Ingeborg Bachmann

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Klagenfurt - Musilhaus - Ingeborg Bachmann
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Ingeborg Bachmann (born June 25, 1926 in Klagenfurt , † October 17, 1973 in Rome ; occasional pseudonym Ruth Keller ) was an Austrian writer . She is considered one of the most important German-speaking poets and prose writers of the 20th century . The Ingeborg Bachmann Prize has been awarded annually in her honor since 1977 .

Life

Parental home in Klagenfurt

Ingeborg Bachmann was the first child of the school principal Mathias Bachmann (1895–1973) and his wife Olga, née Haas (1901–1998). Her mother came from Heidenreichstein in Lower Austria . Her father came from a Protestant farming family from Obervellach in the Carinthian Gailtal , where the family often spent their holidays in Ingeborg Bachmann's childhood. The Gailtal, as the border area and intersection of the three great European language families, was formative for all of Bachmann's later work. Shortly before Ingeborg Bachmann was born, her parents moved to Klagenfurt, where she also attended elementary school and, although Protestant, the Catholic Ursuline grammar school. She started composing music and writing poetry at a young age. Originally she aspired to a career as a musician. From 1945 to 1950 she studied philosophy, psychology, German and law at the universities of Innsbruck, Graz and Vienna. Your doctoral thesis takes a critical look at Martin Heidegger . Her doctoral supervisor was the philosopher and scientific theorist Victor Kraft , the last philosopher to teach in Vienna from the Vienna Circle, which was expelled from Vienna with the rise of National Socialism in the 1930s . At the end of the 1940s Ingeborg Bachmann was the lover of the much older Viennese essayist and literary critic Hans Weigel . They met on September 5, 1947, when Bachmann asked Weigel for an interview before a premiere. In Weigel's novel Unfinished Symphony , a key novel about his relationship with Bachmann published in 1951, Bachmann first became an object of male authorship. A 1981 letter published in 2005 from Jacob Taubes' estate shows that Taubes had a longer relationship with Bachmann.

The ferry was Ingeborg Bachmann's first publication in 1946 (in the Kärntner Illustrierte ). During her student years Ingeborg Bachmann met Paul Celan , Ilse Aichinger and Klaus Demus . She had a love affair with Celan in the late forties and early fifties. During her time as a radio editor at the Viennese broadcaster Rot-Weiß-Rot , 1951–1953, she wrote her first radio play A Business with Dreams in 1952and wrote - not mentioned in her résumé - eleven episodes of the very popular weekly radio family and two more with Jörg Mauthe and Peter Weiser . In 1952 she read for the first time at the Group 47 meeting ; In 1953 she traveled to Italy for the first time.

Ingeborg Bachmann received the group 47 literary prize in 1953 for the volume of poetry Die gestundete Zeit . From late summer of this year she lived in Italy (Ischia, Naples, finally Rome). In August 1954, a cover story was dedicated to her in the German weekly magazine Der Spiegel , which made her known to a wider audience. However, this cover story did not help her to get further fee contracts. In cooperation with the composer Hans Werner Henze , the radio play Die Zikaden , the text version for the ballet pantomime The Idiot and the opera libretti The Prince of Homburg and The Young Lord were created from 1955 .

In 1956 Ingeborg Bachmann published her second volume of poetry, Invocation of the Great Bear , the following year she received the Bremen Literature Prize and became a dramaturge at Bavarian Television , which is why she had to move to Munich. She campaigned against nuclear armament. In 1958 she met Max Frisch , 15 years her senior , with whom she fell passionately and for whom she moved to Zurich. Also in 1958 was the radio play The Good God of Manhattan , which was awarded the important radio play prize of the war blind in 1959 .

On March 17, 1959, Ingeborg Bachmann gave the acceptance speech in the Bundeshaus in Bonn for the awarding of the radio play prize for the war blind with the proverbial title The truth is reasonable for people and began in autumn with one-semester poetics lectures at the Johann Wolfgang Goethe University Frankfurt am Main on problems of contemporary poetry . From 1960 she lived with Frisch in a shared apartment in Rome. Her first volume of short stories, The Thirtieth Year , appeared in 1961 and received the German Critics' Prize . She became a member of the Akademie der Künste (Berlin) . The two stories told from an explicitly female perspective, A Step After Gomorrah and Undine Goes, are among the earliest feminist expressions in German-language literature of the post-war period.

At the end of 1962, Frisch ended his relationship with Bachmann and turned to the young student Marianne Oellers. Ingeborg Bachmann couldn't cope with the separation and had to be admitted to hospitals several times. In 2011 it became known that there were around 250 mostly handwritten letters from Bachmann to Frisch in the Max Frisch Archive in Zurich , as well as copies of his letters to her. Frisch had banned the material for 20 years after his death; Now the Bachmann heirs will have to discuss with the Frisch heirs whether or when and how this correspondence should be published. In the meantime, however, Bachmann's letters to her attending physicians have appeared, in which she deals with the end of the relationship with Frisch.

In 1963, Bachmann was nominated for the Nobel Prize for Literature by Harald Patzer . She moved to Berlin on a one-year “Artist-in-Residence” grant from the Ford Foundation , where she stayed until 1965. She began work on the unfinished trilogy of tales of death , of which she published the first volume Malina in 1971 . Bachmann's late work is seen in women's studies as a paradigm of female writing .

Rome, Via Giulia 66 - Ingeborg Bachmann's last apartment

In 1964 Ingeborg Bachmann was awarded the Büchner Prize . She moved back to Rome in 1965, only published poetry sporadically and suffered from drug and alcohol addiction . In 1967 she left Piper Verlag in protest because they had commissioned former Hitler Youth leader Hans Baumann with a translation of Anna Achmatowa's Requiem , although she had recommended Celan, and switched to Suhrkamp Verlag , whose director Siegfried Unseld had known her for a long time. In his last letter to Bachmann on July 30, 1967, Celan thanked her for her involvement in the "Akhmatova Affaire". Her volume of short stories Simultan was published in 1972 and was awarded the Anton Wildgans Prize . Marcel Reich-Ranicki , on the other hand, criticized it as “precious-anachronistic prose” ( Berliner Allgemeine Zeitung of March 16, 1973).

Grave at Klagenfurt Central Cemetery

On the night of September 25th to 26th, 1973 Ingeborg Bachmann suffered serious injuries in her Roman apartment from a fire that had started with a burning cigarette while falling asleep. Due to her strong dependence on sedatives ( barbiturates ), which the attending physicians initially knew nothing about, she died at the age of 47 from fatal withdrawal symptoms ( convulsions that resembled epileptic fits) on October 17, 1973 in the Sant 'Hospital. Eugenio. She was buried on October 25, 1973 in the Klagenfurt-Annabichl cemetery. The investigation into suspected murder was closed by the Italian authorities on July 15, 1974. Today her addiction to tablets is considered to be one of the causes of the fateful fire. Alfred Grisel, who visited her in Rome in early August 1973, reports:

“I was deeply shocked by the extent of her pill addiction. It must have been about 100 pieces a day, the garbage can was overflowing with empty boxes. She looked bad, was pale as wax. And spots all over my body. I was wondering what it could be. Then, when I saw the Gauloise she was smoking slip out of her hand and burn on her arm, I knew it: burns caused by falling cigarettes. The many tablets had made her body insensitive to pain. "

- Alfred Grisel : In: Peter Beicken: Ingeborg Bachmann .

In an obituary in the Spiegel, Heinrich Böll described her as a “brilliant intellectual” who “neither lost sensuality in her poetry nor neglected abstraction”.

Her estate, comprising 6,000 sheets , has been in the Austrian National Library since 1979 and can be viewed there in the literature archive.

Appreciation

The Ingeborg Bachmann Prize has been awarded annually at the Klagenfurt literary competition since 1977 ; it is considered to be one of the most important literary prizes in the German-speaking area.

Memorial plaque on the house at Beatrixgasse 26

On April 4, 1978, the Austrian Society for Literature unveiled a memorial plaque at Beatrixgasse 26 in Wien-Landstrasse , where, according to the registration form , she lived with the Winkler family from October 9, 1946 to June 15, 1949.

In 2000, the municipality of Heidenreichstein in the Waldviertel in Lower Austria designed the “Ingeborg-Bachmann-Park” on Litschauer Strasse. Furthermore, a Bachmann room was set up in the city and local history museum. At a young age, the writer visited her grandparents, the Haas couple, several times, who ran knitwear in Heidenreichstein.

In Klagenfurt, in the Villacher Vorstadt district west of the historic center, the Ingeborg-Bachmann-Gymnasium was named after her and in 2006 a Bachmann bust by Tomasi Marco was placed in Schubert Park. In 2007, in Vienna- Donaustadt (22nd district) west of Wagramer Strasse, Ingeborg-Bachmann-Platz and -Park were named.

In June 2018 was in the village square in Obervellach one by the sculptor Herbert Unterberger created memorial stone from Krastaler marble with the inscription But where we go unveiled.

Quotes

Bust in Klagenfurt
  • “I stopped writing poetry when I suspected that I 'could' write poems now, even if the compulsion to write them no longer existed. And there won't be any more poems before I convince myself that they have to be poems again and only poems so new that they really correspond to everything that has been experienced since then. "
  • “My existence is different, I only exist when I write, I am nothing if I do not write, I am completely alien to myself, I have fallen out of myself when I do not write. [...] It's a strange, peculiar way of existing, antisocial, lonely, damn, there is something damned about it. "
  • “So it cannot be the writer's job to deny pain, to cover up its tracks, to hide it. On the contrary, he has to acknowledge it and make it true again so that we can see. Because we all want to see. And it is that secret pain that makes us sensitive to experience and especially to that of truth. We say very simply and correctly, when we come into this state, the light labor pains in which the pain becomes fruitful: 'My eyes have opened'. We don't say this because we have externally perceived a thing or an incident, but because we understand what we cannot see. And that's what art should bring about: that our eyes open in this sense. "
  • “Death will come and put no end. Because because people's memory is not enough, the family's memory is there, narrow and limited, but a little longer. "
  • “You people! You monsters! " Undine goes (story, 1961)

Awards

Works

Bachmann's poem Verily on a house front in Leiden

Work edition

  • 1978: works. Edited by Christine Koschel , Inge von Weidenbaum and Clemens Münster. Piper, Munich 1978, ISBN 3-492-02286-3 (four volumes.) First edition 12,000 copies.
  • 1982: works. Special edition. Edited by Christine Koschel, Inge von Weidenbaum and Clemens Münster. Piper, Munich 1982, ISBN 3-492-02774-1 (Four volumes.) Second edition 6000 copies.
  • 1984: works. Special edition. Edited by Christine Koschel, Inge von Weidenbaum and Clemens Münster. Piper, Munich 1984, ISBN 3-492-02774-1 (Four volumes.) Third edition 6000 copies.
  • The works and letters of Ingeborg Bachmann (Salzburg Edition) . Edited by Hans Höller and Irene Fußl with the assistance of Silvia Bengesser and Martin Huber. Suhrkamp and Piper.
    • Male Oscuro. Records from the time of the illness. Dream notes, draft letters and speeches. Edited by Isolde Schiffermüller and Gabriella Pelloni. Suhrkamp, ​​Berlin 2017, ISBN 978-3-518-42602-9 .
    • The book Goldmann. Edited by Marie Luise Wandruszka. Suhrkamp, ​​Berlin 2017, ISBN 978-3-518-42601-2 .
    • »Write down everything that is true« The correspondence with Hans Magnus Enzensberger. Published by Hubert Lengauer. Piper, Munich, Berlin, Zurich and Suhrkamp, ​​Berlin 2018, ISBN 978-3-518-42613-5 .

Poetry

Poetry collections

  • 1953: The deferred time . In: Works . Volume 1. Piper, Munich 1978, ISBN 3-492-02774-1 , pp. 27-79. (Also as a single edition. Piper, Munich 1957. No ISBN in the imprint.)
  • 1956: Invocation of the Great Bear . In: Works . Volume 1. Piper, Munich 1978, ISBN 3-492-02774-1 , pp. 81-147. (Also as a single edition. Piper, Munich 1956. No ISBN in the imprint.)
  • 1998: Last, unpublished poems, drafts and versions . Edition and commentary by Hans Höller. Suhrkamp, ​​Frankfurt am Main 1998, ISBN 3-518-40951-4 .
  • 2000: I don't know a better world. Unpublished poems . Edited by Isolde Moser, Heinz Bachmann and Christian Moser. Piper, 2000, ISBN 3-492-04255-4 .

Selected poems

prose

Radio plays

Composition: Reiner Bredemeyer, director: Peter Groeger.

Libretti

Essays

Translations

Correspondence

conversations

  • Ingeborg Bachmann: A day will come . Conversations in Rome. Edited by Gerda Haller. Jung and Jung, Salzburg and Vienna 2005, ISBN 3-902144-82-3 .
  • Ingeborg Bachmann: We have to find true sentences. Conversations and interviews. Edited by Christine Koschel and Inge von Weidenbaum. Piper, Munich 1991, ISBN 3-492-11105-X .

reception

Theatrical performances

Settings

  • Frieder W. Bergner : Black Waltz
  • Moritz Eggert : Avec ma main brulée (after Malina) for 12 performers, today for 12 speakers, Bohemian hymn for gurgling voices (1997)
  • Hans Werner Henze : Night Pieces and Arias for soprano and orchestra (1957)
  • Hans Werner Henze: Lieder von einer Insel for chamber choir, trombone, 2 cellos, double bass, portative, percussion and timpani (1964)
  • Hans Werner Henze: Paraphrases on Dostoevsky for speaking voice and 11 instruments (1990)
  • Manfred Heyl : Three songs
  • Dieter Kaufmann (composer) : Evocation - oratorio against violence based on poems by Ingeborg Bachmann (Premiere November 17, 1968, ORF-Funkhaus Klagenfurt)
  • Annette Schlünz : Rosen for mezzo-soprano and piano (1988)
  • Wolfgang Schoor : What a word, called out into the cold. for soprano and orchestra (1988)
  • Julia Tsenova : A Song Cycle for soprano and piano (2001)
  • Birgitta Trommler , Moritz Eggert: Present - I need present. Dance theater about Ingeborg Bachmann (1997)
  • Adriana Hölszky : The good God of Manhattan . Based on a radio play by Ingeborg Bachmann. WP Schwetzingen 2004
  • Matthias Bonitz : It could mean a lot for soprano and orchestra UA Recklinghausen 1992
  • Matthias Bonitz: Tell me, love for soprano and orchestra UA Recklinghausen 1992
  • Matthias Bonitz: Psalm for bass, violoncello and piano 2019
  • Matthias Bonitz: Theme and Variation for Soprano and Piano 2018
  • Matthias Bonitz: Go, thought for bass and piano 2018
  • Tim van Jul: https://bachmann-loops.bandcamp.com 2020

Film adaptations of their works

Film about Ingeborg Bachmann

At the 2016 Berlinale , the film The Dreams by director Ruth Beckermann was presented. In it, Anja Plaschg and Laurence Rupp read letters from Ingeborg Bachmann and Paul Celan for a radio production as “Spiel im Spiel” . The basic idea is to "confront today's young actors with the young poets of the past."

Secondary literature

  • Monika Albrecht, Dirk Göttsche (Ed.): Bachmann Handbook. Life - work - effect. Metzler, Stuttgart / Weimar 2002, ISBN 3-476-01810-5 .
  • Heinz Ludwig Arnold (Ed.): Ingeborg Bachmann. In: Text + Criticism . Issue 6, Edition Text and Criticism, Munich 1971.
  • Heinz Ludwig Arnold (Ed.): Ingeborg Bachmann. Text + Criticism Sonderband .: Edition Text und Critique, München 1984, ISBN 3-88377-189-9 .
  • Dieter Bachmann (Ed.): Ingeborg Bachmann - The smile of the Sphinx. In: du. Die Zeitschrift der Kultur No. 9 (1994)
  • Kurt Bartsch: Ingeborg Bachmann. Metzler, Stuttgart 1988, ISBN 3-476-10242-4 .
  • Peter Beicken : Ingeborg Bachmann . Beck, Munich 1988, ISBN 3-406-32277-8 .
  • Anna B. Blau: Style and deviations: some syntactic-stylistic features in the poems Detlev von Liliencrons , Georg Trakls and Ingeborg Bachmanns (= Acta Universitatis Upsaliensis, Studia Germanistica ) University of Uppsala / Almqvist and Wiksell [on commission], Stockholm 1978, ISBN 91-554-0812-5 , OCLC 31057157 , (Dissertation Uppsala, University, 1978, 223 pages).
  • Bernhard Böschenstein , Sigrid Weigel (eds.): Ingeborg Bachmann and Paul Celan - Poetic Correspondences. Suhrkamp, ​​Frankfurt am Main 1997, ISBN 3-518-40853-4 .
  • Helmut Böttiger : Ingeborg Bachmann. Deutscher Kunstverlag, Berlin, Munich 2013, ISBN 978-3-422-07155-1 .
  • Helmut Böttiger: We say dark things to each other. The love story between Ingeborg Bachmann and Paul Celan. Deutsche Verlags-Anstalt, Munich 2017, ISBN 978-3-421-04631-4 .
  • Ruxandra Chişe: Alterity as one's own. Ingeborg Bachmann and the temporary stay in the poem. Aisthesis, Bielefeld 2017, ISBN 978-3-8498-1236-2
  • Rike Felka: In the city. About Ingeborg Bachmann's “What I saw and heard in Rome”. In: Rike Felka: The spatial memory. Berlin 2010, ISBN 978-3-940048-04-2 , pp. 27-63.
  • Jean Firges : Ingeborg Bachmann: “Malina.” The destruction of the female self. (Exemplary series literature and philosophy, 26). Annweiler, Sonnenberg 2009, ISBN 978-3-933264-53-4 .
  • Michael Fisch : You went into the desert. The light vomited over them. Ingeborg Bachmann's trip to Egypt and Sudan in May 1964 and her kind of death project. In: Stephan Schütz (Ed.): The word. Germanistic Yearbook Russia 2011. DAAD, Bonn / Moscow 2012, ISBN 978-3-87192-889-5 , pp. 87-99 and in the same, "I'll go on to report in detail about Egypt". Egypt in German travel literature (1899–1999). Weidler, Berlin 2019, pp. 83-100, ISBN 978-3-89693-735-3
  • Ingvild Folkvord: Write yourself a house. Three texts from Ingeborg Bachmann's prose. Wehrhahn Verlag, Hannover / Laatzen 2003, ( ISBN 3-932324-36-6 ).
  • Ingeborg Gleichauf : Ingeborg Bachmann and Max Frisch. A love between intimacy and the public. Piper, Munich 2013, ISBN 978-3-492-05478-2
  • Andreas Hapkemeyer : Ingeborg Bachmann. Lines of development in work and life . Publishing house of the Austrian Academy of Sciences, Vienna 1990, ISBN 3-7001-1759-0 .
  • Andreas Hapkemeyer (ed.): Ingeborg Bachmann - Pictures from her life. With texts from her work. Piper, Munich / Zurich 1983, ISBN 3-492-03951-0 .
  • Ina Hartwig : Who was Ingeborg Bachmann? A biography in fragments , S. Fischer, Frankfurt a. M. 2017, ISBN 978-3-10-002303-2
  • Wilhelm Hemecker , Manfred Mittermayer (ed.): Myth Bachmann - Between staging and self-staging. Zsolnay, Vienna 2011, ISBN 978-3-552-05553-7 .
  • Doris Hildesheim: Ingeborg Bachmann: Images of death, longing for death and loss of language in “Malina” and “Antigone” . Weißensee, Berlin 2000, ISBN 3-934479-34-0 .
  • Joachim Hoell : Ingeborg Bachmann . dtv, Munich 2004, ISBN 3-423-31051-0 .
  • Hans Höller : Ingeborg Bachmann . Rowohlt, Reinbek bei Hamburg 1999, ISBN 3-499-50545-2 .
  • Hans Höller: Ingeborg Bachmann - The work. Hain, Frankfurt am Main 1993, ISBN 3-445-08578-1 .
  • Hans Höller, Arturo Larcati: Ingeborg Bachmann's winter trip to Prague . Piper, Munich 2016, ISBN 978-3-492-97467-7 .
  • Herbert Hopfgartner: Ingeborg Bachmann and the music. (Studies on German Studies, Volume XXIX, edited by Lech Kolago) Universitätsverlag, Warsaw 2005, ISSN  0208-4597 .
  • Ariane Huml: "Syllables in oleander, word in acacia green." On Ingeborg Bachmann's literary image of Italy . Wallstein, Göttingen 1999, ISBN 3-89244-330-0 .
  • Uwe Johnson : A trip to Klagenfurt . Suhrkamp, ​​1974
  • Christine Kanz: Fear and Gender Differences. Ingeborg Bachmann's “Types of Death” project in the context of contemporary literature. Metzler, Stuttgart 1999, ISBN 3-476-01674-9 .
  • Christine Koschel, Inge von Weidenbaum (ed.): No objective judgment - just a living one. Texts on the work of Ingeborg Bachmann. Piper, Munich 1989, ISBN 3-492-10792-3 .
  • Joseph McVeigh: Ingeborg Bachmanns Vienna 1946–1953 . Insel Verlag, Berlin 2016, ISBN 978-3-458-17645-9 .
  • Frauke Meyer-Gosau: “The party has to come one day.” A trip to Ingeborg Bachmann. Beck, Munich 2008, ISBN 978-3-406-57686-7 .
  • Adolf Opel : A landscape for which eyes are made. Ingeborg Bachmann in Egypt. Deuticke, Vienna 1996, ISBN 3-216-30201-6 .
  • Adolf Opel: Where laughter came back to me ... Traveling with Ingeborg Bachmann. Langen Müller, Munich 2001, ISBN 3-7844-2830-4 .
  • Holger Pausch: Ingeborg Bachmann . Colloquium, Berlin 1987, ISBN 3-7678-0685-1 .
  • Peter Petersen : Hans Werner Henze - Ingeborg Bachmann. “Undine” and “Tasso” in ballet, story, concert and poem , Argus, Schliengen 2014.
  • Michèle Pommé: Ingeborg Bachmann, Elfriede Jelinek . Intertextual writing strategies in “Malina”, “The Book of Franza”, “The Piano Player” and “Death and the Maiden V (The Wall)” . Röhrig, St. Ingbert 2009, ISBN 978-3-86110-462-9 .
  • Regina Schaunig: "... like sore feet". Ingeborg Bachmann's early years. Johannes Heyn, Klagenfurt 2014, ISBN 978-3-7084-0525-4 .
  • Marion Schmaus: Ingeborg Bachmann: Epoch - Work - Effect . Verlag CH Beck, Munich 2013, ISBN 978-3-406-65329-2 .
  • Oliver Simons, Elisabeth Wagner (ed.): Bachmanns media . Vorwerk 8, Berlin 2008, ISBN 978-3-930916-98-6 .
  • Andrea Stoll: Ingeborg Bachmann - The dark shine of freedom. Biography. C. Bertelsmann, Munich 2013, ISBN 978-3-570-10123-0 .
  • Andrea Stoll (Ed.): Ingeborg Bachmann's “Malina”. Suhrkamp, ​​Frankfurt am Main 1992, ISBN 3-518-38615-8 .
  • Karin Struck , Annegret Soltau : Approaches to Ingeborg Bachmann . Society of Hessian Literature Friends, Justus von Liebig Verlag, Darmstadt 2003, ISBN 3-87390-172-2 .
  • Sigrid Weigel : Ingeborg Bachmann. Legacies in compliance with the confidentiality of letters. Zsolnay, Vienna 1999, ISBN 3-552-04927-4 .

Web links

Commons : Ingeborg Bachmann  - Collection of images, videos and audio files
Wikiquote: Ingeborg Bachmann  - Quotes

Holdings in the catalog of the Austrian National Library Vienna

Individual evidence

  1. ↑ Catalog list University Library Vienna ( Memento of the original from October 17, 2013 in the Internet Archive ) Info: The archive link has been inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. @1@ 2Template: Webachiv / IABot / www.univie.ac.at
  2. ↑ You are desert and sea . In: Der Spiegel . No. 32 , 2008 ( online ).
  3. ↑ Helmut Böttiger: Affair and inheritance fear. In: Süddeutsche Zeitung , February 14, 2016.
  4. ↑ Hans Weigel: Unfinished Symphony. Verlag Styria Premium, Graz 1992, ISBN 3-222-12117-6 .
  5. ↑ univie.ac.at ( Memento of the original from October 17, 2013 in the Internet Archive ) Info: The archive link was inserted automatically and has not yet been checked. Please check the original and archive link according to the instructions and then remove this notice. (PDF) @1@ 2Template: Webachiv / IABot / www.univie.ac.at
  6. ↑ ingeborg-bachmann-forum.de
  7. ↑ Fig. 4: Ingeborg Bachmann's first publication, the short story: “The ferry”. Kärntner Illustrierte; Retrieved June 5, 2011.
  8. ^ Ingeborg Bachmann: The radio family . Edited by Joseph McVeigh, Suhrkamp, ​​Berlin 2011, ISBN 978-3-518-42215-1 , p. 402 f.
  9. ↑ Ina Hartwig : "Ingeborg laid an egg" In: Die Zeit , May 26, 2011.
  10. ↑ Bayern 2 Radio: Radio knowledge from January 16, 2018. Then she read in May 1952 at the meeting of Group 47 in Niendorf on the Baltic Sea.
  11. ↑ Poems from the German Ghetto . In: Der Spiegel . No. 34 , 1954 ( online ).
  12. ↑ Shorthand of the time . In: Der Spiegel . No. 34 , 1954 ( online ).
  13. ↑ on the radio play see Jean Firges: Literatur
  14. ↑ a b literary prizes / speeches. In: ingeborg-bachmann-forum.de .
  15. ^ "The human voice" in Ingeborg Bachmann's poetics , book of the week by Michaela Schmitz on Deutschlandfunk from June 25, 2006.
  16. ↑ Biography at Fembio.org
  17. ↑ Treasures of Self-Control. In: Der Spiegel , June 27, 2011.
  18. ↑ Entry on Ingeborg Bachmann in the Austria Forum  (in the AEIOU Austria Lexicon )
  19. ↑ Ingeborg Bachmann and Paul Celan: Herzzeit - The exchange of letters. With the correspondence between Paul Celan and Max Frisch and between Ingeborg Bachmann and Gisèle Celan-Lestrange. Edited and commented by Bertrand Badiou, Hans Höller, Andrea Stoll and Barbara Wiedemann. Suhrkamp, ​​Frankfurt am Main 2008, pp. 159 and 344. ISBN 978-3-518-42033-1 .
  20. ^ Ingeborg Bachmann: The cross-border commuter from Carinthia ( Memento from April 14, 2014 in the Internet Archive )
  21. ^ The grave of Ingeborg Bachmann knerger.de
  22. ↑ Peter Beicken: Ingeborg Bachmann. Becksche series 605, 2nd edition. Munich 1992, p. 213.
  23. ↑ Heinrich Böll : I think of her like a girl . In: Der Spiegel . No. 43 , 1973, p. 206 ( online ).
  24. ↑ Digitized registration form for Ingeborg Bachmann from the Vienna archive information system ; accessed on January 10, 2017.
  25. ↑ New village square pays tribute to Ingeborg Bachmann. July 2, 2018, accessed July 24, 2019 .
  26. ↑ Literature: Dignified memorial stone to Ingeborg Bachmann. July 24, 2019, accessed July 24, 2019 .
  27. ↑ ingeborg-bachmann-forum.de
  28. ^ Ingeborg Bachmann: About Art ( Memento from September 21, 2008 in the Internet Archive )
  29. ^ Poems and short stories, selected by Helmut Koopmann , Büchergilde Gutenberg, Frankfurt am Main 1978, p. 272.
  30. ↑ The "Salzburger Edition" published by the publishers Suhrkamp and Piper is the first complete edition of prose, poems and essays, radio plays, libretti and Ingeborg Bachmann's correspondence. The 30-volume edition also makes all unknown texts from the estate accessible.
  31. ^ Communication on the staging ( Memento from May 4, 2013 in the Internet Archive ); accessed on August 6, 2014.
  32. ↑ a b Helmut Böttiger : The crackling of the cigarette paper. In: Süddeutsche Zeitung , February 15, 2016.
personal data
SURNAME Bachmann, Ingeborg
ALTERNATIVE NAMES Keller, Ruth (pseudonym)
BRIEF DESCRIPTION Austrian writer
DATE OF BIRTH June 25, 1926
PLACE OF BIRTH Klagenfurt
DATE OF DEATH 17th October 1973
Place of death Rome