Antje Tumat

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Antje Tumat (* 1971 ) is a German musicologist and professor at the University of Paderborn .

Career

Antje Tumat studied musicology, German , English and pedagogy in Heidelberg and Stoke-on-Trent . She did her doctorate with an interdisciplinary thesis on Hans Werner Henze and Ingeborg Bachmann's opera The Prince of Homburg with Silke Leopold and Dieter Borchmeyer in Heidelberg. For this work she was awarded the Ruprecht Karls Prize of the University of Heidelberg and the Walter Witzenmann Prize of the Heidelberg Academy of Sciences . As an assistant in the musicology seminar at the University of Heidelberg, a Margarete von Wrangell scholarship holder and head of the young talent group “Die Libretti am Stuttgarter Hoftheater”, she also taught at the Stuttgart and Karlsruhe universities of music before she went to the Hanover University of Music, Drama and Media to "music and language in incidental music of the 19th century" habilitation and Venia legendi received musicology. After substitute professorships in Hanover and at the Ernst-Moritz-Arndt University of Greifswald , she turned down an offer to Greifswald and has been teaching as a full professor at the Musicology Department of the University of Paderborn and the Detmold University of Music since 2018 .

In addition to publications on the early modern period and on music from the 18th to 20th centuries, her research focuses on music and theater, Heidelberg romanticism , gender research and music for radio and film.

Antje Tumat has been the first chairwoman of the German Sullivan Society since 2015. V., an association for the distribution of the musical work of the British composer Arthur Sullivan in German-speaking countries.

Fonts

Monographs

  • Poet and composer: Aesthetics and dramaturgy in Ingeborg Bachmann's and Hans Werner Henze's “Prince of Homburg”. Kassel 2004.
  • Music and Language in 19th Century Dramatic Music. Hildesheim 2020 (printing in preparation).

Editorships (selection)

  • Genre, gender, song. New research perspectives on Hans Werner Henze's work. Hannover 2019 (together with Michael Zywietz ).
  • Stage Roles and Concepts of Identity: Career Strategies of Women Artists in 19th Century Theater. Hannover 2016 (together with Nicole Strohmann).
  • The yard. Place of cultural action by women in the early modern period (= music - culture - gender ; 12). Cologne et al. 2013 (together with Susanne Rode-Breymann ).
  • From folk tone and romanticism: “ Des Knaben Wunderhorn ” in music. Heidelberg 2008.

Articles (selection)

  • Cultural Transfer and Cultural Memory: Music at the Riga City Theater in the 19th Century. In: Baltic-German cultural relations from the 16th to the 19th century, media - institutions - actors , Vol. 2: Between Enlightenment and National Awakening. Edited by Raivis Bičevskis, Jost Eickmeyer, Andris Levans, Anu Schaper, Björn Spiekermann and Inga Walter on behalf of the Heidelberg Academy of Sciences, Heidelberg 2019, pp. 457–492.
  • “Opera on the Couch”: The post-war radio opera between technology and tradition. In: Radiophonic Cultures , Vol. 1. Edited by Ute Holl, Heidelberg 2018, pp. 53–72.
  • Stuttgarter Hoftheater and Hamburger Stadttheater: institutions of the German-speaking theater landscape between regional character and cultural transfer. In: the stage and the bourgeoisie. The Hamburg City Theater 1770-1850. Edited by Bernhard Jahn and Claudia Maurer Zenck , Frankfurt et al. 2016, pp. 37–61.
  • Mozart and the drama music. In: Cantata, older sacred music, drama music (= manual of musical genres ; 17.2). Edited by Siegfried Mauser and Elisabeth Schmierer , Laaber 2010, pp. 259-267. Reprinted from: Mozart Yearbook 2006 , pp. 265–277.
  • From Mozart's handling of tradition. In: History of the Opera. Edited by Silke Leopold. Vol. 2: The Opera in the 18th Century , Laaber 2006, pp. 435–468.

Web links

  • Antje Tumat on the website of the Musicology Department of the University of Paderborn

Individual evidence

  1. ↑ Research Center for Music and Gender Hannover: FMG Hannover: PD Dr. Antje Tumat. Retrieved November 9, 2019 .
  2. ↑ Habilitations and appointments June 2018. November 4, 2019, accessed on November 9, 2019 .
  3. ^ German Sullivan Society, About Us, Goals. Retrieved November 9, 2019 .
personal data
SURNAME Tumat, Antje
BRIEF DESCRIPTION German musicologist and professor at the University of Paderborn
DATE OF BIRTH 1971