Ulrike Krenzlin

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Ulrike Krenzlin and Museum Director Wiermann in Bernburg Castle for the opening of the exhibition "Karl Görner on the 100th birthday in 2011"

Ulrike Krenzlin , née Görner (born June 11, 1940 in Annaberg ) is a German art historian .

family

Ulrike Görner was born in Annaberg in the Ore Mountains . Her father Karl Görner (1911-2000) had studied at the Dresden Art Academy and in Paris ( Otto Dix and Oskar Kokoschka as academic teachers), and he was then active as a teacher. After military service and an eventful career, he finally took over the position as an art teacher and at times as a German teacher and as the first boarding school director at the high school (now Carolinum high school ) in Bernburg (Saale) in 1955 . His wife, two daughters and son followed him from Annaberg to Bernburg in 1956.

Her father, Karl Görner , worked as an art teacher in Bernburg until he retired in 1976 and did his doctorate shortly before that at the TU Dresden . He was active as a painter himself throughout his life and created over two thousand works, some of which are in the possession of the Museum Schloss Bernburg as well as in the private possession of his daughter Ulrike Krenzlin in Berlin and with various private persons. On the occasion of his 100th birthday in January 2011, Ulrike Krenzlin opened an extensive exhibition of works, which was organized by the museum in Bernburg Castle and which became the museum's most visited exhibition. She also wrote a catalog with the significant title “An der Saale hellem Strande”, to which the writer Volker Ebersbach contributed a contribution about his teacher Karl Görner, who at the time encouraged him to study German in Jena.

Ulrike Krenzlin is married to Norbert Krenzlin , Emeritus Professor of History at the latest and current aesthetics at the Humboldt University of Berlin .

Life

Ulrike Görner passed her Abitur in 1958 in Bernburg. She then studied art history , classical archeology and German at the University of Leipzig and graduated with a doctorate . She then qualified as a professor on German art of the 19th century. First she worked at the coin cabinet of the Staatliche Museen zu Berlin .

From 1969 onwards she worked as an assistant in the Aesthetics and Art Studies section at the Institute for Art History at the Humboldt University in Berlin and, under the direction of Peter H. Feist, contributed to the lexicon History of German Art .

Since 1981 she worked at the Institute for Aesthetics and Art Studies (Director: Peter H. Feist ) of the Academy of Sciences of the GDR . She was accepted into the scientist integration program in 1992 , so that she could continue her scientific work after the German reunification.

From 1994 until her retirement in 2005 she was Professor of Art History at Burg Giebichenstein University of Art and Design in Halle .

She is also co-editor of the critical reports and honorary member of the "Schadow Gesellschaft eV von 1985".

Publications (selection)

  • Art relations , Institute for Aesthetics and Art History of the Academy of Sciences of the GDR, Berlin 1988.
  • Johann Gottfried Schadow . Subtitle on the dust jacket: An artist's life in Berlin . Verlag für Bauwesen, Berlin 1990, ISBN 3-345-00467-4 and DVA 1990.
  • Johann Gottfried Schadow - the Quadriga. From the Prussian symbol to the monument to the nation . Fischer Taschenbuch-Verlag 1991.
  • The Quadriga on the Brandenburg Gate . Publishing house for construction 1991.
  • History painting in the GDR - illustration or illuminating history? in: Helle Panke eV (ed.): Hefte zur ddr-geschichte, Heft 001 : U. Krenzlin: History painting in the GDR - Illustrating or illuminating history - P. Arlt: On the development processes of ancient mythological iconography in painting, Graphics and sculpture from 1945 to the present, Berlin 1992.
  • From what is the case (the monuments). In: Kritische reports , 3/1992, pp. 4-9.
  • Handel monument / Halle an der Saale , Regensburg 2003.
  • Francke Monument - Francke Foundations in Halle , ed. from the Francke Foundations, Regensburg 2004.
  • On the Saale bright beach - the 1050th anniversary of the city of Bernburg and the 100th birthday of the chronicler Karl Görner: old towns, bridges, churches, castles, inns, residential and commercial buildings. With a contribution by Volker Ebersbach . Catalog for the exhibition in the Museum Schloss Bernburg January 23 to March 27, 2011. Bernburger Freizeit GmbH; Museum Schloss Bernburg, Bernburg 2011, ISBN 3-9807097-8-7 .
  • From the citizen who got lost in socialism - reflections on the "retrospective of an art historian". In: Peter Arlt (Ed.): Artists, Artwork and Society - Memorial Event for Peter H. Feist , December 8, 2016. With contributions by Hans-Otto Dill , Emerita Pansowova, Fritz Jacobi , Jens Semrau, Ulrike Krenzlin, Gerd-Helge Vogel , Peter Arlt, Michael Feist, Harald Metzkes , Claude Keisch, Peter Michel, Ronald Paris , Diana Al-Jumaili. Meeting reports of the Leibniz Society of Sciences in Berlin. Volume 132, year 2017. trafo Wissenschaftsverlag Dr. Wolfgang Weist, Berlin 2017, ISBN 978-3-86464-155-8 .

Web links

Individual evidence

  1. ^ History of German Art . EA Seemann Verlag, Leipzig. A total of 8 volumes, including 2 volumes edited by Peter H. Feist :
    1. Volume 1760-1848 . Leipzig 1986, ISBN 3-363-00003-0 . (including with Thomas Häntzsche, Ulrike Krenzlin, Gisold Lammel, Helga Paditz).
    2. Volume 1848-1890 . Leipzig 1987, ISBN 3-363-00050-2 . (with Dieter Golgner, Ulrike Krenzlin, Gisold Lammel, among others).
personal data
SURNAME Krenzlin, Ulrike
BRIEF DESCRIPTION German art historians
DATE OF BIRTH June 11, 1940
PLACE OF BIRTH Annaberg-Buchholz