Ursula E. Koch

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Ursula E. Koch (born December 2, 1934 in Berlin ) is a German communication scientist and was professor of communication studies (newspaper studies) at the Ludwig Maximilians University in Munich .

Career

Koch was born as the daughter of a chemist in Berlin and was evacuated several times during the Second World War. In Stuttgart she attended the Mörike-Gymnasium . Since her father died early, she had no financial means to study and trained as a foreign language correspondent and worked in the profession in Stuttgart and at MAN in Munich. In France, she completed a one-year advanced training course at the Paris Chamber of Commerce and Industry and, in addition to her work, began studying German, French literature, history, social history and communication studies at the Sorbonne . After obtaining her license , she worked at the university from 1967. She received her doctorate in 1973 and completed her habilitation in 1981 with a thesis on German press history at the University of Paris-Nanterre , where she now researched and taught as a permanent lecturer. From 1986 to 2000, as the successor to Otto B. Roegele, she held the chair for communication science (newspaper studies) at the Ludwig Maximilians University in Munich.

Koch is co-founder of the "Equipe Interdisciplinaire de Recherche sur l'Image Satirique" (Brest), contributor to her yearbook "Ridiculosa" and the quarterly magazine "Allemagne d'aujourd'hui" (Paris) as well as a member of several professional associations, u. a. Historical Commission of Berlin , Franco-German Historical Committee and German Society for Media and Communication Studies (DGPuK). As a freelance scientist, she lives and works in Munich and Paris.

Honors

Publications (selection)

Author

Articles (see also www.eiris.eu)
  • Building blocks for a European communication history. Eight centuries of Germany and France, role model, opponent, partner . In: Lutz Erbring (Ed.): Communication area Europe (series of publications of the DGPuK; Vol. 21). Ölschläger, Konstanz 1995, ISBN 3-89669-127-9 , pp. 253-290.
  • France - Germany in comparison. Power and impotence of the press around 1848 . In: Dieter Dowe , Heinz-Gerhard Haupt and Dieter Langewiesche (eds.): Europe 1848. Revolution and Reform . Dietz, Bonn 1998, ISBN 3-8012-4086-X , pp. 771-814.
  • Germania , a multi-faceted national figure in the service of political debate. Self-image and image of others in the German and French press caricature over the centuries. A research report . In: Dietrich Grünewald (ed.): Political cartoon. Between art and journalism . VDG, Weimar 2002, ISBN 3-89739-264-X , pp. 45-68.
  • Le couple franco-allemand, l'Europe et la médiatisation de l'histoire par les caricaturistes (1945–2003) . In: Michel Mathien (Ed.): La Médiatisation de l'Histoire. Ses risques et ses espoirs . Bruylant, Brussels 2005, ISBN 2-8027-1980-7 , pp. 193-220.
  • French revolutions and plurimedial communication in Germany (1789-1848 / 49) with special consideration of humorous-satirical picture journalism.
  • In: Sven Grampp, Kay Kirchmann, Marcus Sandl, Rudolf Schlögl, Eva Wiebel (eds.): Revolutionsmedien - Medienrevolutionen. UVK, Konstanz 2008, ISBN 978-3-86764-073-2 , pp. 277-323.
  • Caricatures politiques et journalistes du crayon d'Europe. Un aperçu historique . In: Gilles Rouet (ed.): Les journalistes et l'Europe . Bruylant, Brussels 2009, ISBN 978-2-8027-2710-1 .
  • 1870: From the Emser Depesche to the capitulation of the Sedan Fortress - The Franco-German War and illustrated journalism. In: Dietmar Hüser, Jean-François Eck (ed.): Media - Debates - Public Spheres in Germany and France in the 19th and 20th Centuries. Médias, débats et espaces publiques en Allemagne et en France aux 19e et 20e siècles. Franz Steiner , Stuttgart 2011, ISBN 978-3-515-09886-1 , pp. 67-105.
  • Political image censorship in Germany until 1914 . In: Holger Böning, Arnulf Kutsch, Rudolf Stöber (eds.): Yearbook for Communication History , Vol. 16. Franz Steiner, Stuttgart 2014, pp. 109–170. English translation (Nico Siemering, Christian Schepsmeier): Political Images and Censorship in Germany before 1914 (co-author: Martin Loiperdinger). In: Robert Justin Goldstein, Andrew M. Nedd (Eds): Political Censorship of the Visual Arts in Nineteenth-Century Europe. Arresting Images. Palgrave Macmillan, 2015, ISBN 978-0-230-24870-0 (hardback), pp. 130-190; 240-248 (illustrations).
  • L'image de l'autre dans la société civile. Le miroir des caricatures. In: Allemagne d'aujourd'hui , n ° 214. Septentrion, Lille 2015, pp. 129–143.
  • The Franco-German "couple": caricatures as a reflection of the mutual perception in the euro crisis. In: Claire Demesmay, Christine Pütz, Hans Stark (eds.), France and Germany - images, stereotypes, reflections. Perception of the neighbor in times of crisis. Nomos, Baden-Baden 2016, ISBN 978-3-8487-3058-2 (print), ISBN 978-3-8452-7206-1 (ePDF), pp. 101–121.
Monographs
  • Berlin press and European events in 1871. A study of the reception of the great events in the first half of 1871 in the political daily newspapers of the German capital . Colloquium Verlag, Berlin 1978.
  • Le Charivari . The story of a Paris daily newspaper in the struggle for the republic (1832–1882) . Informationspresse-cwleske publishing house, Cologne 1984, ISBN 3-921490-29-4 (together with Pierre-Paul Sagave ).
  • The devil in Berlin. Illustrated political joke sheets of a metropolis (1848–1890) . Informationspresse-cwleske publishing house, Cologne 1991, ISBN 3-921490-38-3 .
  • Les Médias en Allemagne . Que sais-je ?, puf, Paris 2000, ISBN 2-13-050430-2 (together with Pierre Albert).

Editor

  • German-French media images. Interview with journalists and researchers / Images médiatiques franco-allemandes. Un dialogue entre journalistes et chercheurs . 2nd edition. Verlag Fischer, Munich 1994, ISBN 3-88927-090-5 (together with Detlef Schröter and Pierre Albert).
  • The laughter of the peoples. Universality and relativity of the humorous-satirical press drawing / Le rire des nations ( Ridiculosa; Vol. 7). EIRIS, Brest 2000 (with Jean-Claude Gardes).
  • Les médias et leur public en France et en Allemagne / The media and their audiences in France and Germany . Edition Pantheon, Paris 2003, ISBN 2-913397-14-X (together with Pierre Albert, Rémy Rieffel, Detlef Schröter and Philippe Viallon).
  • Voisins et Ennemis. La guerre des caricatures entre Paris et Berlin (1848-1890) . Munich 1990 (catalog: traveling exhibition of the Goethe-Institut).
  • Gross Truths - True Gross Truths. Fine strokes - sharp strokes. “ Jugend ”, “ Simplicissimus ” and other caricature journals of the Munich Belle Époque as mirrors and distorting mirrors of the small and large world . Traveling exhibition of the Institute for Communication Studies (Newspaper Studies) of the LMU, Munich 1996, ISBN 3-88927-198-7 (together with Marcus Behmer ).
  • Marianne and Germania in the caricature (1550-1999) (ed.). PögeDruck, Leipzig 1999, second edition 2011, ISBN 3-9802848-1-6 . Catalog for a traveling exhibition conceived and produced by the editor for the Goethe-Institut and Institut français, later shown as a curator (until 2016).

literature

  • Markus Behmer (Ed.), German Journalism in Exile 1933 to 1945. People, positions, perspectives; Festschrift for Ursula E. Koch (Communication History, Vol. 11). LIT-Verlag, Münster 2000, ISBN 3-8258-4615-6 . In it: Pierre-Paul Sagave: Ursula E. Koch. A Franco-German career , pp. 379–381.
  • Michael Meyen / Maria Löblich (eds.): "I invented this subject". How communication science got to the German-speaking universities . 19 biographical interviews. Herbert von Halem, Cologne 2007, ISBN 978-3-938258-67-5 . In it: Ursula E. Koch: Mediate between France and Germany, pp. 136–150.

Web links

Individual evidence

  1. ^ English translation: Europe in 1848. Revolution and reform . Berghahn, New York 2001, ISBN 1-57181-164-8 .
  2. ^ Revised and translated version of her dissertation La presse berlinoise et les événements de 1871 . Paris 1973.