Adriana Hölszky

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Adriana Hölszky (born June 30, 1953 in Bucharest , Romania ) is a composer and pianist of Hungarian-German origin.

Life

Between 1959 and 1969 Adriana Hölszky received piano lessons from Olga Roşca-Berdan at the Musiklyzeum in Bucharest. In 1972 she began studying composition with Ștefan Niculescu with a focus on piano at the "Ciprian Porumbeseu" Music Academy in Bucharest. In 1976 she moved to Germany with her family. Here she continued her studies: between 1977 and 1980 she studied composition at the Musikhochschule Stuttgart with Milko Kelemen , as well as piano - chamber music with Günter Louegk . At the same time she gave concerts as the pianist of the Lipatti Trio founded by Antonio Janigro together with her twin sister Monika Hölszky-Wiedemann and the cellist Hertha Rosa-Herseni.

In 1977 and 1978 she took part in the International Summer Academy Mozarteum Salzburg , and between 1978 and 1984 she regularly took part in the Darmstadt Summer Courses for New Music . In 1980 she received a teaching position and from 1993 to 1996 a lecturer at the University of Music and Performing Arts in Stuttgart , in 1983 a scholarship from the Baden-Württemberg Art Foundation . In 1986 she first took part in the composers' forum of the Darmstadt Summer Course for New Music. In 1987 she received a scholarship from the Lower Saxony Ministry of Culture. In 1992 she took part in composition seminars in Tokyo and Kyoto as well as at IRCAM (Paris). The increasing international fame was reflected in three portrait concerts in Athens , Thessaloniki and Boston in 1993. In 1996 Adriana Hölszky was a lecturer in composition at the “Time of Music” festival in Viitasaari (Finland). Between 1997 and 2000 Adriana Hölszky was professor of composition at the Rostock University of Music and Theater , and from 2000 to 2013 she was a full professor of composition at the Mozarteum in Salzburg. Since 2002 she has been a member of the Academy of Arts in Berlin and since 2003 a member of the Fine Arts in Munich.

Awards

Works

  • Piano Sonata, 1975
  • String Quartet, 1975
  • Constellation for orchestra, 1975–76
  • Monologue for female voice and timpani, 1977
  • ... there were black birds for 5 female voices and percussion, 1978
  • Il était un homme rouge for 12 voices, 1978
  • Commentary for Lauren for soprano, 8 wind instruments and timpani, 1978
  • Space for 4 orchestral groups, 1979–80
  • Omnion for tape, 1980
  • Questions I for soprano, baritone, violin, violoncello and piano, 1980
  • Questions II for soprano, baritone, violin, violoncello, piccolo, guitar and piano, 1981
  • Flux-re-Flux for alto saxophone, 1981–83
  • Inner Worlds I for string trio, 1981
  • Inner Worlds II for string quartet, 1981–82
  • Arcades for 2 flutes and string quartet, 1982
  • Inlays I for flute, violin and piano, 1982
  • Decorum for harpsichord, 1982–83
  • Intarsien II for flute, violin, harpsichord and piano, 1982–83
  • Inlays III for flute, violin, 2 pianos, 1982–83
  • Controversia for 2 flutes, 2 oboes and violin, 1983
  • Erewhon for 14 instruments, 1984
  • Sound thrower for 12 strings, 1984–85
  • New Erewhon for ensemble, 1984–85 / 90
  • Props for 9 instruments, 1985
  • … And again Dunkel I for timpani and piano, 1985/90
  • ... and again Dunkel II for timpani and organ, 1986
  • Always silent for four choirs, 1986
  • Listening window for Franz Liszt for piano, 1986–87
  • Bremen freedom. Singwerk auf ein Frauenleben , opera 1987, libretto: Thomas Körner (based on the play ofthe same name by Rainer Werner Fassbinder ). Premiere June 4, 1988 Munich (1st Munich Biennale ; Gasteig , Carl Orff-Saal; director: Christian Kohlmann; stage and costumes: Birgit Angele; Ensemble Avance; conductor: András Hamary)
  • Fragments from 'Bremer Freiheit' for accordion, cymbalone and timpani, 1988
  • Suspension bridges - string quartet 'an Schubert' , two string quartets that can be played simultaneously as an octet, 1989–90
  • Chase the wolves back for 6 timpani, 1989–90
  • Caravan - reflection on the wandering sound for 12 timpani, 1989–90
  • Flutes of light, 'surface play' for female voice, 5 wind instruments and other instruments ad lib., 1989–90
  • Message (E. Ionesco), for mezzo-soprano, baritone, speaker and electronics, 1990
  • Lichtflug for violin, flute and orchestra, 1990
  • Segments I (for seven sound centers) for piccolo, euphonium, double bass, piano, cymbalom, accordion and percussion, 1991–92
  • Segments II for piano and percussion, 1992
  • Segments III for oboe, double bass and accordion, 1992
  • Miserere for accordion, 1992
  • Klangwaben 1 for violin, 1993
  • WeltenEenden for 4 brass instruments, 1993
  • A due - wave study for 2 clarinets, 1993
  • Painting of a slain (JMR Lenz) for 72-part choir, 1993
  • An die Nacht for orchestra, 1994/2001
  • The Walls , Opera 1993–95. Libretto: Thomas Körner (based on the piece Les Paravents by Jean Genet ). Premiere May 20, 1995 Vienna ( Theater an der Wien ; Director: Hans Neuenfels ; Conductor: Ulf Schirmer )
  • Cargo for orchestra, 1995
  • Arena for orchestra, 1995
  • Qui audit me for alto flute, viola, guitar and speaker (ad lib.), 1996
  • Tragoedia - the invisible space Music theater (without voices) for ensemble, tape and live electronics, 1996–97. Libretto: Thomas Körner. UA 1997 Bonn (Art and Exhibition Hall of the Federal Republic of Germany)
  • Cloud and Moon for accordion and violoncello, 1996/2006
  • Avance Impulsions mécaniques for clarinet, euphonium, violoncello and piano, 1997
  • And I saw a sea of ​​glass mixed with fire ... for organ, 1997
  • Spin 2 for violin and keyboard, 1998
  • High Way for accordion and 19 instruments, 1998–99
  • Keyboard of Myths for 6 percussionists, string orchestra, 1999
  • Giuseppe e Sylvia , Opera, 1999–2000. Libretto: Hans Neuenfels. Premiere November 17, 2000 Stuttgart ( State Opera ; Direction: Hans Neuenfels; Set Design: Reinhard von der Thannen; Conductor: Johannes Kalitzke)
  • High Way for accordion and ensemble, 1999/2003
  • on the other side for 3 soloists and orchestra, 2000
  • High Way for One for accordion, 2000
  • Dream song for percussion, 2000
  • Mask and color for baritone (mezzo-soprano) and piano, 2000, text: Michael Krüger
  • Umsphinxt… A riddle for birds of prey , text based on Friedrich Nietzsche's 'The desert grows' for 48stg choir, 2000–01, text: Friedrich Nietzsche
  • On the other side for clarinet, harmonica, accordion and orchestra, 2000–03
  • The Good God of Manhattan , Opera, 2004. Libretto: Yona Kim (based on the radio play by Ingeborg Bachmann ). Premiere May 19, 2004 Schwetzingen ( Rococo theater ; Stuttgart Radio Symphony Orchestra , conductor: Alexander Winterson)
  • Lemurs and Ghosts for soprano, flute, clarinet, violin, violoncello and piano, 2004–05
  • like a bird Hommage à György Kurtág for violin, 2006
  • Flight maneuver for 2 clarinets and orchestra, 2006
  • Demons for choir and orchestra, 2006
  • Snowbirds (like a bird II) Hommage à György Kurtág for violin and piano, 2006
  • Projection - Hommage à Erich Hauser for trumpet solo, 2007, premiered June 24, 2007, Rottweil
  • Countdown for countertenor and orchestra, 2007. Text: Ver du Bois
  • Grid for bassoon, 2008, premier Munich ARD music competition
  • Hybris / Niobe - Drama for voices for 6 soloists and 32stg choir, 2008. Libretto: Yona Kim. WP April 25, 2008 Schwetzingen
  • Efeu und Lichtfeld for violin and organ, 2008, world premiere October 14, 2008, Salzburg
  • The Dogs of Orion for 8 voices, 2010, WP: Witten, April 24, 2010
  • Formicarium for 36-part choir, 2010, premier: Munich, July 9, 2010
  • Inner Worlds III for basset clarinet and string quartet 1981/2014, WP: Mannheim, October 4th, 2014
  • Pictors Metamorphoses for two accordionists, 2014, WP: Bad Wildbad, July 18th, 2014
  • La Dame à la Licorne, No. 1 for violin, 2014, WP: Bad Wildbad, July 18, 2014
  • DEEP FIELD. Ten SOUND exposures of a METAmorphose - Ballet, 2013, WP: Düsseldorf, 23 May 2014
  • Böse Geister - Oper, 2013/2014, libretto Yoga Kim (based on the novel "Böse Geister" by Fjodor M. Dostojewski in the new translation by Swetlana Geier), world premiere: Mannheim, May 31, 2014
  • Figaros Aria - Fragments for Koto and Accordion, 2016, WP: Mannheim, July 16, 2016
  • EXODUS for 12 percussionists, 2015/2016, WP: Karlsruhe, April 16, 2016
  • GrenzWELTENzeitENDEN, 2016, WDR (Paul Huebner)
  • Roses of Shadow - Ballet, sound choreography for soprano and 8 instrumentalists, 2016/2017, WP: Düsseldorf, December 16, 2017
  • APEIRON, concert for violin and string orchestra 2017/2018, WP: Stuttgart, “Summer in Stuttgart”, July 22nd, 2018

student

literature

  • Beatrix Borchard (Ed.) Adriana Hölszky , Klangportraits Volume 1, Furore Verlag Berlin 1991.
  • Eva-Maria Houben : yellow. New hearing. Vinko Globokar, Hans-Joachim Hespos, Adriana Hölszky . Saarbrücken 1996, p. 262.
  • Peter Petersen : … dreamed of Adriana Hölszky. Attempt on a vowel piece after Ingeborg Bachmann. In: Adriana Hölszky, ed. v. Eva-Maria Houben. Pfau, Saarbrücken 2000, pp. 44-55.
  • Jean-Noel von der Weid: The music of the 20th century . Frankfurt am Main & Leipzig 2001, p. 472. ISBN 3-458-17068-5
  • Peter Petersen : Adriana Hölszky's 'operas'. Theatrical musical language and vocal-instrumental theater. In: From the future of an impossible art. 21 Perspectives on Music Theater, Ed. B. Knauer / P. Krause. Aisthesis, Bielefeld 2006, pp. 85-108.
  • Peter Petersen : The Lenz poem 'Painting of a Slain' in the setting by Adriana Hölszky (1993). In: Between Art and Science. Jakob Michael Reinhold Lenz, eds. Inge Stephan / Hans-Gerd Winter (= publications on the journal for German studies, new series, vol. 14), Lang, Frankfurt a. M. 2006, pp. 59-81.
  • Wolfgang Gratzer / Jörn Peter Hiekel (eds.): ”Arrive: go. Adriana Hölszky's text compositions ". Edition new magazine for music, edited by Rolf W. Stoll , Mainz 2007
  • Music Concepts 160/161: Adriana Hölszky, ed. by Ulrich Tadday , edition text + kritik, Munich 2013, ISBN 978-3-86916-237-9 .
  • Maria Kostakeva, "Metamorphosis and Eruption. Approaching the Sound Worlds of Adriana Hölszky". Wolke Verlag, Hofheim 2013, ISBN 978-3-95593-053-0

Web links

personal data
SURNAME Hölszky, Adriana
BRIEF DESCRIPTION German composer and pianist
DATE OF BIRTH June 30, 1953
PLACE OF BIRTH Bucharest , Romania