The leather boys

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Movie
German title The leather boys
Original title The Leather Boys
Country of production United Kingdom
original language English
Publishing year 1964
length 108 minutes
Rod
Director Sidney J. Furie
script Gillian Freeman
production Raymond Stross
music Bill McGuffie
camera Gerald Gibbs
cut Reginald Beck
occupation

The Leather Boys (AKA: The Leather Boys ) is a British film drama in black and white from 1964 by director Sidney J. Furie . The screenplay was written by Gillian Freeman based on his own novel of the same name. The leading roles are cast with Rita Tushingham , Colin Campbell and Dudley Sutton . Of interest in film history are, among other things, the thematization of homosexuality and the depiction of the youthful subculture around the well-known motorcycle meeting place Ace Cafe . The work had its world premiere on February 3, 1964 in Sweden. In the country of production, the film first came to the cinema on March 8, 1964. In the German-speaking countries it had its premiere on August 24, 1970 in the program of the Second German Television .

action

The young motor vehicle mechanic and enthusiastic motorcyclist Reggie marries Dot, who is still underage, because he likes her and they have had a lot of fun together. But in the confined space of their one-room apartment, he has to realize that a marriage is more than just a little "having fun together". The friction with the still immature Dot finally drives Reggie out of the house. Together with his like-minded friend Pete, he stays with his grandmother until one day he goes home to the wife he has wedded to. To his horror, however, he finds another man in the bed of Dot, who is disappointed with him.

Pete, who was already in mourning for his lost friend, soon has him back - until that moment when Reggie realizes that Pete's aversion to women is due to his homophile disposition.

Reviews

The Protestant film observer draws the following conclusion: “Using the example of three young people, Sidney J. Furie describes a youth who, despite engine noise and leather clothing, is sensitive and vulnerable and in the struggle for personal freedom and individuality just as easily and often fails as the generation before them. Good actors, sensitive directors and an equally sensitive camera recommend this film from the age of 16. "

Web links

Individual evidence

  1. a b Source: Evangelischer Film-Beobachter , Evangelischer Presseverband München, Review No. 372/1970, p. 374