Anna Michaelson

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Anna Michaelson , pseudonym Jarno Jessen (* around 1868 ; † in April 1926 in Berlin ), was a German culture journalist , art writer and translator from English .

Life

Michaelson grew up in a family interested in education with Jewish roots. Her sister was the writer Margarete Michaelson . She studied art history and gained recognition as an art writer. She wrote for various magazines, for example for Die Gartenlaube , Daheim , Die Woche , Westermanns monthly , Die Kunst für Alle , Moderne Kunst , Die Kunstwelt and German art and decoration . She lived in London for several years and was in close contact with the English art scene. For many years she worked as a Berlin correspondent for the British art magazine The Studio . As such, she reported to her English-speaking audience on contemporary German cultural events, art movements and architectural trends. In Berlin she was a member of the German Women's Club and the artists' association Die Kommenden .

Fonts (selection)

  • as translator: The letters of Lord Byron . Reclam, Leipzig (~ 1890).
  • In the Berlin German Women's Club. In: Modern Art. Volume 13, Issue 21, 1898, pp. 340-342.
  • Paul Meyerheim. In: Modern Art. Volume 14, Issue 5, 1900, p. 66 ff. (Digitized version)
  • George Frederick Watts. In: Modern Art. Volume 14, Issue 11, 1900, p. 166 ff. (Digitized version)
  • Contemporary master painters. In: Modern Art. 1901/02, pp. 49-68.
  • George Frederick Watts. (= The artist's book. 7). Schuster & Loeffler, Berlin / Leipzig 1901.
  • Modern Pre-Raphaelites. In: Art for All . Issue 4, November 15, 1903, p. 82 ff. (Digitized version)
  • William Hogarth (= The Art. 12). Bard, Marquard & Co., Berlin 1903.
  • The Lyceum Club. In: At home . Volume 42, No. 41, 1905, p. 23.
  • Dante Gabriel Rossetti (= artist monographs. 77). Velhagen & Klasing, Bielefeld / Leipzig 1905.
  • Beautiful women and their painters. In: The week . No. 44, Berlin 1905, p. 1934.
  • Beautiful women and their painters. In: The week. No. 52, Berlin 1906, pp. 2270-2271.
  • Pre-Raphaelism (= The Art. 46). Bard, Marquardt & Co., Berlin 1906.
  • The Empress Friedrich. In: Cornelius Gurlitt (Ed.): The culture . Volume 14, Bard, Marquardt & Co., Berlin 1907.
  • The New Hebbel Theater, Berlin. In: The Studio. No. 136, June 1908, p. 300. (digitized version)
  • Chinese Pictures in Berlin. In: The Studio. No. 192, March 1909, p. 116. (digitized version)
  • with Charles Holme (1848–1923, eds.) and Sten Granlund (1871–1917): Peasant Art in Sweden, Lapland and Iceland . The Studio, London / Paris / New York 1910. (digitized version)
  • Chess pieces. In: The Gazebo . Year 1911, p. 978 ff.
  • The humor at the Great Berlin Art Exhibition 1911. In: Modern Art. Volume 10, 1912, pp. 129-131.
  • with Caecilie Seler-Sachs and others: The collectors. At the exhibition “The woman in home and work”, Berlin in March 1912. Chats and pictures . Unger, Berlin 1912.
  • New women's art. In: Modern Art. Volume 20, 1912, pp. 259 f.
  • Architectural Developments in the Suburbs of Berlin. In: The Studio. No. 209, July 1914, p. 52. (digitized version)
  • The German Lyceum Club and its visual artists. In: Westermannsmonthshefte . Volume 120, No. 716, 1916, p. 165.
  • Carl Ludwig Jessen. A Frisian native painter. In: Velhagen & Klasings monthly books . 31st year, 1917, 2nd volume.
  • The international women's congress. In: Elise von Hopffgarten (ed.): Heyl Hedwig. A commemorative sheet for her 70th birthday on May 5th, 1920 from her colleagues and friends . Dietrich Reimer, Berlin 1920, p. 107.
  • House gallery of famous paintings. 3rd, modified edition. Klemm AG, Berlin-Grunewald 1920 (4 volumes).
  • Norbertine Bresslern-Roth. In: The Studio. No. 386, May 1925, p. 250. (digitized version)
  • Harry Maasz, garden architect. In: The Studio. No. 392, November 1925, p. 307. (digitized version ) .

literature

Individual evidence

  1. Georg Guntermann: On the role of nature in Weiberdorf and other Eifel stories. In: Volker Neuhaus , Michel Durand (ed.): The province of the feminine. On the narrative work of Clara Viebig . Peter Lang, Bern 2004, ISBN 3-906770-17-6 , p. 206, footnote 30 ( Google Books )
  2. ^ Ruth Steinberg: The writer Emmy Lewald (1866-1946). Female authorship, zeitgeist and the literature market . Böhlau, Cologne 2015, ISBN 978-3-412-22400-4 , p. 88. ( Google Books )
  3. ^ Karin Bruns : The Coming ones (Berlin). In: Wulf Wülfing, Karin Bruns, Rolf Parr (eds.): Handbook of literary-cultural associations, groups and associations 1825–1933 (= Repertories on German literary history , 18). JB Metzler, Stuttgart 1998, ISBN 3-476-01336-7 , p. 246. ( Google Books )