Joachim Friedenthal

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Joachim Friedenthal (born March 30, 1887 in Labischin , † January 15, 1938 in Rome ) was a German journalist .

Career

He then went to high school in Poznan in Magdeburg , studied philosophy , literature , political science and law in Berlin and Heidelberg . In 1911 he received his doctorate in law with contributions to a press administrative criminal law . In 1912 he was a theater correspondent in Paris and in 1914 he was a correspondent for the Berliner Tageblatt in Munich . On August 26, 1914, a bellicose essay by Gerhart Hauptmann was published in the press of the German Reich . On August 27, 1914, the day after Hauptmann's essay was published, Wedekind's Agenda recorded a meeting with his friend, Joachim Friedenthal, the Munich correspondent of the Berliner Tageblatt in the "H [of] T [heater] R [estaurant]". Wedekind subsequently produced war propaganda . On the occasion of Frank Wedekind's funeral, Joachim Friedenthal performed Invisible Theater . Heinrich Mann had a look at his lecture script: It said, locked in parentheses: »Tears choke my voice. . . "And" Tears choke my voice ... "From 1924 Friedenthal headed his publishing house in Munich. From 1926 he was a correspondent in Rome.

Works

  • Masquerade of the Soul tragic comedy 1911;
  • The cooperative satyrical comedy in 3 acts 1911, performed in the Residenz-Theater Stuttgart;
  • The Adventures of the Soul, comedy in 3 acts, 1911,
  • The Wedekind book (ed.) 1914;
  • Heinrich Mann, 1914;
  • Frank Wedekind, Vol. 1–9, editor with Artur Kutscher , 1924.
  • Clarissa's half heart, drama

Web links

Individual evidence

  1. Campo Verano in Rome Joachim Friedenthal 1887–1938, [1]
  2. Deutsche Literaturzeitung, weekly for the criticism of international science, Volume 33, Weidmannsche Buchhandlung, 1912, [2]
  3. The essay Against Untruth developed a reading of the "idea of ​​cosmopolitanism" appropriate to the state of war . “The complete victory of German arms would ensure Europe's independence,” he argues. “As we know, Germany as a barbarian country preceded the rest of the peoples with great institutions of social welfare. A victory should oblige us [...] to spread the blessings of such care more generally. ”The conclusion that Hauptmann draws is that the Germans fought for“ the general advancement and ascent of humanity ”. see also Peter Sprengel, Gerhart Hauptmann: Bürgerlichkeit and big dream, [3]
  4. ^ Uwe Schneider, Andreas Schumann, War of the Spirits: First World War and literary modernity, Koenigshausen + Neumann G, 2000 - 313 S, p. 83; [4]
  5. Max Krell, Das alles there once, Büchergilde Gutenberg, 1961, 361 p . 62
  6. ^ Wilhelm Kosch (Ed.) Et al. German Literature Lexicon. The 20th Century Volume 9 Fischer to Abdendroth-Fries p. 555
  7. Astrid Kusser, body in an inclined position: dancing in the whirlpool of the Black Atlantic around 1900, p. 101
  8. ^ Herbert Freeden, Life at the wrong time, Transit Buchverlag GmbH, 1991, 277 pp., P. 30