Hans Vogt (composer, 1911)

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Hans Vogt (born May 14, 1911 in Danzig ; † May 19, 1992 in Metterich , Eifel ) was a German composer.

Life

Vogt studied from 1929 to 1934 at the Academy of Arts in Berlin with Georg Schumann and Otto Frickhoeffer . In 1934 he worked as a pianist, cellist and conductor in Minden . From 1935 he was Kapellmeister at the Stadttheater Bielefeld and then in Detmold . In 1937 he joined the NSDAP (No. 5.653.178). From 1938 to 1944 he was first Kapellmeister at the Stralsund Theater , and then city music director in Stralsund , where he had also been chairman of the Reich Theater Chamber from 1938 .

In the post-war period, Vogt lived as a freelance composer in Neckargemünd from 1949 . From 1951 to 1978 Vogt directed a composition class at the Mannheim-Heidelberg University of Music . In 1971 he was appointed professor.

Vogt composed two operas ("The City Behind the Stream" based on the novel by Hermann Kasack and "Athenerkomödie" by Christopher Middleton based on a fragment by Menander), a symphony , two orchestral concerts, two piano concerts, one each for violin and violoncello and one Concert for viola and chamber orchestra, chamber music works, an oratorio , a passion music , a cantata , a magnificat , a requiem , choral music and songs .

Works

Stage works

Orchestral works and solo concerts with orchestra

  • Concert for multi-choir orchestra . Bärenreiter / Alkor, 1950.
  • Rhythmic suite for string orchestra Bärenreiter / Alkor, 1952.
  • Concerto for piano and orchestra . Bärenreiter / Alkor, 1955.
  • Concert for orchestra . Bärenreiter / Alkor, 1960.
  • Monologues - 4 pieces for orchestra. Bärenreiter / Alkor, 1964.
  • Concertante Divertimenti for piano and orchestra Bärenreiter / Alkor, 1968/1982.
  • Azioni Sinfoniche - Sette pezzi in due parte per orchestra. Bote & Bock, 1971.
  • Verses, orchestral and vocal about an Ode by Horace, the setting of which by Petrus Tritonius (1507) and its adaptation by Eduard Mörike for orchestra and baritone solo . Bärenreiter / Alkor, 1975.
  • Concerto for violin and orchestra . Bote & Bock, 1981.
  • Concerto for violoncello and orchestra . Bote & Bock, 1981.
  • Symphony in one movement - Dona nobis pacem for orchestra. Bote & Bock, 1984.
  • Serenade & Tarantella for viola in concert and chamber ensemble Bote & Bock, 1986.
  • Tim Finnigan's Wake - Divertimento about an Irish song for (amateur) string orchestra and concertos oboe. Bote & Bock, 1987.
  • Gestalten-Szene-Schatten - cycle for string orchestra. Bärenreiter / Alkor, 1988.
  • Apreslude - music for large orchestra (Mezzosopr, ad lib.) In 3 movements based on a poem by Gottfried Benn . Bote & Bock, 1988.
  • ... colorful zones and glowing poles ... - music for orchestra. Bote & Bock, 1992.
  • Fantasia super “Shouldn't I sing to my God?” For organ, 3 trumpets and 4 trombones. Bärenreiter, oA

Vocal works

Secular vocal works

  • Masks - lyrical suite based on poems by Hermann Kasack for soprano solo, string orchestra and percussion. Bärenreiter / Alkor, 1956.
  • Four English songs based on poems by Christopher Fry , WH Auden , TS Eliot and Gerard M. Hopkins for soprano solo and chamber ensemble. Mannheimer Musik Verlag, 1957.
  • Aesop's fables - texts based on an anonymous German edition of the 18th century. For acc. Choir, clarinet, bass and drums. 1959.
  • Poems from Herman Moon's London Hour Book based on poems by Christopher Middleton - cycle for vocal quartet and piano. 1960.
  • Sine Nomine - for tenor solo, mixed Choir and orchestra based on poems by Gertrud Kolmar and Hermann Kasack . Bärenreiter / Alkor, 1964.
  • Three madrigals based on poems by WH Auden , for mixed choir a cappella. Bärenreiter, 1973.
  • Verses, orchestral and vocal about an Ode by Horace , the setting of which by Petrus Tritonius (1507) and its adaptation by Eduard Mörike for orchestra and baritone solo. Bärenreiter / Alkor, 1975.
  • Three German madrigals for mixed choir and percussion. Bärenreiter, 1983–1989.
  • Apreslude - music for large orchestra (mezzo-sopr. Ad lib.) In 3 movements based on a poem by Gottfried Benn . Bote & Bock, 1988.

Sacred vocal works

  • De profundis clamavi ad te, Domine, Psalm 129 for mixed choir a cappella . Bärenreiter, 1951.
  • History of the proclamation - Chamber Oratorio for 3 solo female voices, according to Choir and 13 solo instruments. Bärenreiter, 1955.
  • Ye daughters of Jerusalem, do not weep for me - passion music for tenor solo, acc. Choir and drums. Bärenreiter, 1963.
  • Magnificat for soprano solo, mixed Choir and orchestra . Bärenreiter / Alkor, 1966.
  • Requiem for soprano and bass solo, mixed choir and drums . Breitkopf & Härtel, 1969.
  • Canticum Simeonis for mixed choir and flute . Bärenreiter, 1976.
  • History of the Prophet Jona - Chamber oratorio based on the Old Testament and texts by Hilde Domin for acc. Choir, alto and tenor solo and 6 instruments. Bärenreiter, 1979.
  • Three sacred chants based on baroque poems for baritone and organ . Bärenreiter, 1981/1983.

Chamber music

Chamber music without piano or harpsichord

  • Trio for flute, viola and harp . 1951, revised 1989.
  • String Quartet I . Bote & Bock, 1960.
  • String quintet . Bote & Bock, 1967.
  • String trio . Bote & Bock, 1969/70.
  • Giuoco degli flauti for 5 flutes and percussion , 1974.
  • String Quartet II . Bote & Bock, 1975.
  • Antiphons for oboe instruments and organ . Bote & Bock, 1976.
  • Sonatina per violino e contrabasso . Bote & Bock, 1976.
  • String Quartet III . Bote & Bock, 1977.
  • Movimenti - Duo for violin and violoncello. Bote & Bock, 1985.
  • Rondo sereno (1980), version for violin and viola. Bote & Bock, 1987.
  • Octet for strings . 1988.
  • Sonata per quattro archi . Bote & Bock, 1989.
  • Ballata notturna - string sextet. Bote & Bock, 1990.
  • Rondo sereno for violoncello and double bass . Bote & Bock, 1990.
  • Fantasy on the Magnificat for solo violin . Bote & Bock, 1990.
  • String Quartet IV . Bote & Bock, 1984, revised 1991.
  • La Danza - Study for double bass solo. Bote & Bock, 1991.
  • Sonata for viola and harp . Bote & Bock, 1992.
  • Preludio, Presto e Pezzo variato for violoncello solo . Bote & Bock, no time indication.

Chamber music with piano or harpsichord

  • Sonata alla toccata for piano . Bote & Bock, 1957/1971.
  • Quintet for flute, oboe, violin, bassoon and harpsichord . Mannheimer Musik Verlag, 1958.
  • Sonata for flute and piano . 1958.
  • Sonata for piano four hands . Bärenreiter / Alkor, 1959.
  • Concertante sonata for 17 solo instruments . Bärenreiter / Alkor, 1959.
  • Dialogues for piano, violin and violoncello . Bote & Bock, 1960.
  • Music for two pianos . Bote & Bock, 1967.
  • Elements for a sonata for violoncello and piano . Bote & Bock, 1973.
  • Sonata lirica for violin and piano . Bote & Bock, 1983.
  • Four experiments for keyboard instruments . Bärenreiter, 1985.
  • Tim Finnigan's Wake - for oboe and piano. Bote & Bock, 1987.

Book publications

Web links

Individual evidence

  1. ^ A b c d e Fred K. Prieberg : Handbook of German Musicians 1933–1945. CD-Rom Lexicon. Kiel 2004, pp. 7389-7390.
  2. ^ Ernst Klee : The culture lexicon for the Third Reich. Who was what before and after 1945. S. Fischer, Frankfurt am Main 2007, ISBN 978-3-10-039326-5 , p. 632.