Lucy Lippard

from Wikipedia, the free encyclopedia

Lucy R. Lippard (* 1937 in New York City ) is an American writer, art theorist and curator .

Life

Lucy Lippard is in New Orleans and Charlottesville ( Virginia grew up). In 1952 she began studying at Abbot Academy. After graduating from Smith College, she worked for the American Friends Service Committee in Mexico . She then earned her MA in Art History from New York University . In 1964 Lippard began writing articles for the international art magazine Artforum, which was founded in 1962 . Since 1966, Lucy Lippard has published over twenty books and curated over fifty exhibitions. In 1968 she received a Guggenheim grant . Together with the artist Sol LeWitt , Lippard founded the Printed Matter publishing house for the edition of artist books in 1976 .

position

In her writings she for the first time outlined the position of a dematerialization of art, especially in conceptual art . Lippard belongs to the early avant-garde of feminist art . In the foreword to Valie Export's exhibition MAGNA. Feminism: Art and creativity , which was shown in Vienna in 1975 , writes Lucy Lippard: Of course art has no gender, but the artist has one. Therefore, separate women's rooms are necessary in order to allow the invisible - female - gender to be given the public view and the associated recognition.

Publications

  • School of Paris. Paintings from the Florene May Schoenborn and Samuel A. Marx Collection . Museum of Modern Art 1965
  • The Dematerialization of Art . with John Chandler. In: Art International , February 1968
  • Pop art . With contributions by Lawrence Alloway , Nancy Marmer, Nicolas Calas. Droemer Knaur, Munich 1969 [Original 1966]
  • Ad Reinhardt . Klett-Cotta, Stuttgart 1984
  • Eva Hesse . Biography. Da Capo Press, New York, NY 1992, ISBN 0-306-80484-0 (English, first edition: New York University Press, New York, NY 1976.).
  • 10 structurists in 20 paragraphs . In: Gregor Stemmrich: Minimal Art . A critical retrospective . Dresden 1995
  • Six Years. The Dematerialization of the Art Object from 1966 to 1972 . University of California Press 1997, ISBN 978-0-520-21013-4 [Original 1973]

Exhibitions

Web links

Individual evidence

  1. ^ Marie-Luise Angerer : Feminism and artistic practice . In: Hubertus Butin (Ed.): DuMont's glossary of terms for contemporary art . DuMont, Cologne 2002, p. 81.
  2. Friederike Wappler: Post-minimal Art . In: Hubertus Butin (Ed.): DuMont's glossary of terms for contemporary art . DuMont, Cologne 2002, p. 255.
  3. ^ Sabeth Buchmann: Conceptual Art . In: Hubertus Butin (Ed.): DuMont's glossary of terms for contemporary art . DuMont, Cologne 2002, p. 53.