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{{short description|French painter}}
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'''Bon Boullogne''' (b. [[Paris]], bapt. [[February 22]], [[1649]] - Paris, [[May 17]], [[1717]]) was a French painter.

[[File:Portrait de Bon Boullogne.jpg|thumb|[[Gilles Allou]], ''Bon Boullogne'', 1711, [[Palace of Versailles]]]]
[[Image:Lille PdBA boulogne tobie.JPG|thumb|210px|''Tobias and Tobit'', c. 1705, [[Palais des Beaux-Arts de Lille|Palais des Beaux-Arts]], [[Lille]]]]
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'''Bon Boullogne''' ({{IPA-fr|bɔ̃ bulɔɲ}}; bapt. February 22, 1649 – May 17, 1717) was a French painter.


==Biography==
==Biography==
[[Image:Bon Boullogne - Triumph of Neptune.jpg|thumb|210px|''Neptune bringing Amphitrite in his marine chariot'' by Bon Boullogne ([[Musée des Beaux-Arts de Tours]])]]

Son of the painter [[Louis Boullogne]], he was long regarded as the most gifted of his children. He took his first lessons from his father, whom he is thought to have assisted in the Grande Galerie of the [[Louvre]]. Through his father, who presented a half-length figure of St John by Bon to [[Jean-Baptiste Colbert]], Contrôleur Général des Finances, he was sent to the Académie de France in Rome as a Pensionnaire du Roi. In this capacity, he made copies of famous works, in particular some frescoes by [[Raphael]] in the [[Vatican Loggie]], intended for reproduction as [[Gobelin]]s tapestries. The period he then spent in Lombardy helped to complete his training. He studied the work of [[Antonio da Correggio|Correggio]] and the [[Annibale Carracci|Carracci]], as well as [[Guido Reni]], [[Domenichino]] and [[Francesco Albani|Albani]]. Bon’s painting, especially the mythological work, shows great affinities with the work of the [[Bolognese School (painting)|Bolognese school]], which was also to be found in the royal collections. Also of influence to Bon was [[Nordic art]], as demonstrated in his female portraits framed by plant like motifs, a device taken up by his pupil [[Robert Tournières]].
Boullogne was born in [[Paris]], a son of the painter [[Louis Boullogne]];<ref name=RKD>[https://rkd.nl/en/explore/artists/11424 Bon de Bollogne] in the [[Netherlands Institute for Art History|RKD]]</ref> he was regarded as the most gifted of his children. He took his first lessons from his father, whom he is thought to have assisted in the Grande Galerie of the [[Musée du Louvre|Louvre]]. Through his father, who presented a half-length figure of St John by Bon to [[Jean-Baptiste Colbert]], Contrôleur Général des Finances, he was sent to the Académie de France in Rome as a Pensionnaire du Roi.<ref name=RKD/> In this capacity, he made copies of famous works, in particular some frescoes by [[Raphael]] in the [[Raphael Rooms|Vatican Loggie]], intended for reproduction as [[Gobelin]]s tapestries.<ref name=RKD/> The period he then spent in Lombardy helped to complete his training. He studied the work of [[Antonio da Correggio]] and the [[Annibale Carracci]], as well as [[Guido Reni]], [[Domenichino]] and [[Francesco Albani]]. Bon’s painting, especially the mythological work, shows great affinities with the work of the [[Bolognese School (painting)|Bolognese school]], which was also to be found in the royal collections. Also of influence to Bon was [[Norwegian art|Nordic art]], as demonstrated in his female portraits framed by plant like motifs, a device taken up by his pupil [[Robert Tournières]]. He died in Paris.


==Paintings==
==Paintings==
* ''Tobias fighting his father'' (c 1705), [[Palais des Beaux-Arts de Lille]]

* ''Jephtha's Daughter'', [[St Petersburg]], [[Hermitage Museum]]
* ''Jephtha's Daughter'', [[Saint Petersburg]], [[Hermitage Museum]]
* ''Saint Nicolas ressucitant les enfants'', [[Montauban]], Le Musée Ingres
* ''Saint Nicolas ressucitant les enfants'', [[Montauban]], Le Musée Ingres
* ''Emigration des Tectosages'', [[Toulouse]], [[Musée des Augustins]]
* ''Emigration des Tectosages'', [[Toulouse]], [[Musée des Augustins]]
* ''Zéphyr et Flore'', [[Rouen]], [[Musée des beaux arts]]
* ''Zéphyr et Flore'', [[Musée des Beaux-Arts de Rouen]]
* ''Le Lavement de pieds'', [[Dijon]] ; Musée des beaux-arts
* ''Le Lavement de pieds'', [[Dijon]]; Musée des beaux-arts
* ''Le Triomphe d'Amphitrite'', [[Dijon]], Musée Magnin
* ''Le Triomphe d'Amphitrite'', [[Dijon]], Musée Magnin
* ''L'enlèvement de Proserpine'', [[Lisieux]], [[Musée d'art et d'histoire]]
* ''L'enlèvement de Proserpine'', [[Lisieux]], [[Musée d'art et d'histoire de Lisieux]]
* ''Pan et Syrinx'', [[Lisieux]], Musée d'art et d'histoire
* ''Pan et Syrinx'', [[Lisieux]], Musée d'art et d'histoire de Lisieux
* ''Deux anges portant des instruments de musique'', [[Versailles]], [[Musée national du château et des Trianons]]
* ''Deux anges portant des instruments de musique'', [[Palace of Versailles|Versailles]], [[Palace of Versailles|Musée national du château et des Trianons]]
* ''Junon et Flore'', [[Versailles]], Musée national du château et des Trianons
* ''Junon et Flore'', [[Palace of Versailles|Versailles]], Musée national du château et des Trianons
* ''Hercule combat les centaures'', [[Paris]], [[Louvre]]
* ''Hercule combat les centaures'', [[Paris]], [[Musée du Louvre|Louvre]]
* ''La mort de Saint Ambroise'', [[Paris]], [[Louvre]]
* ''La mort de Saint Ambroise'', [[Paris]], [[Musée du Louvre|Louvre]]


==Students==
==Students==
*[[Nicolas Bertin]]
*[[Nicolas Bertin]]<ref name=RKD/>
*[[Pierre-Jacques Cazes]]
*[[Pierre-Jacques Cazes]]<ref name=RKD/>
* Joseph Christophe<ref name=RKD/>
*[[François Hutin]]
*[[François Hutin]]<ref name=RKD/>
*[[Sébastien Leclerc]]
*[[Sébastien Leclerc (1637–1714)|Sébastien Leclerc]]<ref name=RKD/>
*[[Charles Parrocel]]
*[[Charles Parrocel]]<ref name=RKD/>
*[[Jean Raoux]]
*[[Jean-Baptiste Santerre]]
*[[Jean Raoux]]<ref name=RKD/>
*[[Jean-Baptiste Santerre]]<ref name=RKD/>
*[[Louis de Silvestre]]
*[[Louis de Silvestre]]<ref name=RKD/>
*[[Robert Tournières]]
*[[Robert Tournières]]<ref name=RKD/>
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*[[Category:French painters|Boullogne, Bon de]]

==References==
{{reflist}}

==Further reading==
* {{cite encyclopedia|last=Blumer|first=Marie-Louise|editor-last=Prevost|editor-first=Michel|editor-last2=Roman d'Amat|editor-first2=Jean-Charles|date=1954|title=Boulogne ou Boullongne|encyclopedia=Dictionnaire de biographie française|language=fr|volume=6|location=Paris|publisher=Letouzet et Ané|at=cols. 1370–1372}}
* {{Cite book|last=Blunt|first=Anthony|url=https://archive.org/details/artarchitecturei0000blun_w0y2|title=Art and Architecture in France, 1500 to 1700|publisher=Penguin Books|year=1973|location=Harmondsworth; New York|isbn=0-14-056104-8|oclc=1147992003|author-link=Anthony Blunt|url-access=registration|via=the [[Internet Archive]]}}
* {{Cite book|last=Caix de Saint-Aymour|first=Amédée|url=https://gallica.bnf.fr/ark:/12148/bpt6k57279772|title=Les Boullongne|publisher=H. Laurens|year=1919|location=Paris|language=fr|via=[[Gallica]]}}
* {{Cite book|last=Dezallier d'Argenville|first=Antoine Joseph|author-link=Antoine Joseph Dezallier d'Argenville|url=https://archive.org/details/abergedelaviedes04deza|title=Abregé de la vie des fameux peintres|publisher=De Bure l'aîné|year=1762|orig-year=1745|volume=4|pages=243–252|location=Paris|oclc=1038747111|via=the Internet Archive}}
* {{cite encyclopedia|last=Guicharnaud|first=Hélène|date=1996a|editor-last=Turner|editor-first=Jane|title=Boullogne|url=https://archive.org/details/dictionaryofart04turn/page/534/mode/2up|encyclopedia=The Dictionary of Art|volume=4|location=New York|publisher=Grove's Dictionaries|pages=534–538|isbn=1-884446-00-0|oclc=1033646743|via=the Internet Archive}}
* {{cite encyclopedia|last=Guicharnaud|first=Hélène|date=1996b|editor-last=Kasten|editor-first=Eberhard|title=Boullogne (Boullongne; Boulogne)|encyclopedia=[[Allgemeines Künstlerlexikon]]|volume=13|location=München, Leipzig|publisher=Saur|pages=340–343|isbn=3-598-22753-1}}
* {{cite book|last=Mérot|first=Alain|date=1995|orig-year=1994|url=https://archive.org/details/frenchpaintingin0000mero/|url-access=registration|title=French Painting in the Seventeenth Century|trans-title=La peinture française au XVIIe siècle|location=New Haven, London|publisher=Yale University Press|isbn=9780300065503 |oclc=983926912|via=the Internet Archive}}
* {{cite encyclopedia|last=Stein|first=Henri|author-link=:fr:Henri Stein|editor-last=Thieme|editor-first=Ulrich|editor-link=Ulrich Thieme|editor-last2=Becker|editor-first2=Felix|editor-link2=Felix Becker (art historian)|date=1910|url=https://archive.org/details/allgemeineslexik04thie/page/449/mode/1up|title=Boullogne, Bon|encyclopedia=[[Thieme-Becker|Allgemeines Lexikon der bildenden Kunstler]]|volume=4|location=Leipzig|publisher=W. Engelmann|pages=449–450|oclc=1039507204|via=the Internet Archive}}
{{Authority control (arts)}}


{{DEFAULTSORT:Boullogne, Bon De}}
[[fr:Bon Boullogne]]
[[Category:17th-century French painters]]
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[[Category:French male painters]]
[[Category:18th-century French painters]]
[[Category:1649 births]]
[[Category:1717 deaths]]
[[Category:Painters from Paris]]
[[Category:18th-century French male artists]]

Latest revision as of 19:23, 11 October 2023

Gilles Allou, Bon Boullogne, 1711, Palace of Versailles
Tobias and Tobit, c. 1705, Palais des Beaux-Arts, Lille

Bon Boullogne (French pronunciation: [bɔ̃ bulɔɲ]; bapt. February 22, 1649 – May 17, 1717) was a French painter.

Biography[edit]

Neptune bringing Amphitrite in his marine chariot by Bon Boullogne (Musée des Beaux-Arts de Tours)

Boullogne was born in Paris, a son of the painter Louis Boullogne;[1] he was regarded as the most gifted of his children. He took his first lessons from his father, whom he is thought to have assisted in the Grande Galerie of the Louvre. Through his father, who presented a half-length figure of St John by Bon to Jean-Baptiste Colbert, Contrôleur Général des Finances, he was sent to the Académie de France in Rome as a Pensionnaire du Roi.[1] In this capacity, he made copies of famous works, in particular some frescoes by Raphael in the Vatican Loggie, intended for reproduction as Gobelins tapestries.[1] The period he then spent in Lombardy helped to complete his training. He studied the work of Antonio da Correggio and the Annibale Carracci, as well as Guido Reni, Domenichino and Francesco Albani. Bon’s painting, especially the mythological work, shows great affinities with the work of the Bolognese school, which was also to be found in the royal collections. Also of influence to Bon was Nordic art, as demonstrated in his female portraits framed by plant like motifs, a device taken up by his pupil Robert Tournières. He died in Paris.

Paintings[edit]

Students[edit]

References[edit]

  1. ^ a b c d e f g h i j k l m Bon de Bollogne in the RKD

Further reading[edit]

  • Blumer, Marie-Louise (1954). "Boulogne ou Boullongne". In Prevost, Michel; Roman d'Amat, Jean-Charles (eds.). Dictionnaire de biographie française (in French). Vol. 6. Paris: Letouzet et Ané. cols. 1370–1372.
  • Blunt, Anthony (1973). Art and Architecture in France, 1500 to 1700. Harmondsworth; New York: Penguin Books. ISBN 0-14-056104-8. OCLC 1147992003 – via the Internet Archive.
  • Caix de Saint-Aymour, Amédée (1919). Les Boullongne (in French). Paris: H. Laurens – via Gallica.
  • Dezallier d'Argenville, Antoine Joseph (1762) [1745]. Abregé de la vie des fameux peintres. Vol. 4. Paris: De Bure l'aîné. pp. 243–252. OCLC 1038747111 – via the Internet Archive.
  • Guicharnaud, Hélène (1996a). "Boullogne". In Turner, Jane (ed.). The Dictionary of Art. Vol. 4. New York: Grove's Dictionaries. pp. 534–538. ISBN 1-884446-00-0. OCLC 1033646743 – via the Internet Archive.
  • Guicharnaud, Hélène (1996b). "Boullogne (Boullongne; Boulogne)". In Kasten, Eberhard (ed.). Allgemeines Künstlerlexikon. Vol. 13. München, Leipzig: Saur. pp. 340–343. ISBN 3-598-22753-1.
  • Mérot, Alain (1995) [1994]. French Painting in the Seventeenth Century [La peinture française au XVIIe siècle]. New Haven, London: Yale University Press. ISBN 9780300065503. OCLC 983926912 – via the Internet Archive.
  • Stein, Henri [in French] (1910). "Boullogne, Bon". In Thieme, Ulrich; Becker, Felix (eds.). Allgemeines Lexikon der bildenden Kunstler. Vol. 4. Leipzig: W. Engelmann. pp. 449–450. OCLC 1039507204 – via the Internet Archive.
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