Graf Porno and its girls

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Movie
Original title Graf Porno and its girls
Country of production Germany
original language German
Publishing year 1969
length 86 minutes
Age rating FSK 18
Rod
Director Günter Hendel
script Günter Hendel,
Alois Brummer under the pseudonym Sven Ole Larson
production Alois Brummer
music Walter Geiger
camera Klaus Beckhausen
cut Monika Mertens
occupation

Graf Porno und seine Mädchen is an early German sex film fun game with which Alois Brummer started his career as a porn producer in 1968.

action

Clumsy Harry Holst became a private detective in order to put an end to a culprit: “Graf Porno” had spun off his girlfriend a year ago.

Harry's first client gives the order to visit the young Gina in a girls boarding school , to inquire about her reputation and to send her home to her uncle in Munich. Gina's roommate Elsie makes advances to Harry and tries to convince him to investigate a new case together. Gina had secretly taken a bottle of poison - does she want to murder Erbonkel and aunt?

Together they shadow Gina and follow her to a stately villa where Graf Porno is holding a sex party with very young women. Elsie and Harry mingle with the guests and find out about a gang of thieves who want to steal the wallets of those present. Unsuspecting, Harry takes a drug and goes on a psychedelic trip . But at the last minute he can call the police and have the thieves arrested. Elsie and Harry become a couple.

Production notes

Graf Porno und seine Mädchen was shot in 1968 under the title Opportunity Makes Love in Munich-Pasing (in Alois Brummer's house). The film passed the FSK on January 2, 1969 and premiered on January 19, 1969.

The 21-year-old casual worker Rinaldo Talamonti from central Italy made his debut here as a film actor with the main or title role and from then on was regularly used in German film as a constantly horny and somewhat idiotic Italian top dog. Talamonti was dubbed by Günter Hendel.

Graf Porno und seine Mädchen was a great commercial success, after which Brummer devoted himself entirely to the production of pornographic films, including hardcore, for the rest of his life. According to Brummer's statement, this first strip cost around DM 300,000 and brought in around DM 1.4 million. Brummer always looked for cost savings in his film production. In addition, it said in the same place in the mirror : “The girls are portrayed by girls - strippers or actresses before the breakthrough. Brummer finds them with the help of classified ads, and when he has determined that they are in perfect condition, he hires them for a small fee. Because frugality, Brummer's Bavarian rural heritage, controls the production process. Others may film a scene seven times, Brummer only lets it shoot three times. Atelier costs money - Brummer cranks in the cellars, on the stairs and in the living rooms of his home. "

reception

"They aren't ingenious, my films, but ingenious films are no business either."

In Films 1965/70 the following can be read: “Mindless and witty pornographic film.” Even the Protestant film observer does not believe in the film : “Primitive work with naked girls and an auxiliary school script that shows the inability of all those involved (from the director over camera to the actors) proves terrifying. To be rejected. "

Web links

Individual evidence

  1. In Kay Weniger's Das Großes Personenlexikon the film says in volume 7, page 594: "His part was regularly that of the cliché southerner, the wheel-breaking, always steamy and fervent top dog, whose potency and desire prevail over the mind."
  2. Report in Der Spiegel , 21/1969
  3. Der Spiegel from May 19, 1969
  4. ^ Films 1965/70. Handbook VIII of the Catholic film criticism. Volume 1. Cologne 1971, p. 118
  5. Evangelical Press Association, Munich, Review No. 88/1969