Our Lady (Tussenhausen)

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The Roman Catholic Chapel of Our Lady is located in Tussenhausen in Upper Swabia in the Unterallgäu district in Bavaria . The chapel is a listed building.

location

The chapel is in the southwestern outskirts and is surrounded by the new cemetery. District road MN 6 passes to the north, residential buildings are to be found in the east and south. There are several agricultural farms to the west.

history

The first chapel on this site from 1657 was replaced by the existing building in 1708/1709. This new building was inaugurated in 1713. In the years from 1807 to 1813 the chapel was secluded and was used as a storage room. The chapel was consecrated for the second time in 1814.

The site of the discovery of the Ottobeurer reliquary robbery in 1435 is said to have been at the site of the chapel.

View from the northwest with a sacristy and a lantern for the bell above

Building description

The chapel is a north-facing central building. It has a longitudinally oval floor plan and is structured both inside and outside with pilasters . Inside there is a flat domed vault with stitch caps . The sacristy is in the northeast. Above it is a small rectangular bell house. There are curved sound holes in the bell house.

Interior

Piece

The stucco in the church was probably created in 1709 by the plasterer Matthias Stiller, who was a member of the Wessobrunn school . In the middle of the vault there is a longitudinally oval profile frame. From this, pendulum-like acanthus cartouches with bunches of fruit at the end radiate into the gusset. There are leaf sticks on the shield arches. There are flat profile frames with leaf rods around the windows. Volutes with drooping bunches of fruit are located next to the fighters. The pilaster capitals were designed Corinthian. There are leaf rods on the entablature. A stucco ring was attached to the underside of the lower gallery. On the parapet of the gallery you can see three fields with leaf sticks.

The stucco elements created around 1777 belong to the Rococo. These include the gallery parapets, each with three rectangular, profile-framed painting fields, with those of the lower gallery lying within the older fields. Above and below there are leaf ornaments in the middle of the frame. A cartridge is attached to the lower parapet in the lower center. A rocaille cartouche with a Marian monogram can be seen in the arch of the sacristy door .

Frescoes

Ceiling fresco with the martyrdom of St. Felicitas and her seven sons

The frescoes in the church date from 1777 and were created by Jakob Fröschle from Krumbach in Swabia . The torture of Felicitas and her seven sons can be seen in the longitudinal oval middle field of the ceiling . The illustration shows the condemnation by the Prefect Publius. Above it is the heavenly throne with angels and the instruments of torture. It is marked with Fröschle pinx. 1777 . In the stitch caps there are scenes from the life of Jesus in painted profile frames with rocailles. The parting of Jesus from his mother and the women can be seen above the altar. To the south of it are the Carrying of the Cross, the Calvary and the Entombment of Christ. Above the gallery there is an empty field that could originally have shown the birth of Christ. To the north of it are the circumcision of Christ, the flight to Egypt and the loss of the 12-year-old Jesus in the temple.

On the lower gallery parapet, from north to south, there are pictorial scenes with the martyrdom of St. Agatha and the martyrdom of a holy bishop on a grate with nails, who is slain with clubs. It could be Saint Vincent. The southernmost picture shows the martyrdom of St. Sebastian. On the upper gallery you can find the martyrdom of St. Stephen in the north, in the middle St. Thekla in the kennel with wild animals and in the south the martyrdom of St. Laurentius.

altar

The altar of the chapel was created in 1711 by Stephan Witsch from Tussenhausen. Johann Bergmüller from nearby Türkheim advised him and took hold of the altar. The wood is marbled blue and red. The acanthus decor is gold-plated. The stipes can be assigned to the Rococo. It is slightly concave with bevelled corners set with volutes. The classicist tabernacle from around 1800 is flanked by volutes with putti. The arched niche above is hung with a lambrequin . To the side of the tail cornice of the arched niche there are putti. The tabernacle is crowned by a small crucifix on a rosette. In the niche is the miraculous image of the pilgrimage church. It shows a Pietà painted on mounted wood and was created in the middle of the 17th century.

The altar structure is six-pillar with cranked entablature pieces set in front of a triangle and a bulged frieze. The cornice swings flatly over the altarpiece. The picture shows a descent from the cross from the late 17th century in a carved frame with rocailles. Under the altarpiece there are small shell niches with angel statuettes on both sides of the niche. Two of the same niches with angels are located below in the predella on the sides of the tabernacle. The three-axis altar extension is wide. The outline is achieved through sinuous columns. In the middle there is a shell niche with a laurel frame. There is a carved Heart of Jesus in the ray glory. In the lateral axes there are small shell niches with angels. The one on the right is holding a handkerchief. On the outside, in front of volutes with acanthus decoration, are the figures of the plague saints Sebastian and Rochus. The final segment gable is decorated with a half-figure of God the Father, above a dove and acanthus.

characters

The wooden figures of the church are all taken. On the pilasters and walls, six figures from the second quarter of the 18th century are placed on volute consoles with carved decorations. They show a young saint with a sword and a saint with a sword, who can be seen to the right and left of the altar. According to F. Zoepf, it should be about the saints Cosmas and Damian.

literature

  • Georg Dehio : Handbook of the German art monuments - Bavaria III - Swabia . Deutscher Kunstverlag, Munich, Berlin 2008, ISBN 978-3-422-03116-6 , pp. 1027 .
  • Heinrich Habel: Mindelheim district (=  Bavarian art monuments . Volume 31 ). Deutscher Kunstverlag , Munich 1971, p. 480-483 .

Individual evidence

  1. Bavarian State Office for Monument Preservation: Entry D-7-78-204-3 ( Memento of the original from December 16, 2015 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / geodaten.bayern.de

Web links

Commons : of Our Lady  - collection of pictures, videos and audio files

Coordinates: 48 ° 5 '54.7 "  N , 10 ° 33' 21.1"  E