Ulrich Hachulla

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Ulrich Hachulla (born May 30, 1943 in Heydebreck , Upper Silesia) is a painter and graphic artist and is one of the representatives of the Leipzig School .

Life

Between 1945 and 1947 the Hachulla family relocated to Halle / Saale as part of their escape. Here Hachulla took drawing lessons from the painter and Liebermann student Hanns Markowski during his school days. After graduating from high school and a practical year in a Halle printer, he began his studies in 1963 at the University of Graphic and Book Art in Leipzig a. a. with Harry Blume, Hans Mayer-Foreyt , Bernhard Heisig and Werner Tübke . From 1968 to 1972 Hachulla worked as a freelance artist in Leipzig, before he returned to the university as an aspirant with Werner Tübke in 1972 and then became his master class.

In 1974 he was given a teaching post and two years later he was appointed head of the etching workshop. Since 1993 Hachulla has held the professorship for graphics / etching at the University of Graphic and Book Art in Leipzig and from 2005 until his retirement in 2008 he headed the graphics class of the well-known art academy. Ulrich Hachulla lives and works in Leipzig.

Study trips led him a. a. to Italy, Egypt, Korea, Yugoslavia, Switzerland, the USA, the Soviet Union and Iraq.

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Together with Volker Stelzmann , Arno Rink and Wolfgang Peuker , Ulrich Hachulla belongs to a generation which, especially in the 1970s, was close to the New Objectivity in its formal language . Hachulla's pictures communicate frozen, human behavior, states of distance and strangeness, they tell, often with a humorous undertone, of oppressive narrowness and rebellious attempts to escape. The portrait plays a central role here. In addition to recurring self-portrayals, the portraits of Hachulla show people alone, uncommunicative, coolly distant, located in private surroundings or in their work environment. In this way, numerous characteristic portraits of types, individual stories and faces of time are created.

Ulrich Hachulla gained particular respect for his extensive graphic oeuvre: after early, strictly linear etchings , he tested the possibilities and limits of drypoint , aquatint and reserve , conquered the field of multi-plate printing, and discovered techniques that had been forgotten such as vernis mou and roulette and white printing and passes this knowledge on to the next generation of the so-called New Leipzig School over the course of its many years of university activity .

The artistic work of Ulrich Hachulla follows the tendencies of critical realism of his time. It continues the traditional lines of Otto Dix and Christian Schad , develops them further and transfers them to the present. The traces of his teaching at Werner Tübke can be recognized in the symbolic, in the mythological allegorical references.

Publications (selection)

  • The gravure. Marginalien, magazine for book art and bibliophilia. Bucha, Issue 237, 2020/2

Awards

Solo exhibitions

  • 1970: Museum of Fine Arts, Graphisches Kabinett | Leipzig
  • 1974: Exhibition Center | Győr (Hungary); Merseburg Castle Museum I Merseburg
  • 1976: Cultural History Museum Magdeburg I Magdeburg
  • 1981: Akhenatenhalle | Cairo
  • 1983: Gallery Schmidt-Rottluff | Karl-Marx-Stadt (Chemnitz)
  • 1986: New Dresden Gallery | Dresden
  • 1987: Art Association Bretten I Bretten; State Museum Schwerin I Schwerin; Güstrow Castle I Güstrow
  • 1988: Krakow I Krakow Cultural Center; Gallery Spala | Prague; Cultural Center Bratislava I Bratislava
  • 1992: Gallery Schwind | Frankfurt am Main
  • 1993: Gallery in the Torhaus | Muenster; Art store | Oldenburg
  • 1999: Gallery Schwind | Frankfurt am Main
  • 2007: Galerie am Ritterplatz | Bensheim; Gallery Schwind | Leipzig and Frankfurt am Main
  • 2008: House of the Book | Leipzig; Gallery Schwind | Leipzig; Künstlerhaus Hohenossig | Krostitz
  • 2009: Galerie im Kreishaus, Künstlerbund | Olpe
  • 2019: Kunsthalle Rostock | Rostock

literature

Monographs and exhibition catalogs

  • Ulrich Hachulla. Painting (including catalog raisonné of painting). Edited by Karl Schwind. Edition Galerie Schwind. Leipzig 2019. ISBN 978-3-932830-74-7
  • Ulrich Hachulla. Pictures, drawings, graphics. Catalog for the exhibition in the Schwind Gallery | Frankfurt am Main. Frankfurt am Main 1999. ISBN 3-932830-33-4
  • Ulrich Hachulla. Painting graphic. State Museum Schwerin. Art collections, castles and gardens (ed.). Schwerin 1987.
  • Ulrich Hachulla. Painting drawings etchings. New Dresden gallery. State art trade of the GDR (ed.). Dresden 1986.
  • Ulrich Hachulla. Painting - graphics. Art collection of the Karl Marx University Leipzig (publisher). Catalog for the exhibition from June 11 to July 23, 1983 in the gallery in the lecture hall building. Leipzig 1983.
  • Four painters from the GDR. Ulrich Hachulla, Uwe Pfeiffer, Arno Rink, Volker Stelzmann. Kunstverein Neustadt an d. Wine route. State art trade of the GDR (ed.). Catalog for the exhibition from March 20 to April 17, 1983 in the Villa Böhm. Neustadt an d. Wine Route 1983.
  • Ulrich Hachulla. Painter and graphic artist. Gallery Berlin. State art trade of the GDR (ed.). Berlin 1978.
  • Ulrich Hachulla. Cabinet exhibition, Kulturhistorisches Museum Magdeburg (ed.). Magdeburg 1976.

Illustrations (selection)

  • Peter Gosse: Exit from Byzantium. With illustrations by Ulrich Hachulla. Mitteldeutscher Verlag Halle / Leipzig 1982.
  • Johannes R. Becher: Farewell. With illustrations by Ulrich Hachulla. Berlin 1979.
  • Johannes Bobrowski: The stories. Illustrated with the reproduction of graphic sheets by Ulrich Hachulla, Karl-Georg Hirsch, Rolf Kuhrt, Klaus Magnus and Lothar Sell., Berlin, Union Verlag, 1979.
  • Daniil A. Granin: The place for the monument. Novellas and short stories. With 16 pen drawings by Ulrich Hachulla. Leipzig 1975.
  • Ralf Schröder (Ed.): The place for the monument. With 16 pen drawings by Ulrich Hachulla. Leipzig 1975.

General literature

  • 60/40/20. Art in Leipzig since 1949. Karl-Siegbert Rehberg, Hans-Werner Schmidt (ed.). Exhibition catalog Museum of Fine Arts. Leipzig 2009.
  • Realism uit Leipzig. Three generaties of the Leipzig School. Exhibition catalog Drents Museum Assen, Nederlands (Ed.). With contributions by Diederik Kraaijpoel, Eduard Beaucamp, Harry Tupan. Zwolle 2009.
  • Christian Schad. Retrospective. Life and work in context. Leopold Museum (ed.). Vienna 2008, p. 266f.
  • Eduard Beaucamp: Critical reflection. Works by East German artists in the Museum am Dom. Museum publications of the Diocese of Würzburg. Regensburg 2003. p. 38ff.
  • Brigitte Schad, Thomas Ratzka (ed.): Catalog for the exhibition: “Grünewald in der Moderne. Matthias Grünewald's reception in the 20th century ”. November 30, 2002 to February 28, 2003 in the gallery of the city of Aschaffenburg. Cologne 2003, pp. 170, 184.
  • Herwig Guratzsch, G. Ulrich Großmann (Ed.): Catalog for the exhibition “Lust and Last. Leipzig Art since 1945 ”in the Germanisches Nationalmuseum Nuremberg May 15 - September 7, 1997, in the Museum of Fine Arts Leipzig and in the College of Graphics and Book Art October 2 - December 31, 1997.
  • Renate Hartleb : The painting of the "Leipzig School" and the college for graphics and book art. In: Catalog University for Graphics and Book Art Leipzig 1945–1989. Painting / graphics / photography. Leipzig 1989.
  • Roberto Tassi, in: Giovane Pittura Tedesca (Continuità della “New Objectivity”) / Young German Painting (Continuity of the “New Objectivity”). Galleria del Levante (Ed.). Milano / Munich 1970.

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