Annette Schlünz

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Annette Schlünz (born September 23, 1964 in Dessau ) is a German composer . She lives near Strasbourg .

Life

Annette Schlünz received musical and dance lessons ( recorder ) at the age of four and took part in numerous plays, operas, operettas and musicals early on (also in the children's choir). There are first musical records of the five-year-old. From 1971 she received lessons at the Dessau Music School in the subjects of recorder and piano , and from 1976 also in oboe . At the same time, she received lessons in music theory and, at the age of twelve, became a member of the Halle composer class that Hans-Jürgen Wenzel had founded. Around this time Annette Schlünz received additional composition lessons from Günther Eisenhardt andDietrich Boekle . There were also the first pieces that were performed publicly.

From 1983 Schlünz himself taught in the children's composition class and from that year studied composition ( Udo Zimmermann ), piano (Heidrun Richter) and composition / modern techniques ( Wilfried Krätzschmar ) at the Carl Maria von Weber Academy of Music in Dresden . In her evening course she also learned to conduct with Rudolf Neuhaus and studied electronic sound production in the studio of the Dresden University. In 1987 she became a research assistant to Udo Zimmermann at the Dresden Center for Contemporary Music and had a teaching position for composition and ear training at the Dresden Music Academy. From 1988 to 1991 Annette Schlünz was a master student of Paul-Heinz Dittrich at the Berlin Academy of the Arts . Encounters with Iannis Xenakis in Darmstadt and Helmut Lachenmann in Stuttgart also became important.

In 1986 and 1989 she attended the Bartók Festival in Szombathely / Hungary, where she sat in with the conductor and composer Péter Eötvös . In 1988, Schlünz traveled to the west for the first time, where she took part in the “ Women Composers Yesterday-Today ” festival in Heidelberg . In 1990 and 1992 she attended the Darmstadt Summer Course for New Music. In 1990 she was awarded the Hanns Eisler Prize , in 1997 she was awarded a scholarship from the Villa Massimo in Rome, and in 1998 she received the “ Heidelberg Artist Prize ”. She received numerous composition commissions, including a. by the “ Gruppe Neue Musik Hanns Eisler ”, the “ Scharoun Ensemble ”, the Rundfunk-Sinfonieorchester Berlin , the Ensemble “ Les Percussions de Strasbourg ” and several festivals. She was also invited to music events in the USA, South America and Vietnam. Since 2010 she has been a member and since June 2015 secretary of the music class of the Saxon Academy of the Arts . In 2011 Annette Schlünz was appointed a member of the Free Academy of the Arts in Hamburg.

Works

Stage works:

  • Matka (chamber opera, libretto by the composer based on Karel Čapek ), 1988–89.
  • Un jour d'été (musical theater for children, text by Pierre Garnier ), 1996.
  • TagNachtTraumstaub (music theater, texts by the composer, Matthias Roth and Ulrike Schuster ), 1999–2000.

Orchestral works:

  • Picardy, 1992.
  • Fadensonnen, for 17 instrumentalists, 1993.
  • but you in it, for bass clarinet (+ double bass clarinet), tuba and orchestra, 2001–02.

Chamber music:

  • il pleut doucement sur la ville, for string trio, 1989
  • The blue becomes night black, for oboe, trombone, viola, cello, double bass, piano and percussion, 1990.
  • Dove-blue shadows have blended, for flute and guitar, 1990.
  • If the Wings Are Broken, for violin and ensemble, 1990.
  • Oh, es ..., for tuba, 1991.
  • la faulx de l'été, for recorder (1 flutist) and percussion, 1991. (Version for flute and percussion, 2001).
  • ... the shadow confused, for 3 bassoons, 1992.
  • Where the silence begins, for viola, cello, double bass, 1993.
  • Et la pluie se with à tomber, for 6 percussionists, 1994.
  • behave, slip away, unfold, for guitar, 1994.
  • - silent -, for organ and 3 percussionists, 1994 (version for organ and percussion, 2004).
  • Traumkraut, for flute (+ alto flute and bass flute), clarinet (+ bass clarinet), violin, viola, violoncello, double bass, piano, percussion, 1995.
  • noch ein wor () t, for clarinet, cor anglais, trombone, cello, double bass, 1996.
  • Nuages, for 4 percussionists, 1996.
  • How it is, for clarinet, string quartet, 1997.
  • SOL-STITIUM, for oboe, clarinet, violin, viola, violoncello, piano / harpsichord, 1997.
  • Incessant Sleeplessness, for tuba and tape, 1994–98.
  • Aequi-Noctium, for oboe, bassoon, trumpet, trombone, viola, double bass, piano, percussion, 1998.
  • voicelessness, for flute (+ bass flute), clarinet (+ bass clarinet), guitar, percussion, 1998 (also version for clarinet, saxophone, guitar, percussion, 2005).
  • dissolved (entwined), for flute, clarinet, violin, cello, piano, 2000 (also version for clarinet, trumpet, violin, cello, piano, 2001).
  • schau (m) ich, for violoncello, 2000;
  • Weiter, for flute (+ alto flute), clarinet, piano, 2000.
  • groping, watering, for flute, piano, 2001.
  • Hydrangeas, for bass clarinet, 4-channel audio playback, 2002.
  • To fly ?, for flute (+ bass flute), oboe, clarinet, 2003.
  • Ultimate tentative No. 4, for any number of musicians, 2004.
  • ZEBRA, for electric violin, 4-channel audio feed, live electronics, 2004.
  • Dehors, for bass flute, bass clarinet, percussion, 2005.
  • in the rivers, for clarinet, violoncello, accordion, 2005.
  • high tide, for clarinet (+ bass clarinet), double bass, accordion, live electronics, 2005.
  • light from the one, for recorder (1 flutist) and Koto, 2006.

Choir:

  • Ornithopoeia (text by Pierre Garnier), mixed choir (12 voices), 1989.
  • Delicate buttons (texts by Matthias Roth, Pierre Garnier), for women's choir, 1997.

Music with vocal solo voices:

  • At traces of water and salt, voice, 11 instrumentalists, 1987;
  • Rosen (text by Ingeborg Bachmann ), mezzo-soprano, piano, 1988;
  • Klage (text by Urszula Kozioł ), speaker, clarinet (+ bass clarinet), bassoon, French horn, string quartet, double bass, 1991;
  • Tout est rêver (texts by Friedrich Huch , Pierre Garnier), soprano, clarinet (+ bass clarinet), percussion, 1992;
  • Die Antirose (texts by Yvan Goll , Claire Goll ), soprano, violin, piano, 1995;
  • ein wor () t (text from an anonymous source), speaker, flute, guitar, violin, 1996;
  • One could stay (texts by William Shakespeare , Jeanette Winterson ), soprano, speaker, piano, 1997;
  • brust, brut (text by Ulrike Draesner ), baritone, piano, 1998;
  • Gleissend (text by Ulrike Schuster), mezzo-soprano, percussion instrument, 1998;
  • Ultime tentative I-III (texts by Ulrike Schuster, Christophe Tarkos ), soprano, mezzo-soprano, recorders (1 player), 1998–99;
  • Arianna II (texts by Ulrike Schuster, anonymous sources), soprano, 2 baroque violins, baroque violoncello, harpsichord, 1999;
  • MOCCOLI (text by Johann Wolfgang von Goethe , arranged by the composer and Ulrike Draesner), soprano, clarinet (+ bass clarinet), cello, 1999;
  • Violent News - Gibbongesänge (text by Ulrike Schuster), voice, tape recording, 2001;
  • Abendamsel (text by Undine Gruenter ), contratenor, bass flute, oboe, clarinet, tenor saxophone, bassoon, trumpet, viola, violoncello, double bass, 2 percussion instruments, 2002;
  • glas im bauch (texts by Ulrike Draesner, Pierre Garnier), soprano, flute, oboe, clarinet, french horn, bassoon, 2004

Piano solo:

  • shadowed–, 1991

Multimedia:

  • I see the dream of water, music events for a mobile ensemble (text by Pierre Garnier), 2 voices, recorders (1 player), percussion instrument, sculptures (by Daniel Depoutot ), 1995;
  • Couloir de la solitude, tape recording, room installation (by Thierry Aué ), 2000;
  • das - das - das other Ufer: FÄHRENMUSIK - music to translate (text by Ulrike Draesner), 2 sopranos, trumpet, trombone, 2 tubas, 3 percussion instruments, room installation (by Thierry Aué), 2001;
  • ants would also like to be birds (texts by Ulrike Draesner, Ulrike Schuster, Johann Wolfgang von Goethe), soprano, large mixed choir (87 voices) (+ scenic actions), bass clarinet, accordion, 2 percussion instruments, underwater sound installation, 2002;
  • dans l'épaisseur d'un murmure anonyme, tape recording, film installation (by Karine Vonna ), 2002;
  • Journal No. 1, tenor recorder (+ soprano recorder, bass recorder), film, 2004–05;
  • Blueprint (texts by Ulrike Draesner, Charles Pennequin , Christophe Tarkos), soprano, clarinet, trumpet, violin, violoncello, accordion, percussion, film (by Thierry Aué), 2005

Discography:

  • Legal action. Daniel Morgenroth, speaker; Friedrich Goldmann / Scharoun Ensemble (Aurophon / DZzM, 1992)
  • behave, slip away, unfold. Reinbert Evers, guitar (Sächsische Tonträger / DZzM, 1994)
  • Oh, it ... Michael Vogt, tuba (RéR, 1994)
  • Dream herb; Tout est rêver; Thread suns; Dove-blue shadows have blended; Ornithopoeia; Et la pluie se with à tomber. Georg Mertens, flute; Volker Höh, guitar; Accroche note; Les Percussions de Strasbourg; Roland Kluttig / Thürmchen Ensemble; Klaus Bernbacher / Chamber Ensemble Pro Musica Nova Bremen; Roland Hayrabedian / Musicatreize Marseille (Wergo: 6539, 1998)
  • Delicate buttons. Michael Gläser / Women's Choir of the Bavarian Radio Choir (German Music Council: 5, 1998)
  • la lazy de l'été. Katja Reiser, recorders; Tan Kutay, percussion (Carpe Diem: 16256, 1999)
  • MOCCOLI. Carola Schlueter, soprano; Ensemble Phorminx (EMI Classics: 26189, 1999)
  • Incessant insomnia. Michael Vogt, tuba (Villa Massimo, 1999)
  • la lazy de l'été (second version). Carin Levine, flute; Stefan Blum, percussion instrument (Radio Bremen, 2005)
  • ZEBRA. Lenka Zupkova, electric violin (Akademie der Künste Berlin, 2005)
  • groping, watering. Elisabeth Weinzierl, flute; Eva Schieferstein, piano (THOROFON CTH 2577, 2010)

Web links

personal data
SURNAME Schlünz, Annette
BRIEF DESCRIPTION German composer
DATE OF BIRTH September 23, 1964
PLACE OF BIRTH Dessau