Günter Mayer

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Günter Mayer (born November 6, 1930 in Berlin ; † September 2, 2010 ibid) was a German cultural and musicologist .

activity

Mayer dealt with aesthetics , music aesthetics and music sociology , general culture and art theory, media theory and media aesthetics. From 1980 to 1994 he was a professor at Berlin's Humboldt University . He was editor of the collected works of Hanns Eisler , which were published in three volumes, and of the planned historical-critical complete edition of Eisler's works. Mayer was a member of the scientific advisory boards of the historical-critical dictionary of Marxism and the magazine Das Argument and since 2007 deputy chairman of the Berlin Institute for Critical Theory .

effect

Hanns-Werner Heister , with whom Mayer worked for a long time, highlights Mayer's conceptual innovations as the “dialectic of material” of the artistic avant-garde; the "contradiction between use value and design value" in aesthetic valuation; language as a non-technical concept of the mass medium; Mass culture as a dialectical relationship between culture, subject and masses; technical production and reproduction through electrification and digitization as the real revolution of music in the 20th century.

In addition to Georg Knepler , Mayer was one of the first in 1978 in his book Weltbild, Notenbild to call for a differentiated reception of the theories of Theodor W. Adornos, who had long been perceived as an alleged anti-Marxist and therefore rejected .

Publications

  • The category of musical material in Hanns Eisler's aesthetic views. On the development of the theory and history of socialist realism in the field of Marxist musical aesthetics . Berlin 1970
  • About the specifics of the aesthetic relationship. A contribution to ideological and methodological basic questions of Marxist-Leninist aesthetics , 2 volumes. Dissertation B, Humboldt University, 1977
  • Worldview, musical notation. On the dialectic of the musical material . Reclam, Leipzig 1978 (Reclams Universal Library, Volume 767) and Röderberg-Verlag, Frankfurt am Main 1978, ISBN 3-87682-452-4 ( Röderberg-Taschenbuch , Volume 75)
  • On the theory of the aesthetic. Music - media - culture - politics , selected writings edited by Hanns-Werner Heister . Weidler, Berlin 2006, ISBN 3-89693-458-9 (between / tones, new series, volume 5)

Release

  • Hanns Eisler, Collected Works . German publishing house for music, Leipzig
    • Volume 1: Music and Politics, Writings 1924–1948 . 1st edition 1973, 2nd edition 1985
    • Volume 2: Music and Politics, Writings 1948–1962 . 1982
    • Volume 3: Writings, Addenda . 1983
  • on behalf of the German Music Council: Tradition in musical cultures - today and tomorrow. Report on the scientific conference of the International Music Council, 2. – 4. October 1985 in Berlin (capital of the GDR) . Deutscher Verlag für Musik, Leipzig 1987, ISBN 3-370-00083-0 (German, English, French)
  • on behalf of the International Hanns Eisler Society e. V .: Hanns Eisler the contemporary: Positions - Perspectives. Materials on the Eisler festivals 1994/95 . German publishing house for music, Leipzig 1997, ISBN 3-370-00359-7
  • with Wolfgang Martin Stroh : A musicological paradigm shift? On the importance of Marxist approaches in music research . BIS-Verlag, Oldenburg 2000, ISBN 3-8142-0726-2 , also bis.uni-oldenburg.de

literature

  • Hanns-Werner Heister, Günter Mayer, Wolfgang Martin Stroh (eds.): Music avant-garde: on the dialectic of vanguard and rearguard. A collection of thoughts for Günter Mayer for his 75th birthday. BIS-Verlag, Oldenburg 2006, ISBN 978-3-8142-2001-7 (German, English, Italian)

Web links

Individual evidence

  1. Publisher's announcement on On the theory of the aesthetic (2006)
  2. Gerd Rienäcker : Concepts of Marxist music historeography, achievements and problems . In: G. Mayer, WM Stroh (Ed.): A musicological paradigm shift? Oldenburg 2006