Ladislaus Vajda

from Wikipedia, the free encyclopedia

Ladislaus Vajda , actually László Vajda , (born August 19, 1877 in Eger , Hungary , † March 10, 1933 in Berlin ) was a Hungarian screenwriter , theater director and dramaturge .

Life

László Vajda started out as a provincial actor and then worked as a journalist in Budapest for Tolnai Világlapja and Színházi Élet. From 1908 he worked as a director at the Hungarian Theater , in 1913 he became the main director and in 1920 artistic director. He wrote a number of plays, and from 1916 also screenplays, including for Sándor Korda . In 1919, at the time of the Hungarian Soviet Republic , Vajda was a member of the Film Council, which determines film policy. In 1922 he emigrated to Vienna , where he wrote the scripts for several productions of Sascha-Film until 1924 . Most of these films worked with his compatriot Mihály Kertész as a director and Gustav Ucicky as a cameraman.

Vajda then went to Berlin, where he was involved in all the scripts for Georg Wilhelm Pabst's films from 1927 to 1932 . The Love of Jeanne Ney , Pandora's Box and The Three Groschen Opera were based on literary models. Vajda wrote scripts against enmity, war and for international understanding in the Western Front 1918 and Comradeship , which emerged in the early 1930s . In addition to the scripts for films by Pabst, he also provided many templates for entertainment films .

His son László Vajda also worked in the film business as a screenwriter and film director under the name Ladislao Vajda .

Filmography

literature

  • Kay Less : The film's great personal dictionary . The actors, directors, cameramen, producers, composers, screenwriters, film architects, outfitters, costume designers, editors, sound engineers, make-up artists and special effects designers of the 20th century. Volume 8: T - Z. David Tomlinson - Theo Zwierski. Schwarzkopf & Schwarzkopf, Berlin 2001, ISBN 3-89602-340-3 .

Web links