Jump to content

San Francisco Opera Center: Difference between revisions

Add links
Coordinates: 37°46′43″N 122°25′16″W / 37.77861°N 122.42111°W / 37.77861; -122.42111
From Wikipedia, the free encyclopedia
Browse history interactively
← Previous edit
Content deleted Content added
VisualWikitext
No edit summary
added short description
 
(35 intermediate revisions by 13 users not shown)
Line 1: Line 1:
[[File:San Francisco Opera House.jpg|thumb|San Francisco Opera House]]
⚫
[[File:Leontyne Price - Master Class, Merola Opera Program 1986.jpg|thumb|180px|right|Opera singer [[Leontyne Price]] directing a master class in the Merola Opera Program in 1986.]]
{{short description|American professional opera singer training center}}
'''Merola Opera Program''' is a [[San Francisco]] training program for opera singers, coaches, and stage directors.
The '''San Francisco Opera Center''' (SFOC) is the [[San Francisco Opera]]'s professional training center for opera singers.<ref name="SC">{{cite news|url=https://www.sfgate.com/entertainment/article/New-opera-center-chief-knows-the-ropes-2814261.php|title=New opera center chief knows the ropes|author= Joshua Kosman|work=[[San Francisco Chronicle]]|date=August 6, 2002}}</ref> Based in [[San Francisco]], it encompasses two different professional tracks for training: a summer training program known as the '''Merola Opera Program''' and a two year long term resident artist program known as the '''Adler Fellowship'''.<ref name="SC"/> For twenty years the SFOC also operated a touring opera company, the '''Western Opera Theatre''', but for financial reasons this touring company was disbanded in 2003.<ref name="SC"/><ref>{{cite book|url=https://books.google.com/books?id=HyFLcK7A7ZgC&dq=%22Audrey+Langford%22&pg=PA98|title=Life in Opera: Truth, Tempo, and Soul : Encounters with Stars, Innovators, and Leaders of Today's Opera World|author=Maria-Cristina Necula|year= 2009|page=99|publisher=Amadeus Press|isbn=9781574671797}}</ref> In addition to providing training for opera singers, the Merola Opera Program also provides training for vocal coaches and stage directors. Four singers each year from the summer Merola Opera Program are offered Adler Fellowships with the San Francisco Opera.<ref name="WSJ"/> Soprano [[Sheri Greenawald]] served as director of the San Francisco Opera Center from 2002 through 2020.<ref>{{cite news|url= https://www.broadwayworld.com/san-francisco/article/Merolas-2021-Season-Features-BIPOC-Recital-Digital-Project-and-More-20210504|title= Merola's 2021 Season Features BIPOC Recital, Digital Project and More|date=April 29, 2019|work=[[BroadwayWorld]]}}</ref>


⚫
== Merola Opera Program ==
Merola Opera Program is a world renowned opera training and performance program for promising young artists and closely associated with San Francisco Opera. Named for San Francisco Opera's first general director, [[Gaetano Merola]], the Merola Opera Program began during the 1954-55 season and established its full training program in 1957.


== History ==
Merola has served as a proving ground for hundreds of artists, including [[Brian Asawa]], [[Duane Clenton Carter (baritone)]], [[Mark Delavan]], [[Susan Graham]], [[Thomas Hampson (baritone)|Thomas Hampson]], [[Bryan Hymel]], [[Gary Lakes]], [[Joyce DiDonato]], [[Sylvia McNair]], [[Anna Netrebko]], [[Patricia Racette]], [[Kurt Streit]], [[Fernando del valle]], [[Patrick Summers]], [[Ruth Ann Swenson]], [[Jess Thomas]], [[Ricardo Bernal]], [[Carol Vaness]], [[Rolando Villazón]], [[Deborah Voigt]], and [[Dolora Zajick]].
The San Francisco Opera Center was founded in 1982 by San Francisco Opera director [[Terence A. McEwen]] with the intent of consolidating the operation and administration of various educational,community outreach, and performance programs already existing at the [[San Francisco Opera]], including the Adler Fellowship Program, Merola Opera Program, Western Opera Theatre, the "Showcase Series", "Brown Bag Opera", "Opera Center Singers", and "Schwabacher Recitals", among others.<ref>{{cite book|title=Kurt Herbert Adler and the San Francisco Opera: Artists and staff of the San Francisco Opera|publisher=Regional Oral History Office, The Bancroft Library, University of California|year=1994|page=7|author=[[Lofti Mansouri]]}}</ref>


⚫
The Merola Opera Program was the oldest of these programs, being established more than sixty years ago. On August 30, 1953, [[San Francisco Opera]] founder and first General Director, [[Gaetano Merola]], died at [[Sigmund Stern Recreation Grove|Stern Grove]] while conducting a young American singer in "Un bel di" from ''Madama Butterfly''. Maestro Merola wanted to provide young American singers opportunities as little formal training was available in the United States at the time and scant audition opportunities existed on the west coast. This prompted Mrs. Leland Atherton Irish of the Opera Guild of Southern California to ask the new San Francisco Opera General Director, [[Kurt Herbert Adler]], why young western singers had to go to New York to audition.<ref>Schwabacher, James H., "Merola Memories" (taped discussion, 1991, San Francisco Performing Arts Library and Museum)</ref>
⚫
The Program annually offers approximately 30 artists the opportunity of studying, coaching, and participating in master classes with established professionals for eleven and twelve weeks during the summer (12 weeks for apprentice coaches and 11 weeks for singers). Participants also perform in two complete opera productions with orchestra and the Schwabacher Summer Concert. The program incorporates intensive training in operatic repertory languages, diction, acting and movement and culminates with the Merola Grand Finale, a concert with full orchestra at the [[War Memorial Opera House]]. Merola also enables young coach accompanists and stage directors of exceptional talent to develop skills through the apprentice coach and stage director programs. The Merola Opera Program is a financially independent 501(c)3 organization that operates in collaboration with the San Francisco Opera Center and San Francisco Opera.


⚫
The Merola Memorial Fund was used to underwrite the San Francisco Opera Debut Auditions, professional auditions for singers from the western United States. The first regional auditions were held in Los Angeles, Pasadena, Sacramento, San Diego, San Jose, and San Francisco. Two hundred thirty-seven young singers applied and two hundred twelve were auditioned. Fifteen singers advanced to the semi-finals, on June 2, 1954. The eight finalists went on to the first San Francisco Opera Debut Auditions which took place at KNBC studios on June 13 and were broadest over KNBC.<ref>Grant, Tracy, ''Voices Heard Round the World: The Merola Opera Program at Fifty Years''. San Francisco: Merola Opera Program, 2007</ref>
⚫
The Merola Opera Program is free to its artists and is supported by contributions of individuals, foundations and government entities. The program covers the artists' travel, housing, weekly stipends and all training expenses. In addition, Merola alums may apply for Career Grants up to $12,000 for the five years following their participation in the program.


== History ==
== Merola Opera Program ==
⚫
[[File:Leontyne Price - Master Class, Merola Opera Program 1986.jpg|thumb|180px|right|Opera singer [[Leontyne Price]] directing a master class in the Merola Opera Program in 1986.]]
⚫
The program began more than fifty years ago. On August 30, 1953, [[San Francisco Opera]] founder and first General Director, [[Gaetano Merola]], died at [[Sigmund Stern Recreation Grove|Stern Grove]] while conducting a young American singer in "Un bel di" from ''Madama Butterfly''. Maestro Merola wanted to provide young American singers opportunities as little formal training was available in the United States at the time and scant audition opportunities existed on the west coast. This prompted Mrs. Leland Atherton Irish of the Opera Guild of Southern California to ask the new San Francisco Opera General Director, [[Kurt Herbert Adler]], why young western singers had to go to New York to audition.<ref>Schwabacher, James H., "Merola Memories" (taped discussion, 1991, San Francisco Performing Arts Library and Museum)</ref>
The Merola Opera Program is a world-renowned opera training and performance program for promising young artists.<ref>{{cite news|title=The Rising Voice: Opera Houses Make Room For Relative Youngsters|newspaper=[[The Washington Post]]|date=31 January 2009|page=C1, C8|author=[[Anne Midgette]]}}</ref><ref name="WSJ">{{cite news|title=Boot Camp for Belters|work=[[Wall Street Journal]]|date=12 August 2010|page=D7|author=David Littlejohn}}</ref> Named for San Francisco Opera's first general director, [[Gaetano Merola]], the Merola Opera Program began during the 1954-55 season and established its full training program in 1957.<ref name="WSJ"/> In 2010 ''[[The Wall Street Journal]]'' stated that the Merola Opera Program "outranks any comparable program in the country, not only in the range, intensity, and quality of its training, but in the stature of its alumni."<ref name="WSJ"/> Training for opera singers includes masterclasses with leading singers in the field, daily individual sessions with [[vocal coach]]es, acting classes, stage movement classes, and classes in applying ones own stage makeup and dealing with the unique challenges of moving and singing arias in period costumes.<ref name="WSJ"/>

⚫
The Program annually offers approximately 30 artists the opportunity of studying, coaching, and participating in master classes with established professionals for eleven and twelve weeks during the summer (12 weeks for apprentice coaches and 11 weeks for singers). Participants also perform in two complete opera productions with orchestra and the Schwabacher Summer Concert. The program incorporates intensive training in operatic repertory languages, diction, acting and movement and culminates with the Merola Grand Finale, a concert with full orchestra at the [[War Memorial Opera House]]. Merola also enables young coach accompanists and stage directors of exceptional talent to develop skills through the apprentice coach and stage director programs. The Merola Opera Program is a financially independent 501(c)3 organization that operates in close collaboration with the San Francisco Opera Center and San Francisco Opera.{{citation needed|date=September 2022}}

⚫
The Merola Opera Program is free to its artists and is supported by contributions of individuals, foundations and government entities. The program covers the artists' travel, housing, weekly stipends and all training expenses. In addition, Merola alums may apply for Career Grants up to $12,000 for the five years following their participation in the program.{{citation needed|date=September 2022}}


⚫
===Merola alumni===
⚫
The Merola Memorial Fund was used to underwrite the San Francisco Opera Debut Auditions, professional auditions for singers from the western United States. The first regional auditions were held in Los Angeles, Pasadena, Sacramento, San Diego, San Jose, and San Francisco. Two hundred thirty-seven young singers applied and two hundred twelve were auditioned. Fifteen singers advanced to the semi-finals, on June 2, 1954. The eight finalists went on to the first San Francisco Opera Debut Auditions which took place at KNBC studios on June 13 and were broadest over KNBC.
{{div col|colwidth=18em}}
*[[Brian Asawa]] (1991)<ref name="WSJ"/>
*[[Ricardo Bernal]]
*[[Gregory Carroll (tenor)|Gregory Carroll]]
*[[Laura Claycomb]] (1989 & 1990)<ref name="WSJ"/>
*[[Mark Delavan]] (1985)<ref name="WSJ"/>
*[[John Del Carlo]]
*[[Joyce DiDonato]] (1997)<ref name="WSJ"/>
*[[Julianna Di Giacomo]]
*[[Susan Graham]] (1987)<ref name="WSJ"/>
*[[Nancy Gustafson]] (1982)<ref name="WSJ"/>
*[[Thomas Hampson (baritone)|Thomas Hampson]] (1980)<ref name="WSJ"/>
*[[Elza van den Heever]] (2003 & 2004)<ref name="WSJ"/>
*[[Bryan Hymel]]
*[[Gary Lakes]] (1981)<ref name="WSJ"/>
*[[Sylvia McNair]] (1982)<ref name="WSJ"/>
*[[Leona Mitchell]] (1971)<ref name="WSJ"/>
*[[Paula Murrihy]]
*[[Anna Netrebko]] (1996)<ref name="WSJ"/>
*[[Patricia Racette]] (1988)<ref name="WSJ"/>
*[[John Relyea]] (1995)<ref name="WSJ"/>
*[[Kurt Streit]] (1986)<ref name="WSJ"/>
*[[Fernando del Valle]]
*[[Patrick Summers]]
*[[Ruth Ann Swenson]] (1981 & 1982)<ref name="WSJ"/>
*[[Jess Thomas]] (1957)<ref name="WSJ"/>
*[[Riki Turofsky]]
*[[Carol Vaness]] (1976)<ref name="WSJ"/>
*[[Rolando Villazón]]
*[[Deborah Voigt]] (1985)<ref name="WSJ"/>
*[[Dolora Zajick]] (1983)<ref name="WSJ"/>
{{div col end}}


==Adler Fellowship==
All historical content excerpted from.<ref>Grant, Tracy, ''Voices Heard Round the World: The Merola Opera Program at Fifty Years''. San Francisco: Merola Opera Program, 2007</ref>
[[File:Kurt Herbert Adler 1966.jpg|thumb|Kurt Herbert Adler (1966)]]
The '''Adler Fellowship''' is a program to support young singers managed by the [[San Francisco Opera]], started under the leadership of General Director [[Terence A. McEwen]]. The fellowship is named after [[Kurt Herbert Adler]] who managed the opera from 1953 until 1981. The fellowship comes with training and performance opportunities.<ref>[http://sfopera.com/Opera-Center/Adler-Fellows.aspx "Adler Fellowship Program", with list of Adler Fellows] on sfopera.com</ref>
===Fellows===
{{Div col|colwidth=20em|rules=yes}}
*[[Gregory Stapp]] (1982)
*[[Ruth Ann Swenson]] (1983-84)
*[[Nancy Gustafson]] (1983-84)
*[[David Malis]] (1984-85)
*[[Dolora Zajick]] (1984-85)
*[[Monte Pederson]] (1985-86)
*[[Philip Skinner]] (1986-87)
*[[Deborah Voigt]] (1986)
*[[Mark Delavan]] (1986-87)
*[[Kevin Anderson (tenor)|Kevin Anderson]] (1988)
*[[Janet Williams (soprano)|Janet Williams]] (1988-89)
*[[Patricia Racette]] (1989-90)
*[[Mary Mills (soprano)|Mary Mills]] (1990–91)
*[[Laura Claycomb]] (1991-1993)
*[[Brian Asawa]] (1992)
*James Caputo (1993)
*Daniel Sumegi (1993–94)
*Claudia Waite (1994–95)
*[[Zheng Cao]] (1995-96)
*[[John Relyea]] (1996-97)
*[[Stuart Skelton]] (1996-97)
*[[Armando Gama]] (1998-99)
*[[James Westman]] (1999)
*[[Katia Escalera]] (2001)
*[[Elizabeth Caballero]] (2003)
*[[Lucas Meachem]] (2004)
*[[Nikki Einfeld]] (2004-05)
*[[Thomas G. Glenn]] (2004–05)
*[[Joshua Bloom]] (2004-05)
*[[Sean Panikkar]] (2005-06)
*[[Noah Stewart]] (2007)
*[[Daniela Mack]] (2008-09)
*[[Brian Jagde]] (2010-2012)
*[[Nadine Sierra]] (2011–2012)
*[[Ao Li]] (2011-2013)
*[[Philippe Sly]] (2013-14)
*[[Pene Pati]] (2016-17)
{{Div col end}}


==References==
==References==
Line 26: Line 105:
{{Coord|37|46|43|N|122|25|16|W|region:US-CA_type:landmark|display=title}}
{{Coord|37|46|43|N|122|25|16|W|region:US-CA_type:landmark|display=title}}


[[Category:Music schools in California]]
[[Category:Music schools in San Francisco]]
[[Category:Training programs]]

Latest revision as of 01:53, 17 September 2023

San Francisco Opera House

The San Francisco Opera Center (SFOC) is the San Francisco Opera's professional training center for opera singers.[1] Based in San Francisco, it encompasses two different professional tracks for training: a summer training program known as the Merola Opera Program and a two year long term resident artist program known as the Adler Fellowship.[1] For twenty years the SFOC also operated a touring opera company, the Western Opera Theatre, but for financial reasons this touring company was disbanded in 2003.[1][2] In addition to providing training for opera singers, the Merola Opera Program also provides training for vocal coaches and stage directors. Four singers each year from the summer Merola Opera Program are offered Adler Fellowships with the San Francisco Opera.[3] Soprano Sheri Greenawald served as director of the San Francisco Opera Center from 2002 through 2020.[4]


History[edit]

The San Francisco Opera Center was founded in 1982 by San Francisco Opera director Terence A. McEwen with the intent of consolidating the operation and administration of various educational,community outreach, and performance programs already existing at the San Francisco Opera, including the Adler Fellowship Program, Merola Opera Program, Western Opera Theatre, the "Showcase Series", "Brown Bag Opera", "Opera Center Singers", and "Schwabacher Recitals", among others.[5]

The Merola Opera Program was the oldest of these programs, being established more than sixty years ago. On August 30, 1953, San Francisco Opera founder and first General Director, Gaetano Merola, died at Stern Grove while conducting a young American singer in "Un bel di" from Madama Butterfly. Maestro Merola wanted to provide young American singers opportunities as little formal training was available in the United States at the time and scant audition opportunities existed on the west coast. This prompted Mrs. Leland Atherton Irish of the Opera Guild of Southern California to ask the new San Francisco Opera General Director, Kurt Herbert Adler, why young western singers had to go to New York to audition.[6]

The Merola Memorial Fund was used to underwrite the San Francisco Opera Debut Auditions, professional auditions for singers from the western United States. The first regional auditions were held in Los Angeles, Pasadena, Sacramento, San Diego, San Jose, and San Francisco. Two hundred thirty-seven young singers applied and two hundred twelve were auditioned. Fifteen singers advanced to the semi-finals, on June 2, 1954. The eight finalists went on to the first San Francisco Opera Debut Auditions which took place at KNBC studios on June 13 and were broadest over KNBC.[7]

Merola Opera Program[edit]

Opera singer Leontyne Price directing a master class in the Merola Opera Program in 1986.

The Merola Opera Program is a world-renowned opera training and performance program for promising young artists.[8][3] Named for San Francisco Opera's first general director, Gaetano Merola, the Merola Opera Program began during the 1954-55 season and established its full training program in 1957.[3] In 2010 The Wall Street Journal stated that the Merola Opera Program "outranks any comparable program in the country, not only in the range, intensity, and quality of its training, but in the stature of its alumni."[3] Training for opera singers includes masterclasses with leading singers in the field, daily individual sessions with vocal coaches, acting classes, stage movement classes, and classes in applying ones own stage makeup and dealing with the unique challenges of moving and singing arias in period costumes.[3]

The Program annually offers approximately 30 artists the opportunity of studying, coaching, and participating in master classes with established professionals for eleven and twelve weeks during the summer (12 weeks for apprentice coaches and 11 weeks for singers). Participants also perform in two complete opera productions with orchestra and the Schwabacher Summer Concert. The program incorporates intensive training in operatic repertory languages, diction, acting and movement and culminates with the Merola Grand Finale, a concert with full orchestra at the War Memorial Opera House. Merola also enables young coach accompanists and stage directors of exceptional talent to develop skills through the apprentice coach and stage director programs. The Merola Opera Program is a financially independent 501(c)3 organization that operates in close collaboration with the San Francisco Opera Center and San Francisco Opera.[citation needed]

The Merola Opera Program is free to its artists and is supported by contributions of individuals, foundations and government entities. The program covers the artists' travel, housing, weekly stipends and all training expenses. In addition, Merola alums may apply for Career Grants up to $12,000 for the five years following their participation in the program.[citation needed]

Merola alumni[edit]

Adler Fellowship[edit]

Kurt Herbert Adler (1966)

The Adler Fellowship is a program to support young singers managed by the San Francisco Opera, started under the leadership of General Director Terence A. McEwen. The fellowship is named after Kurt Herbert Adler who managed the opera from 1953 until 1981. The fellowship comes with training and performance opportunities.[9]

Fellows[edit]

References[edit]

  1. ^ a b c Joshua Kosman (August 6, 2002). "New opera center chief knows the ropes". San Francisco Chronicle.
  2. ^ Maria-Cristina Necula (2009). Life in Opera: Truth, Tempo, and Soul : Encounters with Stars, Innovators, and Leaders of Today's Opera World. Amadeus Press. p. 99. ISBN 9781574671797.
  3. ^ a b c d e f g h i j k l m n o p q r s t u v w x y David Littlejohn (12 August 2010). "Boot Camp for Belters". Wall Street Journal. p. D7.
  4. ^ "Merola's 2021 Season Features BIPOC Recital, Digital Project and More". BroadwayWorld. April 29, 2019.
  5. ^ Lofti Mansouri (1994). Kurt Herbert Adler and the San Francisco Opera: Artists and staff of the San Francisco Opera. Regional Oral History Office, The Bancroft Library, University of California. p. 7.
  6. ^ Schwabacher, James H., "Merola Memories" (taped discussion, 1991, San Francisco Performing Arts Library and Museum)
  7. ^ Grant, Tracy, Voices Heard Round the World: The Merola Opera Program at Fifty Years. San Francisco: Merola Opera Program, 2007
  8. ^ Anne Midgette (31 January 2009). "The Rising Voice: Opera Houses Make Room For Relative Youngsters". The Washington Post. p. C1, C8.
  9. ^ "Adler Fellowship Program", with list of Adler Fellows on sfopera.com

External links[edit]

37°46′43″N 122°25′16″W / 37.77861°N 122.42111°W / 37.77861; -122.42111

Retrieved from "https://en.wikipedia.org/w/index.php?title=San_Francisco_Opera_Center&oldid=1175733438"