Adoro

	Chart positions ; Explanation of the data
	Albums
	Adoro
	For ever and you
	luck
	love of my life
	An evening with Adoro - Live
	dreams
	The best
	Close to you
	Bright spots
	Somewhere in the world
	Singles
	love is everything

Adoro ( Italian for “I adore”, Latin for “I adore”) is a music project produced in Germany with originally five young opera singers who were selected from 200 applicants. It was launched in 2007 by music producer Andy Lutschounig from SODA MUSIC in Berlin as a classical / pop crossover project and is distributed by Universal Music under the label “ We Love Music ”. Adoro's music combines elements of opera with German-language pop songs, such as: B. “Love is everything” by Rosenstolz or “ Somehow, somewhere, sometime ” by Nena , and a large symphony orchestra .

Members

Peter Dasch ( bass baritone )

Peter Dasch is the brother of the successful soprano Annette Dasch . He initially received trumpet and guitar lessons. In 1997 he founded the klezmer music duo klezmeyers together with clarinetist Franziska Orso . In 2001 he began studying school music at the Berlin University of the Arts . In autumn 2004 he switched to the "Felix Mendelssohn Bartholdy" University of Music and Theater in Leipzig and studied singing in Roland Schubert's class . In February 2008 he completed a postgraduate course. Dasch took part in various productions, initially as a chorister, later increasingly as a soloist, including in Don Giovanni , Figaro's wedding in II Campiello and in Alcina .

Nico Müller ( baritone )

Nico Müller received his first musical training at the Vogtland Music School in the subjects of singing, piano and accordion. From 2001 he studied vocal pedagogy at the "Carl Maria von Weber" University of Music in Dresden and then switched to music theater / singing at the Liszt School of Music Weimar . There he successfully graduated in early 2009 and went to the Cologne University of Music and Dance , where he was supervised by Mario Hoff during his postgraduate studies . In addition to his studies, he took courses with Olaf Bär , Karl Peter Kammerlander and Charlotte Lehmann . Nico Müller is very active in music theater as well as in the areas of song / concert / oratorio. Engagements have taken him to the Dresden State Operetta , the Gera / Altenburg Theater , the Chemnitz Opera House and the Hof Theater . In addition to his singing activities, he also works as a singing teacher in the field of classical music and musicals.

Jandy Ganguly ( baritone )

The baritone Jandy Christian Ganguly studied at the "Felix Mendelssohn Bartholdy" University of Music and Theater in Leipzig. He participated in many Germany-wide productions such as West Side Story , Don Carlos and Faust at the Deutsche Oper Berlin .

Assaf Kacholi ( lyric tenor )

The tenor Assaf Kacholi studied at the Rubin Music Academy in Tel Aviv, the “Hanns Eisler” University of Music in Berlin and the Berlin University of the Arts . He worked at the Neukölln Opera , the Komische Oper Berlin , the Frankfurt Oder Music Festival and in productions with the Brandenburg State Orchestra . In Israel he worked with the Jerusalem Symphony Orchestra and the Tel Aviv Chamber Orchestra, among others .

former members

Laszlo Maleczky ( tenor )

The tenor Laszlo Maleczky, who comes from an Austro-Hungarian opera singer dynasty, completed his training at the Vienna University of Music and Performing Arts and at the Vienna Conservatory . Among other things, he was a soloist at the Vienna Volksoper , the Leipzig Opera , the Musical Comedy Leipzig and the Bregenz Festival and has worked in many opera and operetta productions such as The Magic Flute , Così fan tutte , The Bird Trader , The Count of Luxembourg , The Begging Student , and Countess Mariza or The Gypsy Baron with.

reception

On the release of the third album Glück the Recklinghäuser Zeitung wrote: “The five opera singers from Adoro take such pop classics and transform them into classical songs, with a symphony orchestra and bel canto voices. A balancing act that is successful. "

On the occasion of a concert in 2018, the Frankfurter Rundschau ruled that the musicians "missed everything that was why they were once celebrated: to combine classic with modern in a powerful, lively and intelligent way". The arrangements are “a single sauce. Regardless of which composition the four with their velvety voices carried into the 1700-seated hall, it always turned out the same. "