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{{Short description|American academic}}
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'''Barbara Kirshenblatt-Gimblett''' (born September 30, 1942 in [[Toronto]], [[Ontario]]) is a scholar of Performance and Jewish Studies and a museum professional. Professor Emerita of Performance Studies at [[New York University]], she is best known for her interdisciplinary contributions to Jewish studies and to the theory and history of museums, tourism, and heritage. She is currently Chief Curator of the Core Exhibition and Advisor to the Director at [[POLIN Museum of the History of Polish Jews]] in Warsaw.<ref>{{cite web|url=http://tabletmag.com/jewish-arts-and-culture/128885/poland-new-jewish-museum|title=How an NYU Scholar Became the Keeper of Poland's Jewish Heritage|date=10 April 2013|publisher=|accessdate=11 January 2018}}</ref>
'''Barbara Kirshenblatt-Gimblett''' (born September 30, 1942, in [[Toronto]], [[Ontario]]) is a scholar of Performance and Jewish Studies and a museum professional. Professor Emerita of Performance Studies at [[New York University]], she is best known for her interdisciplinary contributions to Jewish studies and to the theory and history of museums, tourism, and heritage. She is currently the Ronald S. Lauder Chief Curator of the Core Exhibition and Advisor to the Director at [[POLIN Museum of the History of Polish Jews]] in Warsaw.<ref>{{cite web|url=http://tabletmag.com/jewish-arts-and-culture/128885/poland-new-jewish-museum|title=How an NYU Scholar Became the Keeper of Poland's Jewish Heritage|date=April 10, 2013|publisher=|accessdate=January 11, 2018}}</ref>


==Biography==
==Biography==


Barbara Kirshenblatt-Gimblett was born in Toronto, Ontario, during the [[World War II|Second World War]], and raised in Toronto's downtown immigrant neighborhood during the immediate postwar years. Both of her parents were Jewish and were born and raised in [[Second Polish Republic|Poland]]. Her mother came to Canada from [[Brest-Litovsk|Brześć Litewski]] in 1929 and her father from [[Opatów]] in 1934. She attended Orde Street Public School and Northview Heights Collegiate, as well as the Farband Shule, Peretz Shule, and D'Arcy Talmud Torah. At Northview Heights she took the leading role in George Bernard Shaw's ''Saint Joan'' which was showcased at the Sears Drama Festival. She lived in [[Israel]] during 1961-1962 and studied at an [[ulpan]], worked on Kibbutz [[Revivim]], taught manual training to boys with learning disabilities in [[Tel Aviv]], and conducted research on textiles in [[Jerusalem]]. Upon her return to Toronto, she began her university studies and academic career. She married the artist [[Max Gimblett]] in 1964. They have lived and worked in the United States since 1965.
Barbara Kirshenblatt-Gimblett was born in Toronto, Ontario, during the [[World War II|Second World War]], and raised in Toronto's downtown immigrant neighborhood during the immediate postwar years. Both of her parents were Jewish and were born and raised in [[Second Polish Republic|Poland]]. Her mother came to Canada from [[Brest-Litovsk|Brześć nad Bugiem]] in 1929 and her father from [[Opatów]] in 1934. She attended Orde Street Public School and Northview Heights Collegiate, as well as the Farband Shule, Peretz Shule, and D'Arcy Talmud Torah. At Northview Heights she took the leading role in George Bernard Shaw's ''Saint Joan,'' which was showcased at the Sears Drama Festival. She lived in [[Israel]] during 1961-1962 and studied at an [[ulpan]], worked on Kibbutz [[Revivim]], taught manual training to boys with learning disabilities in [[Tel Aviv]], and conducted research on textiles in [[Jerusalem]]. Upon her return to Toronto, she began her university studies and academic career. She married the artist [[Max Gimblett]] in 1964. They have lived and worked in the United States since 1965.{{citation needed|date=May 2022}}


==Academic career==
==Academic career==


An honors English major at the [[University of Toronto]] from 1962–1965, Kirshenblatt-Gimblett graduated from the [[University of California, Berkeley]], with an A.B. and M.A. in English literature in 1966 and 1967 respectively. She received her PhD in 1972 from [[Indiana University]], Bloomington, where she studied [[folklore]], [[anthropology]], [[ethnomusicology]], [[sociolinguistics]], and [[material culture]] under folklorist [[Richard Dorson]].{{cn}}
An honors English major at the [[University of Toronto]] from 1962 to 1965, Kirshenblatt-Gimblett graduated from the [[University of California, Berkeley]], with an A.B. and M.A. in English literature in 1966 and 1967 respectively. She received her PhD in 1972 from [[Indiana University]], Bloomington, where she studied [[folklore]], [[anthropology]], [[ethnomusicology]], [[sociolinguistics]], and [[material culture]] under folklorist [[Richard Dorson]].{{citation needed|date=March 2022}}


She has held faculty appointments at the [[University of Texas at Austin]] (English Literature and Anthropology), [[Columbia University]] (Linguistics and Yiddish Studies), [[University of Pennsylvania]] (Folklore and Folklife), and [[New York University]] (Performance Studies) since 1981. She is Professor Emerita of Performance Studies and distinguished University Professor Emerita (an honor conferred in 2002) at the Tisch School of the Arts, New York University, where she chaired her department for more than a decade. She was also Affiliated Professor of Hebrew and Judaic Studies in the Graduate School of Arts and Science.{{cn}} From 2012-2013, she held a fellowship at the [[Katz Center for Advanced Judaic Studies]], focusing on masculinity in medieval Judaism and Christianity.<ref>{{Cite web|last=katzcenterupenn|title=Ruth Karras|url=https://katz.sas.upenn.edu/who-we-are/ruth-karras|access-date=2020-07-29|website=Herbert D. Katz Center for Advanced Judaic Studies|language=en}}</ref>
She has held faculty appointments at the [[University of Texas at Austin]] (English Literature and Anthropology), [[Columbia University]] (Linguistics and Yiddish Studies), [[University of Pennsylvania]] (Folklore and Folklife), and [[New York University]] (Performance Studies) since 1981. She is Professor Emerita of Performance Studies and distinguished University Professor Emerita (an honor conferred in 2002) at the Tisch School of the Arts, New York University, where she chaired her department for more than a decade. She was also Affiliated Professor of Hebrew and Judaic Studies in the Graduate School of Arts and Science.<ref>{{Cite web |date=April 1, 2016 |title='Rising from the Rubble' {{!}} Syracuse University News |url=https://news.syr.edu/blog/2016/04/01/rising-from-the-rubble-92079/ |access-date=March 5, 2022 |language=en-US}}</ref> From 2000 to 2001, she held a fellowship at the [[Katz Center for Advanced Judaic Studies]].<ref>{{Cite web|url=https://katz.sas.upenn.edu/who-we-are/barbara-kirshenblatt-gimblett|title= Barbara Kirshenblatt-Gimblett|website=Herbert D. Katz Center for Advanced Judaic Studies|language=en}}</ref>


==Advisory boards and roles==
==Advisory boards and roles==
{{BLP unreferenced section|date=September 2023}}

Kirshenblatt-Gimblett served as President of the American Folklore Society from 1988 to 1992 and as the AFS delegate to the American Council of Learned Societies. She serves (or recently served) on boards and advisory committees for the following institutions: Getty Institute for the History of Art and the Humanities; Center for Folklife Programs and Cultural Studies, Smithsonian Institution; Stanford Humanities Center; Association for Museum History; the Schlesinger Library on the History of Women in America, Radcliffe College; Association for Jewish Studies Executive Board and AJS Women's Caucus; the American Center for Wine, Food, and the Arts; Social Science Research Council; and International Center for Advanced Studies, New York University, among others. She was admitted, by invitation, to the American Academy for Jewish Research and the Society of American Historians. She currently serves on the Academic Advisory Council of the YIVO Institute for Jewish Research.
Kirshenblatt-Gimblett served as President of the [[American Folklore Society]] from 1988 to 1992 and as the AFS delegate to the American Council of Learned Societies. She has been on boards and advisory committees for the following institutions: Getty Institute for the History of Art and the Humanities; Center for Folklife Programs and Cultural Studies, Smithsonian Institution; Stanford Humanities Center; Association for Museum History; the Schlesinger Library on the History of Women in America, Radcliffe College; Association for Jewish Studies Executive Board and AJS Women's Caucus; the American Center for Wine, Food, and the Arts; Social Science Research Council; and International Center for Advanced Studies, New York University. She was admitted, by invitation, to the American Academy for Jewish Research and the Society of American Historians. She is on the Academic Advisory Council of the YIVO Institute for Jewish Research.

==Editorial boards==

Kirshenblatt-Gimblett has served or currently serves on editorial boards for such journals as ''Museum and Society'', ''International Journal of Heritage Studies'', ''Museum Worlds'', ''Museum Anthropology'', ''Journal on Computing and Cultural Heritage'', ''Journal of the History of Collections'', ''Tourist Studies'', ''Contemporary Jewry'', ''Jewish Cultural Studies'', ''Journal of Yiddish Research'', ''Cultural Anthropology'', ''American Ethnologist'', ''Journal of Folklore Research'', ''Narodna umjetnost: Croatian Journal of Ethnology and Folklore Research'', ''Senses & Society'', ''TDR The Drama Review'', ''Text and Performance: A Journal of Performance Studies'', ''All about Jewish Theater'', ''Postmodern Culture'', ''Gastronomica'', and ''Cuizine''. She has served or currently serves on the editorial boards of such book series as California Studies in Food and Culture (University of California Press), Jewish Folklore and Ethnography (Wayne State University Press), and Jewish Cultural Studies (Littman Library of Jewish Civilization). She served on the editorial boards of the ''YIVO Encyclopedia of Jews in Eastern Europe'', ''Encyclopedia of Jewish Folklore'', and ''Encyclopedia of Food and Culture''.


==Museums==
==Museums==
{{BLP sources section|date=September 2023}}
Kirshenblatt-Gimblett has worked as a consultant for many museums, exhibition projects, and cultural festivals. These include [[ANU]]: Museum of the Jewish People (Tel Aviv), [[Jewish Museum Berlin]], the [[United States Holocaust Memorial Museum]] (Washington, D.C.), [[Yeshiva University Museum]] (New York), [[The Jewish Museum]] (New York), Skirball Museum (Los Angeles), [[Weitzman National Museum of American Jewish History]] (Philadelphia), [[Spertus Institute for Jewish Learning and Leadership]] (Chicago), [[Smithsonian Institution]] (Washington, D.C.), [[National September 11 Memorial & Museum]] (New York), [[Museum of Jurassic Technology]] (Los Angeles), and the Los Angeles Festival.


She has been on the advisory boards for the [[Jewish Museum Vienna]], [[Jewish Museum Berlin]] and the [[Jewish Museum and Tolerance Center]] (Moscow). She is an advisor for [[Šeduva#The Lost Shtetl Museum|The Lost Shtetl Museum (Šeduva, Lithuania)]], the [[Belarusian-Jewish Cultural Heritage Center]] (Minsk), which aims to create a Belarusian Jewish museum, the [[Armenian Jewish Museum]] (Vlora) and [[Besa Museum]] (Tirana), and the Foodish program at [[ANU – Museum of the Jewish People]] (Tel Aviv).
Kirshenblatt-Gimblett has served or is currently serving as a consultant internationally for many museums, exhibition projects, and cultural festivals among them [[Beth Hatefutsoth]]: Museum of Jewish Peoplehood (Tel Aviv), [[Jewish Museum Berlin]], the [[United States Holocaust Memorial Museum]] (Washington, D.C.), [[Yeshiva University Museum]] (New York), [[The Jewish Museum]] (New York), Skirball Museum (Los Angeles), [[National Museum of American Jewish History]] (Philadelphia), [[Spertus Institute for Jewish Learning and Leadership]](Chicago), [[Smithsonian Institution]] (Washington, D.C.), [[National September 11 Memorial & Museum]] (New York), [[Museum of Jurassic Technology]] (Los Angeles), and the Los Angeles Festival, among others. She currently serves on the Advisory Board for the [[Jewish Museum Vienna]] and the [[Jewish Museum and Tolerance Center]] in Moscow.


She has curated exhibitions for the [[YIVO Institute for Jewish Research]], [[The Jewish Museum]] (New York), and the [[Smithsonian Institution]], and published extensively on museums, most recently in [https://web.archive.org/web/20140102202450/http://ethnomuseum.website.pl/doc_144-_aktualny-numer.htmlEtnografia Nowa] (2011). She is a member of [[International Council of Museums|ICOM]], UNESCO's International Council of Museums, CAJM, Council of American Jewish Museums, and AEJM Association of European Jewish Museums.
She has curated exhibitions for the [[YIVO Institute for Jewish Research]], [[The Jewish Museum]] (New York), and the [[Smithsonian Institution]], and published extensively on museums, including in ''Nowa'' (2011), and since then in catalogues for the Core Exhibition and temporary exhibition at [[POLIN Museum of the History of Polish Jews]] (Warsaw), and in academic journals and books. She is a member of the [[International Council of Museums]], UNESCO's International Council of Museums, Vice-chair of the [[International Committee of Memorial and Human Rights Museums]], a member of the [[Council of American Jewish Museums]], and [[Association of European Jewish Museums]], which has honored her with lifetime membership.


In 2006, after consulting for the [[Museum of the History of Polish Jews]] for several years, she agreed to lead the team developing the Core Exhibition, a multimedia narrative experience dedicated to the 1000-year history of Polish Jews.<ref>Allison Hoffman, [http://www.tabletmag.com/jewish-arts-and-culture/128885/poland-new-jewish-museum "The Curator of Joy and Ashes"], ''Tablet'', April 10, 2013</ref><ref>Ruth Ellen Gruber, [http://www.forward.com/articles/140908/the-woman-behind-the-polish-jewry-museum/#ixzz1rTE5KyS2 “The Woman Behind the Polish Jewry Museum]," ''The Forward'',
In 2006, after consulting for the [[Museum of the History of Polish Jews]] for several years, she agreed to lead the team developing the Core Exhibition, a multimedia narrative experience dedicated to the 1000-year history of Polish Jews.<ref>Allison Hoffman, [http://www.tabletmag.com/jewish-arts-and-culture/128885/poland-new-jewish-museum "The Curator of Joy and Ashes"], ''Tablet'', April 10, 2013</ref><ref>Ruth Ellen Gruber, [http://www.forward.com/articles/140908/the-woman-behind-the-polish-jewry-museum/#ixzz1rTE5KyS2 “The Woman Behind the Polish Jewry Museum]," ''The Forward'',
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==Writing==
==Writing==


[http://www.mayerjuly.com ''They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland Before the Holocaust''], which she coauthored with her father [[Mayer Kirshenblatt]], was accompanied by an exhibition of the paintings and a documentary film, [http://www.logtv.com/films/opatow/ ''Paint What You Remember'']. The book won three awards, two of them [[Canadian Jewish Book Awards]], and was a finalist in three categories for the [[National Jewish Book Award]]. The film records Mayer Kirshenblatt's return to his hometown, [[Opatów]], with his family and the warm reception he and his memories received from those living there today. The exhibition, which opened at the Magnes Museum (Berkeley, California) in 2007, traveled to [[The Jewish Museum]] (New York) and the [[Joods Historisch Museum|Jewish Historical Museum]] (Amsterdam). The audio guide received a 2010 MUSE award from the [[American Association of Museums]] in recognition of outstanding achievement in the use of digital media "to enhance the museum experience and engage audiences." A print version of the exhibition was shown in [[Opatów]] and at the [[Galicia Jewish Museum]] in Kazimierz/Kraków. Awakening Lives: Autobiographies of Jewish Youth in Poland before the Holocaust, to which Kirshenblatt-Gimblett contributed, coincides with the period of Kirshenblatt's youth in Poland.
''They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland Before the Holocaust'', which she coauthored with her father [[Mayer Kirshenblatt]], was accompanied by an exhibition of the paintings and a documentary film, ''Paint What You Remember''. The book won three awards, two of them [[Canadian Jewish Book Awards]], and was a finalist in three categories for the [[National Jewish Book Award]]. The film records Mayer Kirshenblatt's return to his hometown, [[Opatów]], with his family and the warm reception he and his memories received from those living there today. The exhibition, which opened at the Magnes Museum (Berkeley, California) in 2007, traveled to [[The Jewish Museum]] (New York) and the [[Joods Historisch Museum|Jewish Historical Museum]] (Amsterdam). The audio guide received a 2010 MUSE award from the [[American Association of Museums]] in recognition of outstanding achievement in the use of digital media "to enhance the museum experience and engage audiences." A print version of the exhibition was shown in [[Opatów]] and at the [[Galicia Jewish Museum]] in Kazimierz/Kraków. ''Awakening Lives: Autobiographies of Jewish Youth in Poland before the Holocaust'', to which Kirshenblatt-Gimblett contributed, coincides with the period of Kirshenblatt's youth in Poland.


Kirshenblatt-Gimblett is the author of ''Destination Culture: Tourism, Museums, and Heritage'' (University of California Press, 1998). She co-authored ''The Israel Experience: Studies in Youth Travel and Jewish Identity with Harvey Goldberg and Samuel Heilman'' (Jerusalem: Studio Kavgraph, Andrea and Charles Bronfman Philanthropies, 2002). Her edited books include ''Writing Modern Jewish History: Essays in Honor of Salo W. Baron'' (Yale University Press, 2006), which won a [[National Jewish Book Award]]; ''The Art of Being Jewish in Modern Times'' (co-edited with Jonathan Karp) (University of Pennsylvania Press, 2007); ''Museum Frictions: Public Cultures/Global Transformations'' (co-edited with Ivan Karp and Corinne Kratz et al.) (Duke University Press, 2006); ''Art from Start to Finish'' (co-edited with Howard Becker and Robert Faulkner, University of Chicago Press, 2005), and ''[[Anne Frank]] Unbound: Media, Imagination, Memory'' (co-edited with Jeffrey Shandler) (Indiana University Press, 2012).
Kirshenblatt-Gimblett is the author of ''Destination Culture: Tourism, Museums, and Heritage'' (University of California Press, 1998). She co-authored ''The Israel Experience: Studies in Youth Travel and Jewish Identity with Harvey Goldberg and Samuel Heilman'' (Jerusalem: Studio Kavgraph, Andrea and Charles Bronfman Philanthropies, 2002). Her edited books include ''Writing Modern Jewish History: Essays in Honor of Salo W. Baron'' (Yale University Press, 2006), which won a [[National Jewish Book Award]]; ''The Art of Being Jewish in Modern Times'' (co-edited with Jonathan Karp) (University of Pennsylvania Press, 2007); ''Museum Frictions: Public Cultures/Global Transformations'' (co-edited with Ivan Karp and Corinne Kratz et al.) (Duke University Press, 2006); ''Art from Start to Finish'' (co-edited with Howard Becker and Robert Faulkner, University of Chicago Press, 2005), ''They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland Before the Holocaust''(co-authored with Mayer Kirshenblatt, her father) (University of California Press, 2007), and ''[[Anne Frank]] Unbound: Media, Imagination, Memory'' (co-edited with Jeffrey Shandler) (Indiana University Press, 2012), among others.


Her earlier books include ''Image before My Eyes: A Photographic History of Jewish Life in Poland, 1864–1939'', with Lucjan Dobroszycki (Schocken, reissued 1995), which was accompanied by a landmark exhibition for the [[YIVO Institute for Jewish Research]] at [[The Jewish Museum]] and feature documentary film (recently reissued on DVD). Her other publications include ''Speech Play: Research and Resources for Linguistic Creativity'' (editor and contributor); ''Fabric of Jewish Life: Textiles from the Jewish Museum Collection'' (in collaboration with Cissy Grossman); ''Authoring Lives''; and numerous articles.
Her earlier books include ''Image before My Eyes: A Photographic History of Jewish Life in Poland, 1864–1939'', with Lucjan Dobroszycki (Schocken, reissued 1995), which was accompanied by a landmark exhibition for the [[YIVO Institute for Jewish Research]] at [[The Jewish Museum]] and feature documentary film (recently reissued on DVD). Her other publications include ''Speech Play: Research and Resources for Linguistic Creativity'' (editor and contributor); ''Fabric of Jewish Life: Textiles from the Jewish Museum Collection'' (in collaboration with Cissy Grossman); ''Authoring Lives''; and numerous articles.


==Honors==
==Honors==
She was designated Distinguished Humanist for 2003 by the Melton Center for Jewish Studies at Ohio State University. In 2008, she was honored with the [[Foundation for Jewish Culture]] award for lifetime achievement and the Mlotek Prize for Yiddish and Yiddish Culture, and was selected for the Forward 50,<ref>[http://forward.com/forward-50-2008/ "Forward 50, 2008"], ''The Forward'', 2008</ref> which celebrates leadership, creativity, and impact. In 2010 she received the Shofar Award of the 25th Annual Jewish Music Festival and in 2015 she was awarded the Officer's Cross of the Order of Merit of the Republic of Poland from the President of Poland, an honorary doctorate from the Jewish Theological Seminary of America, and the Marshall Sklare award for her contributions to the social scientific study of Jewry. In 2017, she received an honorary doctorate from the University of Haifa and was elected to the American Academy of Arts and Sciences. In 2020 she was honored with the [[Dan David Prize]].<ref>[https://www.dandavidprize.org/laureates/2020 Dan David Prize 2020]</ref>
She was designated Distinguished Humanist for 2003 by the Melton Center for Jewish Studies at Ohio State University. In 2008, she was honored with the [[Foundation for Jewish Culture]] award for lifetime achievement and the Mlotek Prize for Yiddish and Yiddish Culture, and was selected for the Forward 50,<ref>[http://forward.com/forward-50-2008/ "Forward 50, 2008"], ''The Forward'', 2008</ref> which celebrates leadership, creativity, and impact. In 2010 she received the Shofar Award of the 25th Annual Jewish Music Festival and in 2015 she was awarded the Officer's Cross of the Order of Merit of the Republic of Poland from the President of Poland, an honorary doctorate from the Jewish Theological Seminary of America, and the Marshall Sklare award for her contributions to the social scientific study of Jewry. In 2017, she received an honorary doctorate from the University of Haifa and was elected to the American Academy of Arts and Sciences. In 2020 she was honored with the [[Dan David Prize]].<ref>{{Cite web |date=August 16, 2021 |title=Prof. Barbara Kirshenblatt-Gimblett |url=https://dandavidprize.org/laureates/prof-barbara-kirshenblatt-gimblett/ |access-date=March 14, 2022 |website=Dan David Prize |language=en-US}}</ref>


Previous awards include the Guggenheim Fellowship and grants from the [[American Council of Learned Societies]], [[National Endowment for the Arts]], and [[National Endowment for the Humanities]]. She was a Getty Scholar at the Getty Center for the History of Art and the Humanities in 1991-1992, in residence at the Rockefeller Foundation's Bellagio Conference and Study Center in 1991, a [[Phi Beta Kappa]] Visiting Scholar in 1995, a Winston Fellow at the Institute for Advanced Studies at the [[Hebrew University]] in Jerusalem in 1996, a [[University of Auckland]] Foundation Visitor in 1998, a fellow at SCASSS (Swedish Collegium for Advanced Study in the Social Sciences) in Uppsala in 1998, and a resident research fellow at the [[Center for Advanced Judaic Studies]] at the [[University of Pennsylvania]] in 2001.
Previous awards include the Guggenheim Fellowship and grants from the [[American Council of Learned Societies]], [[National Endowment for the Arts]], and [[National Endowment for the Humanities]]. She was a Getty Scholar at the Getty Center for the History of Art and the Humanities in 1991–1992, in residence at the Rockefeller Foundation's Bellagio Conference and Study Center in 1991, a [[Phi Beta Kappa]] Visiting Scholar in 1995, a Winston Fellow at the Institute for Advanced Studies at the [[Hebrew University]] in Jerusalem in 1996, a [[University of Auckland]] Foundation Visitor in 1998, a fellow at SCASSS (Swedish Collegium for Advanced Study in the Social Sciences) in Uppsala in 1998, and a resident research fellow at the [[Center for Advanced Judaic Studies]] at the [[University of Pennsylvania]] in 2001.

==Controversy==

In October 2014, she was quoted in a New York Times article as saying that postwar Poland was an "anomaly" because of its relative homogeneity explaining, correctly,{{citation needed|date=January 2021}} that "[n]ever was Poland as homogeneous, linguistically and ethnically, as it is today." <ref>{{cite news|url=https://www.nytimes.com/2014/10/22/world/europe/warsaw-museum-of-the-history-of-polish-jews.html|title=Museum of the History of Polish Jews in Warsaw to Unveil Core Exhibition|first=Rick|last=Lyman|newspaper=The New York Times|date=21 October 2014|publisher=|accessdate=11 January 2018}}</ref>

This was picked up by some Polish commentators with indignation and interpreted as a sign that POLIN Museum was calling for increased immigration of non-Poles to Poland and/or promotion of so-called "multiculturalism."{{citation needed|date=January 2021}}


==References==
==References==
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==External links==
==External links==
* {{official website|https://tisch.nyu.edu/about/directory/performance-studies/3023926}}
'''General'''
* Barbara Kirshenblatt-Gimblett website: http://www.nyu.edu/classes/bkg/web/
* List of publications: http://admin.tisch.nyu.edu/object/Kirshenblatt-GimblettB.html

'''Museum of the History of Polish Jews'''
* Interview: "Nowe rozumienie autentyczności - o Muzeum Historii Żydów Polskich z Barbarą Kirshenblatt-Gimblett rozmawia Tomasz Łysak." Obieg, 5.01.2009. aktualizacja 03.02.2009. https://web.archive.org/web/20110628065334/http://obieg.pl/rozmowy/6956. '''English translation''': http://www.polandjewishheritagetours.com/5.MuseumofPolishJewishHustory.pdf
* Preview of the Core Exhibition, Museum of the History of Polish Jews, The Embassy of The Republic of Poland, Washington, D.C., November 7, 2011. https://web.archive.org/web/20120505112134/http://washington.polemb.net/index.php?document=1264. | In Polish: http://www.washington.polemb.net/index.php?document=1266{{dead link|date=October 2016 |bot=InternetArchiveBot |fix-attempted=yes }}
* Video: Mini-lecture on Creating the Core Exhibition of the Museum of the History of Polish Jews in Warsaw, The Embassy of The Republic of Poland, Washington, D.C., November 7, 2011. https://www.youtube.com/watch?v=K2oeYnumlkc
* Text: "Why Do Jewish Museums Matter? An International Perspective," Keynote address, Association of European Jewish Museums Annual Conference, London 2011. http://www.aejm.org/django-files/cms/pool/Why_Jewish_Museums_BKG.pdf{{Dead link|date=November 2018 |bot=InternetArchiveBot |fix-attempted=yes }}.
* Video: ''Polish museum looks at Jewish history in Warsaw'', CNN, Added on November 21, 2013. http://edition.cnn.com/video/data/2.0/video/world/2013/11/21/spc-on-the-road-poland-jewish-museum-warsaw.cnn.html.
* Audio: "Origins and Mission of the Museum of the History of Polish Jews," Opening remarks for the Fourth Annual [[Humanity in Action]] International Conference, Warsaw, 2013. http://www.humanityinaction.org/knowledgebase/450-origins-and-mission-of-the-museum-of-the-history-of-polish-jews.
* Video: "Museums as Agents of Transformation," Lecture for Warsaw University students in American Studies, October 14, 2013. '''Part 1''': https://www.youtube.com/watch?v=ZfStStd6maU. '''Part 2''': https://www.youtube.com/watch?v=WWzMi6_1dXU.
* Interview: Интервью с программным директором Музея истории евреев Польши. 2013. https://web.archive.org/web/20140102193546/http://www.urokiistorii.ru/memory/place/51917.

'''Performance Studies'''
* Video: What is Performance Studies? Hemispheric Institute Digital Video Archive, December 19, 2001. http://hidvl.nyu.edu/video/003305553.html
* Barbara Kirshenblatt-Gimblett, Performance Studies, Histories and Theories of Intermedia. http://umintermediai501.blogspot.com/2008/06/performance-studies-barbara.html
* Audio: Barbara Kirshenblatt-Gimblett Interview, October 26, 1986. Indiana University Center for the Study of History and Memory. https://web.archive.org/web/20150912081048/http://digital.lib.usu.edu/cdm/ref/collection/AFS/id/96

'''''They Called Me Mayer July'''''
* Blog: They Called Me Mayer July: http://www.mayerjuly.com
* Video: Barbara Kirshenblatt-Gimblett interviews Mayer Kirshenblatt, Magnes Museum, September 5, 2007. https://www.youtube.com/watch?v=K2oeYnumlkc


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Latest revision as of 11:40, 11 March 2024

Barbara Kirshenblatt-Gimblett (born September 30, 1942, in Toronto, Ontario) is a scholar of Performance and Jewish Studies and a museum professional. Professor Emerita of Performance Studies at New York University, she is best known for her interdisciplinary contributions to Jewish studies and to the theory and history of museums, tourism, and heritage. She is currently the Ronald S. Lauder Chief Curator of the Core Exhibition and Advisor to the Director at POLIN Museum of the History of Polish Jews in Warsaw.[1]

Biography[edit]

Barbara Kirshenblatt-Gimblett was born in Toronto, Ontario, during the Second World War, and raised in Toronto's downtown immigrant neighborhood during the immediate postwar years. Both of her parents were Jewish and were born and raised in Poland. Her mother came to Canada from Brześć nad Bugiem in 1929 and her father from Opatów in 1934. She attended Orde Street Public School and Northview Heights Collegiate, as well as the Farband Shule, Peretz Shule, and D'Arcy Talmud Torah. At Northview Heights she took the leading role in George Bernard Shaw's Saint Joan, which was showcased at the Sears Drama Festival. She lived in Israel during 1961-1962 and studied at an ulpan, worked on Kibbutz Revivim, taught manual training to boys with learning disabilities in Tel Aviv, and conducted research on textiles in Jerusalem. Upon her return to Toronto, she began her university studies and academic career. She married the artist Max Gimblett in 1964. They have lived and worked in the United States since 1965.[citation needed]

Academic career[edit]

An honors English major at the University of Toronto from 1962 to 1965, Kirshenblatt-Gimblett graduated from the University of California, Berkeley, with an A.B. and M.A. in English literature in 1966 and 1967 respectively. She received her PhD in 1972 from Indiana University, Bloomington, where she studied folklore, anthropology, ethnomusicology, sociolinguistics, and material culture under folklorist Richard Dorson.[citation needed]

She has held faculty appointments at the University of Texas at Austin (English Literature and Anthropology), Columbia University (Linguistics and Yiddish Studies), University of Pennsylvania (Folklore and Folklife), and New York University (Performance Studies) since 1981. She is Professor Emerita of Performance Studies and distinguished University Professor Emerita (an honor conferred in 2002) at the Tisch School of the Arts, New York University, where she chaired her department for more than a decade. She was also Affiliated Professor of Hebrew and Judaic Studies in the Graduate School of Arts and Science.[2] From 2000 to 2001, she held a fellowship at the Katz Center for Advanced Judaic Studies.[3]

Advisory boards and roles[edit]

Kirshenblatt-Gimblett served as President of the American Folklore Society from 1988 to 1992 and as the AFS delegate to the American Council of Learned Societies. She has been on boards and advisory committees for the following institutions: Getty Institute for the History of Art and the Humanities; Center for Folklife Programs and Cultural Studies, Smithsonian Institution; Stanford Humanities Center; Association for Museum History; the Schlesinger Library on the History of Women in America, Radcliffe College; Association for Jewish Studies Executive Board and AJS Women's Caucus; the American Center for Wine, Food, and the Arts; Social Science Research Council; and International Center for Advanced Studies, New York University. She was admitted, by invitation, to the American Academy for Jewish Research and the Society of American Historians. She is on the Academic Advisory Council of the YIVO Institute for Jewish Research.

Museums[edit]

Kirshenblatt-Gimblett has worked as a consultant for many museums, exhibition projects, and cultural festivals. These include ANU: Museum of the Jewish People (Tel Aviv), Jewish Museum Berlin, the United States Holocaust Memorial Museum (Washington, D.C.), Yeshiva University Museum (New York), The Jewish Museum (New York), Skirball Museum (Los Angeles), Weitzman National Museum of American Jewish History (Philadelphia), Spertus Institute for Jewish Learning and Leadership (Chicago), Smithsonian Institution (Washington, D.C.), National September 11 Memorial & Museum (New York), Museum of Jurassic Technology (Los Angeles), and the Los Angeles Festival.

She has been on the advisory boards for the Jewish Museum Vienna, Jewish Museum Berlin and the Jewish Museum and Tolerance Center (Moscow). She is an advisor for The Lost Shtetl Museum (Šeduva, Lithuania), the Belarusian-Jewish Cultural Heritage Center (Minsk), which aims to create a Belarusian Jewish museum, the Armenian Jewish Museum (Vlora) and Besa Museum (Tirana), and the Foodish program at ANU – Museum of the Jewish People (Tel Aviv).

She has curated exhibitions for the YIVO Institute for Jewish Research, The Jewish Museum (New York), and the Smithsonian Institution, and published extensively on museums, including in Nowa (2011), and since then in catalogues for the Core Exhibition and temporary exhibition at POLIN Museum of the History of Polish Jews (Warsaw), and in academic journals and books. She is a member of the International Council of Museums, UNESCO's International Council of Museums, Vice-chair of the International Committee of Memorial and Human Rights Museums, a member of the Council of American Jewish Museums, and Association of European Jewish Museums, which has honored her with lifetime membership.

In 2006, after consulting for the Museum of the History of Polish Jews for several years, she agreed to lead the team developing the Core Exhibition, a multimedia narrative experience dedicated to the 1000-year history of Polish Jews.[4][5]

Writing[edit]

They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland Before the Holocaust, which she coauthored with her father Mayer Kirshenblatt, was accompanied by an exhibition of the paintings and a documentary film, Paint What You Remember. The book won three awards, two of them Canadian Jewish Book Awards, and was a finalist in three categories for the National Jewish Book Award. The film records Mayer Kirshenblatt's return to his hometown, Opatów, with his family and the warm reception he and his memories received from those living there today. The exhibition, which opened at the Magnes Museum (Berkeley, California) in 2007, traveled to The Jewish Museum (New York) and the Jewish Historical Museum (Amsterdam). The audio guide received a 2010 MUSE award from the American Association of Museums in recognition of outstanding achievement in the use of digital media "to enhance the museum experience and engage audiences." A print version of the exhibition was shown in Opatów and at the Galicia Jewish Museum in Kazimierz/Kraków. Awakening Lives: Autobiographies of Jewish Youth in Poland before the Holocaust, to which Kirshenblatt-Gimblett contributed, coincides with the period of Kirshenblatt's youth in Poland.

Kirshenblatt-Gimblett is the author of Destination Culture: Tourism, Museums, and Heritage (University of California Press, 1998). She co-authored The Israel Experience: Studies in Youth Travel and Jewish Identity with Harvey Goldberg and Samuel Heilman (Jerusalem: Studio Kavgraph, Andrea and Charles Bronfman Philanthropies, 2002). Her edited books include Writing Modern Jewish History: Essays in Honor of Salo W. Baron (Yale University Press, 2006), which won a National Jewish Book Award; The Art of Being Jewish in Modern Times (co-edited with Jonathan Karp) (University of Pennsylvania Press, 2007); Museum Frictions: Public Cultures/Global Transformations (co-edited with Ivan Karp and Corinne Kratz et al.) (Duke University Press, 2006); Art from Start to Finish (co-edited with Howard Becker and Robert Faulkner, University of Chicago Press, 2005), They Called Me Mayer July: Painted Memories of a Jewish Childhood in Poland Before the Holocaust(co-authored with Mayer Kirshenblatt, her father) (University of California Press, 2007), and Anne Frank Unbound: Media, Imagination, Memory (co-edited with Jeffrey Shandler) (Indiana University Press, 2012), among others.

Her earlier books include Image before My Eyes: A Photographic History of Jewish Life in Poland, 1864–1939, with Lucjan Dobroszycki (Schocken, reissued 1995), which was accompanied by a landmark exhibition for the YIVO Institute for Jewish Research at The Jewish Museum and feature documentary film (recently reissued on DVD). Her other publications include Speech Play: Research and Resources for Linguistic Creativity (editor and contributor); Fabric of Jewish Life: Textiles from the Jewish Museum Collection (in collaboration with Cissy Grossman); Authoring Lives; and numerous articles.

Honors[edit]

She was designated Distinguished Humanist for 2003 by the Melton Center for Jewish Studies at Ohio State University. In 2008, she was honored with the Foundation for Jewish Culture award for lifetime achievement and the Mlotek Prize for Yiddish and Yiddish Culture, and was selected for the Forward 50,[6] which celebrates leadership, creativity, and impact. In 2010 she received the Shofar Award of the 25th Annual Jewish Music Festival and in 2015 she was awarded the Officer's Cross of the Order of Merit of the Republic of Poland from the President of Poland, an honorary doctorate from the Jewish Theological Seminary of America, and the Marshall Sklare award for her contributions to the social scientific study of Jewry. In 2017, she received an honorary doctorate from the University of Haifa and was elected to the American Academy of Arts and Sciences. In 2020 she was honored with the Dan David Prize.[7]

Previous awards include the Guggenheim Fellowship and grants from the American Council of Learned Societies, National Endowment for the Arts, and National Endowment for the Humanities. She was a Getty Scholar at the Getty Center for the History of Art and the Humanities in 1991–1992, in residence at the Rockefeller Foundation's Bellagio Conference and Study Center in 1991, a Phi Beta Kappa Visiting Scholar in 1995, a Winston Fellow at the Institute for Advanced Studies at the Hebrew University in Jerusalem in 1996, a University of Auckland Foundation Visitor in 1998, a fellow at SCASSS (Swedish Collegium for Advanced Study in the Social Sciences) in Uppsala in 1998, and a resident research fellow at the Center for Advanced Judaic Studies at the University of Pennsylvania in 2001.

References[edit]

  1. ^ "How an NYU Scholar Became the Keeper of Poland's Jewish Heritage". April 10, 2013. Retrieved January 11, 2018.
  2. ^ "'Rising from the Rubble' | Syracuse University News". April 1, 2016. Retrieved March 5, 2022.
  3. ^ "Barbara Kirshenblatt-Gimblett". Herbert D. Katz Center for Advanced Judaic Studies.
  4. ^ Allison Hoffman, "The Curator of Joy and Ashes", Tablet, April 10, 2013
  5. ^ Ruth Ellen Gruber, “The Woman Behind the Polish Jewry Museum," The Forward, August 3, 2011, issue of August 12, 2011]
  6. ^ "Forward 50, 2008", The Forward, 2008
  7. ^ "Prof. Barbara Kirshenblatt-Gimblett". Dan David Prize. August 16, 2021. Retrieved March 14, 2022.

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