Ingeborg Bronsart von Schellendorf

from Wikipedia, the free encyclopedia
Ingeborg Bronsart von Schellendorf
(lithograph by Julius Giere)

Ingeborg Marie Wilhelmine Bronsart von Schellendorf born. Starck (born August 24, 1840 in Saint Petersburg , † June 17, 1913 in Munich ) was a German pianist and composer.

Life

She came from a family of Finnish merchants residing in Russia. She learned to play the piano in Saint Petersburg with Nikolai Martynow, Konstantin Decker and Adolf von Henselt . In 1858 she came to Weimar , where she learned to play the piano with Franz Liszt . In 1861 she married a Liszt student, Hans Bronsart von Schellendorf . In the following years she performed concerts in cities in Russia.

After her husband was appointed general director of royal theaters in Hanover in 1867 , she had to interrupt her performances and began to occupy herself with composition. Joseph Joachim , Hans von Bülow , Friedrich Kaulbach , Friedrich Bodenstedt and many other people from German culture visited the salon of the Bronsart family . Among the works of Ingeborg Bronsart, her operas enjoyed particular popularity: The goddess of Sais or Linas and Liane , Jery ​​and Bätely with the libretto based on Johann Wolfgang von Goethe , King Hiarne (1890) as a polemic against Richard Wagner's Ring des Nibelungen . The Kaiser Wilhelm March was heard at the opening of the women's program at the World's Fair (1893) in Chicago .

She created many songs to texts by Heinrich Heine , August von Platen , Mirza-Schaffy (in translation by Friedrich Bodenstedt ) and Michail Lermontow . Her works also included a (lost) piano concerto (1863), which she a. a. played on November 21, 1863 in Hanover under the direction of Joseph Joachim .

Works

Operas

  • The goddess of Sais or Linas and Liana (1867)
  • King Hiarne (1871)
  • Jery ​​and Bätely (1873)
  • The Atonement (1909)

Concerts

  • Piano Concerto in F minor, (1863), lost.

Orchestral works

  • Kaiser Wilhelm March (1871)

Songs (selection)

  • Abendlied , op.16 no.1 (text: Ernst von Wildenbruch )
  • Farewell to the Caucasus , op.10 no.2 (Text: Friedrich Martin von Bodenstedt )
  • Das Vöglein , op.10 no.5 (Text: Friedrich Martin von Bodenstedt based on an unknown author)
  • The bouquet of flowers , op.16 no.4 (text: Ernst von Wildenbruch)
  • The bright sun shines , op.8 no.5 (Text: Friedrich Martin von Bodenstedt after Mirzə Şəfi Vazeh )
  • The Loreley (Text: Heinrich Heine)
  • Yellow rolls at my feet , op.8 no.4 (Text: Friedrich Martin von Bodenstedt after Mirzə Şəfi Vazeh )
  • I feel your breath , op.8 no.6 (Text: Friedrich Martin von Bodenstedt after Mirzə Şəfi Vazeh )
  • I cried in a dream (Text: Heinrich Heine)
  • I stood in dark dreams , op.25 (Three Songs) no.3 (Text: Heinrich Heine )
  • The nightingale laments in the garden, op.8 no.2 (Text: Friedrich Martin von Bodenstedt after Mirzə Şəfi Vazeh )
  • Last request , op.16 no.5 (text: Ernst von Wildenbruch )
  • I once had a beautiful dream , op.10 no.1 (Text: Friedrich Martin von Bodenstedt)
  • Nachtigall, o Nachtigall , op.10 no.4 (Text: Friedrich Martin von Bodenstedt based on an unknown author)
  • Sing, sing with sunrise, op.10 no.6 (Text: Friedrich Martin von Bodenstedt, unknown author)
  • Serenade , op.16 no.2 (text: Ernst von Wildenbruch )
  • When spring rises on the mountains, op.8 no.3 (Text: Friedrich Martin von Bodenstedt after Mirzə Şəfi Vazeh )
  • How smile the eyes , op.10 no.3 (Text: Friedrich Martin von Bodenstedt)
  • Zuléikha , op.8 no.1 (Text: Friedrich Martin von Bodenstedt after Mirzə Şəfi Vazeh )
  • Two bouquets , op.16 no.3 (text: Ernst von Wildenbruch )

Web links

Individual evidence

  1. ^ Georg Fischer , Musik in Hannover , Hannover 1903, p. 267 ( Textarchiv - Internet Archive )