Louis-Aimé Grosclaude
Louis-Aimé Grosclaude (born September 26, 1784 in Le Locle , † December 11, 1869 in Paris ) was a Swiss genre and portrait painter .
biography
Louis-Aimé Grosclaude came from a family of established watchmakers in Le Locle. After completing his training, he gave up his job and practiced painting still lifes as an autodidact . He came to Geneva in 1803 , where he learned the basics of painting under the guidance of a Dutch master. In 1805 he came to the Paris studio of Jean-Baptiste Regnault , professor at the École des beaux-arts de Paris . He visited the Louvre regularly to copy the Flemish and Italian masters there .
Regnault, realizing his talent, encouraged him to apply for the Prix de Rome , but Grosclaude had to return to Switzerland for treatment sick. He came again to finish his training in Paris, but fell ill again in 1807 and settled in Geneva.
From 1816 he took part in the exhibitions of the Société des Arts and gained the reputation of a portrait painter, he continued to occupy himself with genre painting. In 1824 he married the painter Jeanne Pernette Jourdan, with whom in 1831 they had a son, Louis-Frédéric.
During his first visit to the Berlin Academy in 1826, he was elected a member. Around this time he met the English genre painter David Wilkie on a trip to the continent.
From 1827 Grosclaude regularly took part in the Paris Salon . In 1835 he received a third class medal for his painting entitled Toast à la vendange (1834), which was added to the royal collection. In the same year, he and his family settled permanently in Paris. There he received the second class medal in the salon of 1838 and the first class medal in 1845.
His large painting Marino Faliero, Doge of Venice (1842) was presented at the first exhibition of the Society of Friends of the Arts in Neuchâtel and donated to the local art museum by a wealthy private citizen.
From then on, he painted numerous portraits of personalities from Neuchâtel during his stays in his home country. The bourgeoisie often posed in his workshop, like the wealthy Baron James de Rothschild, who sent him the most important orders. A large number of these portraits then appeared in the Paris salon and established Grosclaude's reputation in society.
His students included u. a. François Bocion , Frédéric Zuberbühler and his son Louis-Frédéric Grosclaude .
literature
- Werner Weisbach : Grosclaude, Louis-Aimé . In: Ulrich Thieme , Fred. C. Willis (Ed.): General lexicon of visual artists from antiquity to the present . Founded by Ulrich Thieme and Felix Becker . tape 15 : Gresse – Hanselmann . EA Seemann, Leipzig 1922, p. 94 ( Textarchiv - Internet Archive ).
- Alberto de Andrés: Louis-AiméGrosclaude. In: Historical Lexicon of Switzerland .
- Sylvain Bauhofer: Louis-Aimé Grosclaude. In: Sikart
Web links
- Louis-Aimé Grosclaude. Biographical data and works in the Netherlands Institute for Art History (Dutch)
personal data | |
---|---|
SURNAME | Grosclaude, Louis-Aimé |
BRIEF DESCRIPTION | Swiss genre and portrait painter |
DATE OF BIRTH | September 26, 1784 |
PLACE OF BIRTH | Le Locle |
DATE OF DEATH | December 11, 1869 |
Place of death | Paris |