Carl Friedrich Harveng

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The Erdmannshöhle near Hasel , wood engraving after a drawing by Carl Friedrich Harveng

Carl Friedrich Harveng (born June 23, 1832 in Frankfurt am Main ; † June 27, 1874 there ) was a German landscape painter , graphic artist and draftsman.

Life

Harveng received private drawing lessons from Friedrich Eugen Peipers (1805–1885) at an early age. From 1848 to 1854 he was a student at the Städel Institute , first with Friedrich Maximilian Hessemer , then with Jakob Becker and Eduard von Steinle . For further training he went to the art academy in Karlsruhe and was there from 1854 to 1859 a student in the landscape class of Johann Wilhelm Schirmer . In 1862 he settled in Düsseldorf and was there from 1864 to 1867 a member of the artists' association Malkasten . Because of a lung disease, he relocated from 1866 to Meran and further to northern Italy. He traveled to the Black Forest in southern Baden , the Alpine regions of Switzerland and Tyrol, and southern France.

His landscapes are evidence of an intensive study of nature and a good eye for the characteristic. Among other things, he was represented with works at exhibitions of the art associations in Munich (1863: Interior of a Black Forest Village ) and Karlsruhe (1867: Black Forest Landscape ). From 1864 to 1866 he exhibited in Berlin and in 1867 in Dresden . He also showed a Black Forest landscape in 1867 at the Paris World Exhibition. The paintings Heidegrund im Schwarzwald and Schwarzwälder on the way to the fair (1866) were created in Düsseldorf . Harveng also turned his studies into etchings; Drawings appeared in the Illustrierte Zeitung in Leipzig and in “Weber's Illustrated Calendar”. The Frankfurter Kunstverein held a memorial exhibition in 1876.

Selection of works

  • View of Oeflingen in the Black Forest in Baden (1859): Frankfurt am Main, Städel.
  • At Andernach am Rhein , Bangel auction, Frankfurt am Main, August 7, 1923, No. 142.

literature

  • Harveng, Karl Friedrich. In: Friedrich von Boetticher: painter works of the 19th century. Contribution to art history. Volume 1/1, sheets 1–30: Aagaard – Heideck. Ms. v. Boetticher's Verlag, Dresden 1891, p. 465 ( archive.org ).
  • Harveng, Karl Friedrich . In: Hans Wolfgang Singer (Ed.): General Artist Lexicon. Life and works of the most famous visual artists . Prepared by Hermann Alexander Müller . 3rd, revised and updated edition up to the latest time. tape 2 : Gaab – Lezla . Literary Institute, Rütten & Loening, Frankfurt a. M. 1896, p. 135 ( Textarchiv - Internet Archive ).
  • Albert Dessow (arr.): Art and artists in Frankfurt am Main in the nineteenth century. Published at the instigation of the Frankfurter Kunstverein. Volume 2: Biographical Lexicon of Frankfurt Artists in the Nineteenth Century. Frankfurt a. M. 1909.
  • Harveng, Karl Friedrich . In: Hans Vollmer (Hrsg.): General lexicon of fine artists from antiquity to the present . Founded by Ulrich Thieme and Felix Becker . tape 16 : Hansen – Heubach . EA Seemann, Leipzig 1923, p. 92 .
  • Leo Mülfarth : Small lexicon of Karlsruhe painters. Badenia-Verlag, Karlsruhe 1987, ISBN 3-7617-0250-7 (EA Karlsruhe 1980).
  • Hans Paffrath / Kunstmuseum Düsseldorf (Hrsg.): Lexicon of the Düsseldorf School of Painting. Volume 2, Bruckmann, Munich 1998, ISBN 3-7654-3010-2 , pp. 53-54; Fig .: The Shy Admirer , 1862.

Web links

Individual evidence

  1. ^ Ernst Holzinger (ed.), Hans-Joachim Ziemke (arrangement): The paintings of the 19th century. Von Zabern, Mainz 1972 (= catalogs of the paintings in the Städelschen Kunstinstitut Frankfurt am Main, illustrated book; 1), ISBN 3-87730-057-X , p. 137.