Brad Gowans

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(Front, from left :) Eddie Condon , Tony Parenti , Wild Bill Davison , Brad Gowans, (back :) Jack Lesberg and Freddie Ohms, performing at Eddie Condon's , New York, circa June 1946.
Photograph by William P. Gottlieb .

Brad Gowans (born December 3, 1903 in Billerica / Massachusetts as Arthur Bradford Gowans , † September 8, 1954 in Los Angeles ) was an American jazz musician ( trombone , valve trombone , clarinet , cornet , alto saxophone ) and arranger .

Live and act

Gowans began his career as a clarinetist and valve trombonist with the orchestras of Perley Breed, the Rhapsody Makers Band and the Tommy DeRosa's New Orleans Jazz Band . In 1926 he made his first recordings under the band name Brad Gowan's Rhapsody Makers . In the same year he took part in the recordings of Red Nichols and was employed as a cornet player with Joe Venuti , then in the Jimmy Durante Jazz Band. Between 1927 and 1929 he played with Mal Hallett and Bert Lown . In 1936 he worked temporarily outside the music scene before playing with Bobby Hackett . In 1938 he was in Boston with Frank Ward, then with Wingy Manone and again with Bobby Hackett. In 1939/40 he was a member of Bud Freeman's Summa Cum Laude Band .

After that he was one of the musicians who regularly appeared in New York's Dixieland jazz club Nick's ; 1945/46 he played in the Ray McKinley Big Band and Art Hodes ; During this time he reactivated the Original Dixieland Jazz Band , in which he played the clarinet and with which he recorded a number of records. He recorded as Brad Gowans' New York Nine in April 1946 with Billy Butterfield , Arthur Rollini , Jack Lesberg and Dave Tough in Los Angeles. He then worked with Max Kaminsky and in the Jimmy Dorsey Big Band, in 1949/50 with Nappy Lamare . After the end of the big band era, Gowans worked as a freelance musician in California and Las Vegas . During a performance with the Eddie Skrivanek Sextet, he suffered a circulatory collapse in January 1954, from which he no longer recovered; he died eight months later.

During his career he wrote arrangements for recordings of Bud Freeman and Lee Wiley . He also invented the instrument Valide , a combination of slide and valve trombone, which however did not catch on. Under his own name he recorded a total of four pages of records in 1926, 1927 and 1934; also an album for Victor Records in 1946 .

Lexical entries

Web links

Individual evidence

  1. ^ Charles Delaunay : Hot discographie encyclopedique 1952 Volume 3 (El-He) . Paris, Éditions Jazz Disques, 1952.
  2. a b Scott Yanow : Portrait at Allmusic