La romanzesca e l'uomo nero

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Work data
Title: La romanzesca e l'uomo nero
Title page of the autograph

Title page of the autograph

Shape: Opera buffa in one act
Original language: Italian
Music: Gaetano Donizetti
Libretto : Domenico Gilardoni
Premiere: June 18, 1831
Place of premiere: Teatro del Fondo , Naples
Playing time: approx. 1 ½ hours
Place and time of the action: Count's palazzo
people
  • Antonia, daughter of the count ( soprano )
  • Trappolina, governess (soprano)
  • Chiarina, the Count's niece (soprano)
  • Carlino, son of Baron Ruperti, the Count's friend ( tenor )
  • Fedele, friend of the count (tenor)
  • Il conte, Antonia's father ( baritone )
  • Nicola, servant (baritone)
  • Filidoro, "L'uomo nero" (baritone)
  • Tommaso, Filidoro's uncle (baritone)
  • Giappone, head of the count's household

La romanzesca e l'uomo nero (also La romanziera e l'uomo nero ; German: "The romantic woman and the black man") is an opera buffa in one act by Gaetano Donizetti . The libretto written Domenico Gilardoni . The premiere took place on June 18, 1831 at the Teatro del Fondo in Naples.

Plot (reconstructed)

The count has just returned from a long trip with his friend Baron Tommaso Ruperti. The two men want to strengthen their friendship by connecting their families: Antonia, the count's only daughter, is to marry Carlino, the baron's son. During the Count's absence the governess Trappolina was to take care of Antonia's education, and Chiarina, an orphaned niece, was brought into the house to join her.

Antonia is filled with the romantic stories that she finds in her father's library. Depressed by the thought of having to marry young Carlino according to her father's will, she vacillates between the fulfillment of duty and romantic ideas of true love. The head of house Tommaso has also smuggled his nephew Filidoro into the house, who goes by the name of “l'uomo nero” and ingratiates himself with Antonia as a mysterious, black figure.

Carlino, a frequent guest in the house, feels more drawn to Chiarina than his future fiancé Antonia and is appalled when he learns that the marriage is due to take place the next day. Antonia, who replies Carlino's dislike, seeks help from the black man Filidoro. Both decide to escape paternal tyranny. Antonina would like to give up the worldly life and lead a simple but romantic life in the woods. After numerous complications, the count ends the two lovers' escape and recognizes the black man as his hairdresser Filidoro. Suddenly torn out of her romantic dreams, Antonia realizes her mistake ("Mai più romanticismo! - No more romance!"). Who will marry whom in the end remains open.

layout

The work is an "opera of the new brevity" and contains concentrated the classic forms of bel canto with cavatina and cabaletta . Originally, the music numbers were linked by prose dialogues, but these were lost. The premiere attracted little attention and after only one further performance the piece was canceled again. La romanzesca e l'uomo nero was the second opera, alongside Francesca di Foix , that Donizetti wrote in 1831.

Work history

Luigia Boccabadati (Antonina), Anna Manzi-Salvetti (Trappolina), Marietta Gioja-Tamburini (Chiarina), Antonio Tamburini (Carlino), Francesco Salvetti (Fedele), Gennaro sang at the premiere on June 18, 1831 at the Teatro del Fondo in Naples Ambrosini (Il conte), Lorenzo Lombardi (Filidoro), Gennarino Luzio (Tommaso) and Tauro (Giappone).

Discography

literature

  • Robert Steiner-Isenmann: Gaetano Donizetti. His life and his operas. Hallwag, Bern 1982. ISBN 3-444-10272-0 ; P. 132; 505
  • Jeremy Commons: Booklet on the Opera, Opera Rara , 2000

Web links

Commons : La romanziera e l'uomo nero  - collection of images, videos and audio files

Individual evidence

  1. June 18, 1831: “La romanzesca”. In: L'Almanacco di Gherardo Casaglia ., Accessed on August 8, 2019.
  2. network information on operone.de ( Memento of 4 March 2016 Internet Archive )