Helen Vendler: Difference between revisions

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*''Voices and Visions: The Poet in America'' (1987)
*''Voices and Visions: The Poet in America'' (1987)
*''Music of What Happens: Poems, Poets, Critics,'' [http://www.hup.harvard.edu/catalog/VENMUS.html Harvard University Press] (1988)
*''Music of What Happens: Poems, Poets, Critics,'' [http://www.hup.harvard.edu/catalog/VENMUS.html Harvard University Press] (1988)
*''Poems by W. B. Yeats'' Selected and with an introduction by Helen Vendler, ([http://www.arionpress.com/catalog/031.htm] Arion Press (1990)
*''Poems by W. B. Yeats'' Selected and with an introduction by Helen Vendler ([http://www.arionpress.com/catalog/031.htm]), Arion Press (1990)
*''The Given and the Made: Strategies of Poetic Redefinition,'' [http://www.hup.harvard.edu/catalog/VENGIV.html Harvard University Press] (1995)
*''The Given and the Made: Strategies of Poetic Redefinition,'' [http://www.hup.harvard.edu/catalog/VENGIV.html Harvard University Press] (1995)
*''[[Herman Melville]]: Selected Poems'' selected and with an introduction by Helen Vendler, [http://www.arionpress.com/catalog/047.htm Arion Press] (1995)
*''[[Herman Melville]]: Selected Poems'' selected and with an introduction by Helen Vendler, [http://www.arionpress.com/catalog/047.htm Arion Press] (1995)
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*[http://media.nybooks.com/110308-vendler.mp3 Vendler audio interview on the friendship and correspondence] between poets [[Elizabeth Bishop]] and [[Robert Lowell]]
*[http://media.nybooks.com/110308-vendler.mp3 Vendler audio interview on the friendship and correspondence] between poets [[Elizabeth Bishop]] and [[Robert Lowell]]
*{{cite journal| url=http://www.theparisreview.org/interviews/1324/the-art-of-criticism-no-3-helen-vendler| title=Helen Vendler, The Art of Criticism No. 3| author= Henri Cole| work=The Paris Review| date=Winter 1996 }}
*{{cite journal| url=http://www.theparisreview.org/interviews/1324/the-art-of-criticism-no-3-helen-vendler| title=Helen Vendler, The Art of Criticism No. 3| author= Henri Cole| work=The Paris Review| date=Winter 1996 }}
*[http://podcast.lannan.org/2009/08/06/helen-vendler/ Recorded at the Lensic Theater in Santa Fe, New Mexico on January 22, 2003.] Audio file 1 hr 20 mins. Discussion of [[W. B. Yates]]' and poetic forms.
*[http://podcast.lannan.org/2009/08/06/helen-vendler/ Recorded at the Lensic Theater in Santa Fe, New Mexico on January 22, 2003.] Audio file 1 hr 20 mins. Discussion on [[W. B. Yeats]] and poetic forms
*[http://www.oxonianreview.org/wp/the-finite-furnished-with-the-infinite/ 'The Finite Furnished with the Infinite'], review of ''Dickinson'' in ''[[The Oxonian Review]]''
*[http://www.oxonianreview.org/wp/the-finite-furnished-with-the-infinite/ 'The Finite Furnished with the Infinite'], review of ''Dickinson'' in ''[[The Oxonian Review]]''



Revision as of 17:33, 15 August 2012

Helen Hennessy Vendler (born April 30, 1933[1] in Boston, MA) is a leading American critic of poetry.[2][3]

Life and career

Vendler has written books on Emily Dickinson, W. B. Yeats, Wallace Stevens, John Keats, and Seamus Heaney. She has been a professor of English at Harvard University since 1984; between 1981 and 1984 she taught alternating semesters at Harvard and Boston University.[4] In 1990 she was appointed to an endowed chair as the A. Kingsley Porter University Professor. She is the first woman to hold this position. She has also taught at Cornell University, Swarthmore and Smith Colleges, and Boston University. She married (then later divorced) the philosopher Zeno Vendler with whom she had one son. In 1992 Vendler received a Litt. D. from Bates College.[citation needed]

Vendler did not major in English as an undergraduate. She earned an A.B. in chemistry at Emmanuel College. She was awarded a Fulbright Fellowship for mathematics, before earning her Ph.D. in English & American Literature from Harvard.[citation needed] She has also been a judge for the Pultizer Prize and the National Book award, in poetry.

In 2004, the National Endowment for the Humanities selected Vendler for the Jefferson Lecture, the U.S. federal government's highest honor for achievement in the humanities.[5][6] Vendler's lecture, entitled "The Ocean, the Bird, and the Scholar,"[7] used a number of poems by Wallace Stevens[8] to argue for the role of the arts (as opposed to history and philosophy) in the study of humanities.[9]

She is a member of the Norwegian Academy of Science and Letters.[10]

Bibliography

Notes

  1. ^ date & year of birth, full name according to LCNAF CIP data
  2. ^ Rachel Donadio, "The Closest Reader," New York Times, December 10, 2006. ("She is also the leading poetry critic in America, the author of major books on Wallace Stevens, Keats and Shakespeare, and for a generation has been a powerful arbiter of the contemporary poetry scene.")
  3. ^ Stein, Lorin (December 2010). "New Books: Dickinson: Selected Poems and Commentaries". Harper's. 321 (1, 927). Harper's Magazine Foundation: 75. Retrieved 2011-01-22. Helen Vendler is... the reigning doyenne of American poetry criticism
  4. ^ Joel A. Getz, "Vendler Accepts English Dept. Appointment," Harvard Crimson, December 10, 1984.
  5. ^ Jefferson Lecturers at NEH Website (retrieved January 22, 2009).
  6. ^ Joshua D. Gottlieb, "Vendler Tapped for National Lecture," Harvard Crimson, March 12, 2004.
  7. ^ Helen Vendler, "The Ocean, the Bird, and the Scholar", text of Jefferson Lecture at NEH website.
  8. ^ See for example her remarks about Stevens's Harmonium and its various poems, such as Le Monocle de Mon Oncle and Bantam in Pine Woods
  9. ^ Sam Teller, "Vendler Advocates Larger Role for Arts in Academia," Harvard Crimson, March 15, 2005.
  10. ^ "Gruppe 4: Litteraturvitenskap" (in Norwegian). Norwegian Academy of Science and Letters. Retrieved 10 January 2011.

External links

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