alexander the Great in Post-Antique Fine Art", Mainz am Rhein: von Zabern, 2005.
  • Review by: Holbein and England / Susan Foister. - New Haven a.]: Yale University Press, 2004
  • Hans Holbein the Elder J .: panel painter in Basel 1515–1532 / Jochen Sander. - Munich: Hirmer, 2005, In: Journal für Kunstgeschichte, 9.2005 No. 4, p. 333-343
  • On the "idea" of Joseph Anton Koch's 'Schmadribachfall', In: Jahrbuch der Berliner Museen, NF 46.2004 (2005)
  • On the iconography of the high altar retable of the St. Jacobi Church in Göttingen, 2005, in: The high altar retable of the St. Jacobi Church in Göttingen / Bernd Carqué [Hrsg.]. - (Publications of the Max Planck Institute for History; 213), 2005, p. 207-247
  • On the concept, form and function of the devotional image in the late Middle Ages, In: Zeitschrift für Kunstgeschichte , 67.2004, p. 297-328
  • The Greifenfahrt Alexander the Great, 2004, In: Mythen Europa / Michael Neumann [Ed.]. 2. Middle Ages / Inge Milfull [Ed.], P. 178-199
  • "Albrecht Altdorfer in his time: religious and profane themes in art around 1500", (Art History Studies; 115) University thesis: Zugl .: Göttingen, Univ., Habil.-Schr., 2001 Munich [u. a.]: Deutscher Kunstverlag, 2004
  • The "English greeting" by Veit Stoss: Iconography and Piety, In: Journal of the German Association for Art Research, 56 / 57.2002 / 03 (2004), p. 115-143
  • Van Gogh: 'Fields'; the 'poppy field' and the artist dispute, In: Kunstchronik, 56.2003, p. 349-356
  • "Adam and Eve" in the work of Max Beckmann, In: Yearbook of the Berlin Museums, NF 43.2001 (2003), p. 261-302
  • Max Beckmann's "Great Still Life with Musical Instruments": on the interpretation of the painting in the mirror of a pictorial poem or; the artist as interpreter of his work, In: Städel-Jahrbuch, NF 18.2001 (2002), p. 271-296
  • 'Der dying Seneca' by Peter Paul Rubens: art-historical and ideological program picture , In: Münchner Jahrbuch der bildenden Kunst , 3.F. 52.2001, p. 89-158
  • Review by: Hans Holbein the Younger: Files from the international symposium, Kunstmuseum Basel, 26. – 28. June 1997 / Ed .: Matthias Senn. - Basel: Schwabe, 1999. - (Journal for Swiss Archeology and Art History; 55.1998), p. 97–336, In: Göttingische learned advertisements, 253.2001 No. 1-2, p. 89-109 (special reprint)
  • Pieter Bruegel the Elder Ä .: the farmer, the bird thief and the beekeeper, Author: Thomas Noll, In: Münchner Jahrbuch der bildenden Kunst , 3.F. 50.1999 (2000), p. 65-106
  • Ernst Barlach, Christ and Thomas. In: Marion Ackermann , Annette Kanzenbach, Thomas Noll, Michael Streetz (eds.): Art and history. Festschrift for Karl Arndt on the occasion of his seventieth birthday , Low German contributions to art history, Vol. 38, 1999, pp. 303-320.
  • On the happiness of the scholar. Experiment on Jacob Burckhardt , Göttingen 1997
  • Vincent van Gogh. Fishing boats on the beach of Les Saintes-Maries-de-la-Mer , Insel Kunstmonographie, Frankfurt a. M. 1996.
  • 'The great sower'. On the symbolism in art by Vincent van Gogh, Worms 1994.
  • 'Between the Chairs' - A. Paul Weber. British imagery and 'Leviathan' series. Studies on the artist's work in the Third Reich, Göttingen Contributions to Art History, Vol. 1, 2 Vol., (Diss. Phil. Göttingen 1991) Münster, Hamburg 1993.
  • Alexander the Great in post-ancient fine arts . Verlag Philipp von Zabern, Mainz 2005, ISBN 3-8053-3549-0 ; Review by Christiane Braun in: Journal für Kunstgeschichte Volume 10, 2006, Issue 4, pp. 341–344 "D. 3. Painting and Graphics".

Literature about Thomas Noll

Sabine Müller: Review of: Noll, Thomas: Alexander the Great in post-antique fine arts. Mainz 2005. In: H-Soz-u-Kult, May 9, 2006

Web links

personal data
SURNAME Noll, Thomas
BRIEF DESCRIPTION German art historian
DATE OF BIRTH May 27, 1962
PLACE OF BIRTH kassel