Joseph Ahrens

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Joseph Johannes Clemens Ahrens (born April 17, 1904 in Sommersell , † December 21, 1997 in Berlin ) was a German composer and organist .

Life

Ahrens was born in Sommersell, Westphalia, the son of an organist, and has lived in Berlin since he was a student . After starting his studies in Münster , he studied in Berlin with Alfred Sittard and Max Seiffert . From 1928 he taught as a lecturer at the Berlin Academy for School and Church Music. From 1929 to 1933 he was organist in St. Marien (Berlin-Wilmersdorf) . From 1931 to 1940 he was the organist of the Berlin Philharmonic . From 1934 he worked as a cathedral organist at the Sankt Hedwigs Cathedral (Berlin) and from 1945 to 1957 as an organist at the Salvator Church (Berlin-Schmargendorf) . From 1945 to 1969 he was professor of church music at the Hochschule für Musik Berlin , whose deputy director he was from 1954 to 1958. In 1963 he became a member of the Academy of the Arts in Berlin. Ahrens is one of the most important exponents of a renewed Catholic church music.

One of his main works is the chorale cycle “The Holy Year”, which contains a number of cantus firmus arrangements. Ahrens' linear style of writing is characterized by a distinctive thematic structure, expanded tonality and orientation towards liturgy and worship. From 1959 he consistently used the dodecaphony .

He was married to Gisela geb. Schroeder . This marriage resulted in two children, including the organist Sieglinde Ahrens .

tomb

His grave is in the Zehlendorf forest cemetery .

Awards

Organ works

  • Small Christmas Partita "Born in Bethlehem" (1929)
  • Canzone in F (1930)
  • Prelude, Aria and Toccata in A minor (1931)
  • Toccata eroica (1932)
  • Passamezzo and Fugue in G minor (1933)
  • Ricercare in a (1934)
  • Pange lingua, hymn (1935)
  • Partita "Christ is risen" (1935)
  • Five little pieces (1936): Intrada - Intermezzo - Invention - Interludium
  • Regina Coeli (1937)
  • Doric Toccata (1938)
  • Fantasy, Grave marcia funebre and Toccata in C minor (1939)
  • Little Music in A Minor (1940)
  • Concerto in E minor (1941)
  • Jesus, my joy, Partita (1942)
  • Prelude and Fugue in F minor (1942)
  • Toccata and Fugue in E minor (1942)
  • Concertino in G major (1943)
  • Fantasy in B minor (1943)
  • Canzone in cis (1943)
  • Organ Mass (1945)
  • Grant us peace graciously, Partita (1947)
  • Hymn "Veni, Creator Spiritus" (1947)
  • Praise the Lord, Partita (1947)
  • Triptych BACH (1949)
  • The Holy Year: Choral Work for Organ (1948/50)
  • Concertino for positive (1950)
  • Cantiones Gregorianae pro organo I-III (1957)
  • Trilogia sacra I: Domus Dei. Seven Contemplations for Organ (1959)
  • Trilogia sacra II: Civitas Dei. Seven Visions After the Apocalypse (1960)
  • Metamorphoses I (1963), II (1964) and III (1965)
  • Fantasy and Ricercare on a Theme by J. Cabanilles (1965)
  • Five Leisen (1969): Praise be to Jesus Christ - Christ is risen - In God's name we go - Now we ask the Holy Spirit - God be praised and given
  • Trilogia contrapunctica (1972,1975,1976)
  • Canticum Organi I-III (1972,1975,1976)
  • Trilogia dodekaphonica (1978)
  • Passacaglia dodekaphonica (1980)

Fonts

  • Joseph Ahrens: Form principles of Gregorian chant and my organ style. Heidelberg 1978.
  • Joseph Ahrens: From Modes to Dodecaphony. Heidelberg 1979.

literature

  • Johanna Schell : The organ work by Joseph Ahrens. An overview of the history of development . In: Musica Sacra . 109 (1989).
  • Michael Heinemann : Holy Years. To the organ music by Joseph Ahrens. In: Ars Organi . 42 (1994)
  • Rudolf Walter: Organ sound ideal and registration methods by Joseph Ahrens. In: Alfred Reichling (Ed.): Aspects of the organ movement. Kassel 1995.
  • Michael Heinemann: Joseph Ahrens . In: Michael Heinemann, Briger Petersen (ed.): Organ movement and late romanticism . Studies on Organ Music, No. 6 . Dr. J. Butz, Bonn 2016, p. 129-138 .

Web links

Individual evidence

  1. Michael Heinemann: Joseph Ahrens . In: Michael Heinemann, Briger Petersen (ed.): Organ movement and late romanticism . Studies on Organ Music, No. 6 . Dr. J. Butz, Bonn 2016, p. 129-138 .