Hugo Richter-Lefensdorf

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Hugo Richter-Lefensdorf (born January 9, 1854 in Levensdorf near Waren (Müritz) , † April 22, 1904 in Ahrenshoop ) was a German landscape , portrait and still life painter and etcher .

Life

Hugo Richter-Lefensdorf received his training in Berlin at the Akademie der Künste under Eugen Bracht and Christian Wilberg . In the 1880s he was based in Berlin, as can be seen from the catalog information on his pictures shown at the Berlin exhibitions of the Royal Academy of the Arts, as well as from 1894 at the great Berlin art exhibitions . During this time, study trips must have taken him to Bavaria , the Ötztal and Venice , as the titles of the paintings on display reveal. He was a member of the Association of Berlin Artists .

Around 1890 Richter-Lefensdorf came to Ahrenshoop, where he had his house built at Dorfstrasse 30 in 1896. Alongside Paul Müller-Kaempff , Elisabeth von Eicken , Friedrich Wachenhusen and Fritz Grebe, he was part of the founding generation of the Ahrenshoop artists' colony . Until 1903 he regularly took part in the Berlin exhibitions, but could not cope with a rejection of his works in 1904 and chose to commit suicide . He did not do this out of an offended sense of honor, as is sometimes claimed, but because he "would literally have starved to death" without the sale of his pictures. He was buried in the Ahrenshooper cemetery.

Works / exhibitions

Hugo Richter-Lefensdorf was regularly represented with his works at the exhibitions of the Royal Academy of Arts in Berlin , the Great Berlin Art Exhibitions and in the Munich Glass Palace .

Royal Academy of Arts in Berlin

  • 1886: late autumn in the Bavarian high moor; Autumn in the Bavarian high moor
  • 1888: End of the valley of the Oetzthales with Gurgler Glacier and Schalfkogl; September morning at the forest lake
  • 1889: September day in Isargries near Tölz; Westphalian farmer's cuisine
  • 1890: Portrait of Frau S .; Still life; Sunrise in the high mountains - motif from the Ötzthal; Parthie from the Baierischen Hochmoor - late autumn
  • 1892: evening in Venice; Venetian Canal; Fishing boats in the lagoons, (Venice.); Rising thunderstorm on the lake; Landscape after the storm.

Large Berlin art exhibitions

  • 1894: The way to the sea; Rising thunderstorm; Mecklenburg farmhouse cuisine
  • 1895: Dorfstrasse in Ahrenshoop; Fishing huts on the Saaler Bodden
  • 1896: Late autumn evening in the forest; Village party from Ahrenshoop
  • 1897: autumn landscape; Fisherman's hut on the lake; Quiet autumn evening by the sea
  • 1899: Rising weather
  • 1902: Autumn in the forest
  • 1903: winter landscape; Our village in the snow; Forest section in autumn.

Munich Glass Palace

  • 1888: late autumn in the Bavarian moor; September day in Isargries; Autumn in the Bavarian moor
  • 1889: Sunrise in the high mountains (Ob.Gurgl in Ötzthal)
  • 1894: Rural still life
  • 1901: Autumn in the forest.

literature

Web links

Individual evidence

  1. ^ Johann Joachim Bernitt : Mecklenburg artist colonies . 1953, p. 106.
  2. Directory of the works of living artists at the exhibition of the Royal Academy of Arts in Berlin. Common Library Network (GBV), accessed on September 7, 2014 .
  3. ^ Catalog, Great Berlin Art Exhibition. (No longer available online.) Common Library Network (GBV), archived from the original on October 22, 2014 ; Retrieved September 7, 2014 .
  4. ^ Great Berlin Art Exhibition (Ed.) Catalog. Heidelberg University, accessed on September 7, 2014 .
  5. ^ Catalogs of the art exhibitions in the Munich Glass Palace 1869-1931. bavarikon, accessed on January 28, 2020 .