Cruz Diablo

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Movie
Original title Cruz Diablo
Country of production Mexico
original language Spanish
Publishing year 1934
length 83 minutes
Rod
Director Fernando de Fuentes
script Fernando de Fuentes,
Vicente Oroná
production Paul H. Bush
music Max Urban
camera Alex Phillips
cut Fernando de Fuentes,
Harry Foster ,
Fernando C. Tamayo
occupation

Cruz Diablo , also known as The Devil's Cross in English-speaking countries , is a 1934 Mexican adventure film directed by Fernando de Fuentes .

action

In New Spain in the 16th century, a masked swordsman, known only as Cruz Diablo (Eng: "Devil's Cross"), is up to mischief and terrorizes the rich and powerful like Robin Hood once did . He signs each of his raids with an incised cross on the forehead of his victims.

When the seedy Diego de la Barrera succeeds in impersonating Count de Luna and orders that his supposed daughter Marcela marry the elderly Marqués de la Florida, Cruz Diablo intervenes. Because behind the mask of the outlaw is Nostromus, the real Count de Luna and the real father of Marcela.

background

Most of the film was shot in Tijuana , Mexico , near the US border. Allegedly, 16-year-old Rita Hayworth was an extra in the film when she appeared with her father Eduardo Cansino in Tijuana nightclubs as "The Dancing Cansinos". Her involvement in the film has not been confirmed and can no longer be proven, as the film is now considered lost. At the time, he was granted limited release in the United States by Columbia Pictures .

Reviews

The New York Times described Cruz Diablo at the time as "one of the best films to have ever crossed the Rio Grande ". "A delightful piece" of New Spain's history is told. The film is consistently "full of action and puzzles" and "equipped with lavish and picturesque backdrops". The actors could also all convince. The "atmosphere of bygone times" is also evoked through the use of the Spanish spoken in the time of Cervantes .

Web links

Individual evidence

  1. cf. tcm.com
  2. ^ Gene Ringgold: The Films of Rita Hayworth . Citadel Press, Secaucus 1974, p. 57.
  3. “A delightful bit of the New Spain 300 years ago […]. Full of action and mystery from start to finish […] and furnished with a lavish and picturesque setting Cruz Diablo is one of the best films that ever crossed the Rio Grande. [...] The oldtime atmosphere is enhanced by the use of the Spanish language as spoken in the days of Cervantes. " See At the Teatro Campoamor . In: The New York Times , April 6, 1935.