Andreas Borum

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Andreas Borum (* 1799 in Hamburg ; † April 29, 1853 in Munich ) was a German painter , lithographer , who also worked in stone, and picture collector.

Life

At first he worked as a carpenter in Leipzig and trained at the art academies in Munich .

Hamburg artist colony in Munich

From 1829 to 1835 Borum was the "regular holder" of the "Hamburg artist colony" in Munich. Jacob Gensler , Georg Haeselich , Markus Haeselich , Franz Heesche , Victor Emil Janssen , Hermann Kauffmann , Johann Karl Koch , Joh. Ludwig Westermann, Wilhelm Friedrich Wulff and Wassermann had their temporary connection there .

Professional background

Gebr. Kehr & Niessen

Among the co-owners of the "lithographic-artistic" institute of the Kehr brothers, also mentioned in the literature under the Kehr & Niessen brothers, the lithographer Carl Kehr in Cologne and his brother Johann Philipp Kehr (* 1800 in Bad Kreuznach) he was next to D Leon , Eduard Gerhardt and Bonaventura Weiß (* 1812) worked as employees from 1835 to 1839.

Works

  • around 1824: Lithography: Trarbach with the ruins of Graefenburg on the Moselle after a painting by Domenico Quaglio at J. Lacroix
  • 1827: Architectural decorations in the publishing house of Hermann and Barth in Munich the 1830 on the publication of the Picturesque Topography of the Kingdom of Bavaria. were involved.
  • 1828: the Coliseum after a painting by Rottmann as a 39.2 cm × 55 cm lithograph printed by Joseph Lacroix and an annual gift from the Kunstverein München
  • 1828: Milan Cathedral after a painting by Migliara, (lithograph)
  • 1828: Neuötting after a painting by Domenico Quaglio, (lithograph)
  • 1828: A seascape after a painting by Van de Velde, (lithograph)
  • around 1829: Ueberlingen on Lake Constance. View from the west to the minster, surrounded by numerous half-timbered houses with laundresses by a stream and fountain after a painting by Domenico Quaglio near Ebner in Augsburg
  • 1834: Together with A. Grandmayer on: The Nahe Thal: from the origin of the Nahe to its confluence with the Rhine; taken from the nature by JC Scheuren .
  • around 1835: The ruins of the Ebernburg near Kreuznach .
  • around 1839: The shepherds return to Boud and Boudewins
  • around 1840: together with Albert Emil Kirchner : Ludwigsstrasse in Munich
  • The cloister courtyard in the snow after Carl Friedrich Lessing
  • Dutch landscape after Hobbe
  • The Rheingrafenstein from the west to Hobbe

Exhibitions

1839: Exhibition of products of the art and craft industry in Cologne with the "The Return of the Shepherds", general organ for trade and commerce and related objects. Volume 4. Weekly supplement to the general organ, containing the negotiations and communications of the trade association in Cologne.

Individual evidence

  1. ^ Matriculation of the AdBK Munich
  2. ^ Fritz Bürger: Studies on German Art History 190. Issue: Die Genseler, three Hamburg painters brothers of the 19th century, 1916 ( digitized as PDF at scholarsportal.info )
  3. ^ The publisher Johann Friedrich Cotta. Digitized
  4. ^ Johann Erhard Prieger : Kreuznach und seine Heilquellen: for instruction and entertainment of bathers. Mater Dolorasa after Carlo Dolci. (Sales advertisement) - digitized
  5. ^ The lithographer Carl Kehr ( memento from September 24, 2015 in the Internet Archive ), accessed on December 20, 2013
  6. ^ Rheinische Provinzial-Blätter for all classes. Volume 3 Rubensfest 1835, p. 221 - digitized
  7. ↑ Figure , accessed on January 5, 2014
  8. ↑ The Nahe valley: from the origin of the Nahe to its confluence with the Rhine . Coeln: Gebrüder Kehr & Niessen, Cologne 1834, accessed on December 20, 2013
  9. ^ Rheinische Provinzial-Blätter for all classes. Volume 3. The ruins of the Ebernburg , p. 220 ( digitized version )
  10. ↑ Saturday, December 10, 1838 to No. 150 of the organ ( digitized version )

Web links

personal data
SURNAME Borum, Andreas
BRIEF DESCRIPTION German painter, lithographer and collector
DATE OF BIRTH 1799
PLACE OF BIRTH Hamburg
DATE OF DEATH April 29, 1853
Place of death Munich