Charles Saumarez Smith: Difference between revisions

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{{otherpeople2|Charles Smith}}
{{otherpeople2|Charles Smith}}

{{Infobox Person
{{Infobox Person
| name = Charles Saumarez Smith
| name = Charles Saumarez Smith
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==Biography==
==Biography==


A descendant of the [[19th century]] [[Archbishop of Sydney]] [[William Saumarez Smith]], Charles Saumarez Smith was born in a rectory in the [[Wiltshire]] village of Redlynch, near [[Salisbury]]. He was educated at [[Marlborough College]], where a [[Thomas Gainsborough|Gainsborough]] portrait belonging to the school first awakened his interest in art.<ref name=guardian>Maev Kennedy, [http://arts.guardian.co.uk/features/story/0,11710,900351,00.html Dandy in the Gallery]. ''The Guardian'', [[February 23]], [[2003]]. Acessed [[June 15]], [[2007]]</ref> He then studied at [[King's College, Cambridge]], gaining a double first, before receiving his doctorate from the [[Warburg Institute]], [[London]], in 1986. His thesis was entitled "[[Charles Howard, 3rd Earl of Carlisle]] and the architecture of [[Castle Howard]]". He was a Fellow at [[Harvard University|Harvard]] and Christie's Research Fellow in the History of Applied Arts at [[Christ's College, Cambridge]].
A descendant of the [[19th century]] [[Archbishop of Sydney]] [[William Saumarez Smith]], Charles Saumarez Smith was born in a rectory in the [[Wiltshire]] village of Redlynch, near [[Salisbury]]. He was educated at [[Marlborough College]], where a [[Thomas Gainsborough|Gainsborough]] portrait belonging to the school first awakened his interest in art.<ref name=guardian>Maev Kennedy, [http://arts.guardian.co.uk/features/story/0,11710,900351,00.html Dandy in the Gallery]. ''The Guardian'', [[February 23]], [[2003]]. Accessed [[June 15]], [[2007]]</ref> He then studied at [[King's College, Cambridge]], gaining a double first, before receiving his doctorate from the [[Warburg Institute]], [[London]], in 1986. His thesis was entitled "[[Charles Howard, 3rd Earl of Carlisle]] and the architecture of [[Castle Howard]]". He was a Fellow at [[Harvard University|Harvard]] and Christie's Research Fellow in the History of Applied Arts at [[Christ's College, Cambridge]].


For four years Saumarez Smith worked at the [[Victoria and Albert Museum]] in [[London]] as head of research before becoming director of the [[National Portrait Gallery, London|National Portrait Gallery]] in 1994. There he more than doubled visitor figures by staging exhibitions by contemporary artists, including the fashion photographer [[Mario Testino]]. He also presided over the building of an extension to the NPG in 2000, the Ondaatje Wing.
For four years Saumarez Smith worked at the [[Victoria and Albert Museum]] in [[London]] as head of research before becoming director of the [[National Portrait Gallery, London|National Portrait Gallery]] in 1994. There he more than doubled visitor figures by staging exhibitions by contemporary artists, including the fashion photographer [[Mario Testino]]. He also presided over the building of an extension to the NPG in 2000, the Ondaatje Wing. From 2001 to 2002 Saumarez Smith held the [[Slade Professor of Fine Art|Slade Professorship]] at [[University of Oxford|Oxford University]], where he lectured on ''The State of the Museum''.<ref name=oxford>[http://www.admin.ox.ac.uk/fp/sladeprof.shtml Further particulars: Slade Professorship of Fine Art]. Accessed [[September 5]], [[2007]]</ref>


Saumarez Smith was passed over for major managerial jobs at the V&A, the [[Tate Gallery]] and the [[British Museum]]<ref name=guardian/> before becoming the director of the [[National Gallery, London|National Gallery]] in 2002. The main success of his directorship has been the purchase of [[Raphael]]'s ''[[Madonna of the Pinks]]'' in 2004 for £22 million, raised by a successful public appeal. However, few other major acquisitions have been made by the National Gallery under Saumarez Smith due to the inflated prices now commanded by Old Master paintings. He has more than once condemned the British government under [[Tony Blair]] for not giving more money towards museum funding.
Saumarez Smith was passed over for major managerial jobs at the V&A, the [[Tate Gallery]] and the [[British Museum]]<ref name=guardian/> before becoming the director of the [[National Gallery, London|National Gallery]] in 2002. The main success of his directorship has been the purchase of [[Raphael]]'s ''[[Madonna of the Pinks]]'' in 2004 for £22 million, raised by a successful public appeal. However, few other major acquisitions have been made by the National Gallery under Saumarez Smith due to the inflated prices now commanded by Old Master paintings. He has more than once condemned the British government under [[Tony Blair]] for not giving more money towards museum funding.
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| years = 2002–2007
| years = 2002–2007
| before = [[Neil MacGregor]]
| before = [[Neil MacGregor]]
| after = <small>None as of July 2007<br>Acting Director: Martin Wyld</small>
| after = <small>None as of July 2007<br>Acting Director: Martin Wyld</small>
}}
{{s-aca}}
{{succession box
| title = [[Slade Professor of Fine Art]],<br> [[University of Oxford|Oxford University]]
| before = [[Donald Preziosi]]
| years = 2001–2002
| after = [[Ernst van de Wetering]]
}}
}}
{{end box}}
{{end box}}
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[[Category:1954 births]]
[[Category:1954 births]]
[[Category:Living people]]
[[Category:Living people]]
[[Category:British art historians]]
[[Category:English art historians]]
[[Category:British curators]]
[[Category:British curators]]
[[Category:Museum directors]]
[[Category:Museum directors]]

Revision as of 14:11, 5 September 2007

Charles Saumarez Smith
BornError: Need valid birth date: year, month, day
NationalityUnited Kingdom British
Occupation(s)Art historian and museum director
SpouseRomilly Le Quesne Savage
ChildrenFerdinand Saumarez Smith
Otto Saumarez Smith
Parent(s)William Hanbury Saumarez Smith
Alice Elizabeth Harness Raven

Dr. Charles Robert Saumarez Smith (born May 28, 1954 in Redlynch, England) is a British art historian. From 2002 to 2007 he was director of the National Gallery; on September 1 he will become Secretary and Chief Executive of the Royal Academy of Arts.[1] He was formerly President of the Museums Association.

Biography

A descendant of the 19th century Archbishop of Sydney William Saumarez Smith, Charles Saumarez Smith was born in a rectory in the Wiltshire village of Redlynch, near Salisbury. He was educated at Marlborough College, where a Gainsborough portrait belonging to the school first awakened his interest in art.[2] He then studied at King's College, Cambridge, gaining a double first, before receiving his doctorate from the Warburg Institute, London, in 1986. His thesis was entitled "Charles Howard, 3rd Earl of Carlisle and the architecture of Castle Howard". He was a Fellow at Harvard and Christie's Research Fellow in the History of Applied Arts at Christ's College, Cambridge.

For four years Saumarez Smith worked at the Victoria and Albert Museum in London as head of research before becoming director of the National Portrait Gallery in 1994. There he more than doubled visitor figures by staging exhibitions by contemporary artists, including the fashion photographer Mario Testino. He also presided over the building of an extension to the NPG in 2000, the Ondaatje Wing. From 2001 to 2002 Saumarez Smith held the Slade Professorship at Oxford University, where he lectured on The State of the Museum.[3]

Saumarez Smith was passed over for major managerial jobs at the V&A, the Tate Gallery and the British Museum[2] before becoming the director of the National Gallery in 2002. The main success of his directorship has been the purchase of Raphael's Madonna of the Pinks in 2004 for £22 million, raised by a successful public appeal. However, few other major acquisitions have been made by the National Gallery under Saumarez Smith due to the inflated prices now commanded by Old Master paintings. He has more than once condemned the British government under Tony Blair for not giving more money towards museum funding.

2006 saw the opening of a new ground-floor entrance hall at the National Gallery designed by Dixon Jones architects (who had also designed the Ondaatje Wing) athough this project was begun under Saumarez Smith's predecessor Neil MacGregor. In 2007, news broke of a power struggle between Peter Scott, head of the Gallery's board of trustees, and the director;[4] At the same time it became known that Saumarez Smith was applying for the newly-created post of Secretary and Chief Executive at the Royal Academy. He will resign from the National Gallery on 26 July 2007, where he will be succeeded by Martin Wyld, head conservator at the Gallery, as acting director until a permanent director is appointed in 2008.[5]

Saumarez Smith has written books on Castle Howard and 18th century interior design, and contributed biographies on Quentin Bell and Philip McCammon Core to the Oxford Dictionary of National Biography. In addition, he is a Visiting Professor at Queen Mary, University of London[6] and an occasional panelist on the BBC's Newsnight Review.

References

External links

Cultural offices
Preceded by Director of the National Portait Gallery
1994–2002
Succeeded by
Preceded by Director of the National Gallery
2002–2007
Succeeded by
None as of July 2007
Acting Director: Martin Wyld
Academic offices
Preceded by Slade Professor of Fine Art,
Oxford University

2001–2002
Succeeded by